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Of Mermaids and Rock Singers, Survilla, Maria Paula


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Цена: 20671.00р.
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Автор: Survilla, Maria Paula
Название:  Of Mermaids and Rock Singers
ISBN: 9780415940146
Издательство: Taylor&Francis
Классификация:

ISBN-10: 0415940141
Обложка/Формат: Hardback
Страницы: 182
Вес: 0.40 кг.
Дата издания: 19.07.2002
Серия: Current research in ethnomusicology: outstanding dissertations
Язык: English
Иллюстрации: 30 illustrations, color
Размер: 242 x 162 x 16
Читательская аудитория: Undergraduate
Подзаголовок: Placing the self and constructing the nation through belarusan contemporary music
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Поставляется из: Европейский союз


Stars of 21st Century Dance Pop and Edm: 33 Djs, Producers and Singers Discuss Their Careers

Автор: Arena James
Название: Stars of 21st Century Dance Pop and Edm: 33 Djs, Producers and Singers Discuss Their Careers
ISBN: 1476670226 ISBN-13(EAN): 9781476670225
Издательство: Mare Nostrum (Eurospan)
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Цена: 5821.00 р.
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Описание: Dance music has seen an unprecedented explosion in the 21st century as a stampede of subgenres, such as dance-pop and EDM (electronic dance music), have come to define the pop music scene worldwide. In this collection of original interviews, 33 hitmakers from 11 countries discuss their lives and careers in this still-unfolding new age.

Performers` Rights in Sri Lanka

Автор: Gowri Nanayakkara
Название: Performers` Rights in Sri Lanka
ISBN: 9811366675 ISBN-13(EAN): 9789811366673
Издательство: Springer
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Цена: 16769.00 р.
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Описание: This book explores whether global music copyright law and the performers’ rights regime (PRR) have been able to improve the economic position of artists, as they were originally intended to. The author investigates whether this regime effectively addresses contemporary issues regarding royalty payments and cover songs in Sri Lankan music, drawing on the empirical findings of a case study she conducted on the Sinhala music industry. She finds that the PRR developed internationally and implemented in Sri Lanka is predicated on a particular view of the role of performers and their relationships with other actors in the music industry; although this view can be found in the USA, UK and India, it does not seem to reflect the established practices and relationships within Sri Lanka’s contemporary music industry. While providing a socio-historical and legal analysis of these differing industrial settings and investigating the manner in which they impact the PRR’s (in)ability to deliver improved economic security for Sinhala singers, the book also offers policymakers recommendations on how to supplement current national copyright law and the PRR in order to provide a secure economic position for music artists in Sri Lanka.


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