Originality and Intellectual Property in the French and English Enlightenment, McGinnis, Reginald
Автор: Lianos Ioannis, Ivanov Alexey, Davis Dennis Название: Global Food Value Chains and Competition Law ISBN: 1108429491 ISBN-13(EAN): 9781108429498 Издательство: Cambridge Academ Рейтинг: Цена: 15682.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The idea of a chain of production that straddles the boundaries of national states is central to understanding the workings of the global economy; this book focuses on how a range of countries at different stages of development and regulatory capability deal with the regulation of food production and distribution.
Автор: Sotirios Paraschas Название: Reappearing Characters in Nineteenth-Century French Literature ISBN: 3319692895 ISBN-13(EAN): 9783319692890 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Introduction: 'La littйrature ruminante'.- 1. 'Le revenant littйraire': Balzac and the Reappearance of Characters as a Strategy of Re-appropriation.- 2. Zola and 'le revenant hйrйditaire'.- 3. The Poetics of Forgery in Charles Rabou's Sequel to Balzac's Le Dйputй d'Arcis.- 4. 'Tous pour un, un pour tous': Alexandre Dumas, Auguste Maquet, and the Musketeers Trilogy.- 5. 'Le collaborateur fantomatique': Zola, William Busnach, and the Adaptations of Les Rougon-Macquart for the Stage.- Concluding Reflections.- Appendix 1. List of the Stage Adaptations of Balzac's Works during his Lifetime.- Appendix 2. List of the Changes in the Description of the Heredity of the Rougon-Macquart.
Автор: Sotirios Paraschas Название: Reappearing Characters in Nineteenth-Century French Literature ISBN: 303009880X ISBN-13(EAN): 9783030098803 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the phenomenon of the reappearance of characters in nineteenth-century French fiction. It approaches this from a hitherto unexplored perspective: that of the twin history of the aesthetic notion of originality and the legal notion of literary property. While the reappearance of characters in the works of canonical authors such as Honor? de Balzac and ?mile Zola is usually seen as a device which transforms the individual works of an author into a coherent whole, this book argues that the unprecedented systematisation of the reappearance of characters in the nineteenth century has to be seen within a wider cultural, economic, and legal context. While fictional characters are seen as original creations by their authors, from a legal point of view they are considered to be ‘ideas’ which are not protected and can be appropriated by anyone. By co-examining the reappearance of characters in the work of canonical authors and their reappearances in unauthorised appropriations, such as stage adaptations and sequels, this book discusses a series of issues that have shaped our understanding of authorship, originality, and property.
Автор: Shore Robert Название: Beg, Steal and Borrow: Artists Against Originality ISBN: 1780679467 ISBN-13(EAN): 9781780679464 Издательство: Laurence King Рейтинг: Цена: 1972.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: in a world saturated with images, it is becoming more original how you re-use or appropriate than how you create from scratch
Описание: Shakespeare Survey is a yearbook of Shakespeare studies and production which has published the best international scholarship in English since 1948. The theme for Volume 68 is `Shakespeare, Origins and Originality`. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey.
Автор: Gelbart, Matthew (Associate Professor of Music, Associate Professor of Music, Fordham University) Название: Musical Genre and Romantic Ideology ISBN: 0190646926 ISBN-13(EAN): 9780190646929 Издательство: Oxford Academ Рейтинг: Цена: 9280.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Musical Genre and Romantic Ideology charts the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. In case studies from across nineteenth-century Europe, author Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging.
Описание: The first ever collection of essays in English on Iacopone da Todi by a diverse group of international scholars, this book offers a contemporary critical assessment on this medieval Franciscan poet of the thirteenth century. Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century. Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolo Crisafi, Anne-Gaelle Cuif, Federica Franze, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sali?teanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.
Within key texts of Romanticic-era aesthetics, William Wordsworth, S. T. Coleridge, and other writers and theorists pointed to the poet, naturalist, and physician Erasmus Darwin as exemplifying a lack of originality and sensibility in the period’s scientific literature--the very qualities that such literature had actually sought to achieve. The success of this strawman tactic in establishing Romantic-era principles resulted in the historical devaluation of numerous other, especially female, imaginative authors, creating misunderstandings about the aesthetic intentions of the period’s scientific literature that continue to hinder and mislead scholars even today.
Regenerating Romanticism demonstrates that such strategies enabled some literary critics and arbiters of Romantic-era aesthetics to portray literature and science as locked in competition with one another while also establishing standards for the literary canon that mirrored developing ideas of scientific or biological sexism and racism. With this groundbreaking study, Melissa Bailes renovates understandings of sensibility and its importance to the late eighteenth- and early nineteenth-century movement of scientific literature within genres such as poetry, novels, travel writing, children’s literature that obviously and technically engage with the natural sciences.
Автор: Wilson, Aaron Bruce Название: Peirce`s empiricism ISBN: 149851023X ISBN-13(EAN): 9781498510233 Издательство: Bloomsbury Рейтинг: Цена: 16335.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Widely praised as a founder of modern semiotics and of the pragmatist tradition in philosophy, Charles S. Peirce (1839-1914) spent over forty years developing a philosophical system that addresses the fundamental problems of Western metaphysics, epistemology, and value theory. Although never formally completed, what emerges from Peirce's writings is a distinctive system that, through an innovative semiotic or theory of signs and cognition, combines a thoroughgoing form of empiricism with a robustly realist metaphysics that emphasizes the mind-independence of laws and other universals. Peirce's Empiricism: Its Roots and Its Originality explains this marriage of empiricism with realism by tracing the roots of Peirce's thought in the history of Western philosophy, with particular attention paid to his predecessors in the empiricist and the common sense traditions. By purging modern empiricism of its nominalistic metaphysics and its Cartesian assumptions about mind and knowledge, and by combining it with insights from sources as diverse as Duns Scotus and Charles Darwin, Peirce reinvents the idea that all our knowledge depends on sense perception while reaffirming the place of philosophy as a foundational field of inquiry. In Peirce's Empiricism, Aaron Bruce Wilson defends an interpretation of Peirce's philosophical work as forming a systematic whole, and develops the connections between Peirce, Reid, and the British empiricists. Wilson provides focused analyses of Peirce's accounts of experience, habit, perception, semeiosis, truth, and ultimate ends. This book will be of great value to students and scholars with interests in Peirce, American philosophy more broadly, modern philosophy, and semiotics.
The work of Herodotos of Halikarnassos, 'the father of history', differs in many ways from that of modern historians, and it poses special problems to the student.
Herodotos' history of the Persian Wars, written in the second half of the fifth century BC, was both the first attempt at a comprehensive history and the first lengthy prose narrative in the Western cultural tradition. There was an almost total lack of written historical evidence in Greece at the time, and the audiences who paid to hear Herodotos' lectures also expected historical dramatizations, and enjoyed descriptive material and anecdotes that today would be relegated to notes.
In Herodotus the Historian, first published in 1985, K.H. Waters offers a comprehensive introduction to Herodotus' background, aims, and methods. In a lively, informative style, this work offers a level-headed approach to an historian who has excited some extreme reactions and incited controversy among modern readers.
Автор: Waters, K. H. Название: Herodotos the Historian (Routledge Revivals) ISBN: 0415744938 ISBN-13(EAN): 9780415744935 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Between 1780 and 1800, authors of imaginative literature in the new United States wanted to assert that their works, which bore obvious connections to anglophone literature on the far side of the Atlantic, nevertheless constituted a properly "American" tradition. No one had yet figured out, however, what it would mean to write like an American, what literature with an American origin would look like, nor what literary characteristics the elusive quality of Americanness could generate. Literature, American Style returns to this historical moment—decades before the romantic nationalism of Cooper, the transcendentalism of Emerson and Thoreau, or the iconoclastic poetics of Whitman—when a fantasy about the unique characteristics of U.S. literature first took shape, and when that notion was linked to literary style. While late eighteenth-century U.S. literature advertised itself as the cultural manifestation of a radically innovative nation, Ezra Tawil argues, it was not primarily marked by invention or disruption. In fact, its authors self-consciously imitated European literary traditions while adapting them to a new cultural environment. These writers gravitated to the realm of style, then, because it provided a way of sidestepping the uncomfortable reality of cultural indebtedness; it was their use of style that provided a way of departing from European literary precedents. Tawil analyzes Noah Webster's plan to reform the American tongue; J. Hector St. John de Crèvecoeur's fashioning of an extravagantly naïve American style from well-worn topoi; Charles Brockden Brown's adaptations of the British gothic; and the marriage of seduction plots to American "plain style" in works such as Susanna Rowson's Charlotte Temple and Hannah Webster Foster's The Coquette. Each of these works claims to embody something "American" in style yet, according to Tawil, remains legible only in the context of stylistic, generic, and conceptual forms that animated English cultural life through the century.
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