Автор: Desmond, Karen (brandeis University, Massachusetts) Название: Music and the moderni, 1300-1350 ISBN: 1107167094 ISBN-13(EAN): 9781107167094 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through a close reading of the words of fourteenth-century musicians and theorists, Karen Desmond explores the crucial contributions of mathematician Jean des Murs to the ars nova, the `new art` of its time. This book will appeal to scholars of early music, medieval studies and late medieval intellectual history.
Описание: Through a close reading of the words of fourteenth-century musicians and theorists, Karen Desmond explores the crucial contributions of mathematician Jean des Murs to the ars nova, the `new art` of its time. This book will appeal to scholars of early music, medieval studies and late medieval intellectual history.
Автор: Roesner, Edward H. Название: Ars antiqua ISBN: 0754626660 ISBN-13(EAN): 9780754626664 Издательство: Taylor&Francis Рейтинг: Цена: 44405.00 р. Наличие на складе: Нет в наличии.
Автор: Mckinney Название: Adrian Willaert and the Theory of Interval Affect ISBN: 1138265802 ISBN-13(EAN): 9781138265806 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Описание: Using the influential Venetian composer Adrian Willaert`s (1490-1562) music, this book reconstructs his innovative theories concerning how music might communicate extramusical ideas. It discusses the influence of Willaert`s theory on the madrigals of composers such as Vicentino, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato.
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