Автор: Zimmermann Manfredo Название: The Ornamentation of Baroque Music ISBN: 3739231971 ISBN-13(EAN): 9783739231976 Издательство: Неизвестно Рейтинг: Цена: 5604.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Everything you want to know about embellishing Music of the Baroque Era is taught systematically and well-founded here: from the different "essential ornaments" such as trill, mordent, appoggiatura, slide, etc. up to the free melodic ornaments, cadenzas and improvised grounds. In addition, you will find valuable information, tips, constructive exercises, historical examples and much more. Exclusively you get a live recorded harpsichord-basso continuo accompaniment for all exercises, which supports you harmonically and rhythmically. For pupils, students, amateurs and professional musicians
Автор: Michael Collins, Elise K. Kirk Название: Opera and Vivaldi ISBN: 1477300643 ISBN-13(EAN): 9781477300640 Издательство: Marston Book Services Цена: 6138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A collection of papers on Baroque opera, discussing the operatic works of Vivaldi, Handel, and other Baroque composers as well as the characteristics of the genre.
Автор: Wainwright, Jonathan Название: From Renaissance to Baroque ISBN: 0754604039 ISBN-13(EAN): 9780754604037 Издательство: Taylor&Francis Рейтинг: Цена: 20671.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Wainwright Название: From Renaissance to Baroque ISBN: 1138257877 ISBN-13(EAN): 9781138257870 Издательство: Taylor&Francis Рейтинг: Цена: 8726.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.
Автор: Harris-Warrick Название: Dance and Drama in French Baroque Opera ISBN: 1107137896 ISBN-13(EAN): 9781107137899 Издательство: Cambridge Academ Рейтинг: Цена: 23285.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this book, Rebecca Harris-Warrick dismantles the prevailing notion that dance in French Baroque opera was merely decorative, and presents compelling evidence that the divertissement is essential to understanding the work. Evolving practices in music, librettos, choreography and staging are brought to bear on sixty years of operatic history.
Автор: Alan Howard Название: Compositional Artifice in the Music of Henry Purcell ISBN: 110700666X ISBN-13(EAN): 9781107006669 Издательство: Cambridge Academ Рейтинг: Цена: 14256.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Fugal invention has proved a successful line of analytical inquiry in recent studies of repertoires from Josquin to J. S. Bach. Alan Howard brings similar insights to the music of Henry Purcell, and proposes the first analytical approach to his music to examine compositional methods alongside historically contemporary theory, focusing particularly on Purcell's 'artificial' approach to imitative counterpoint. Through this methodology Howard challenges many misunderstandings about Purcell's music that led to him being categorized as old-fashioned and unimaginative. This study offers fresh insights into the musical world in which Purcell lived and worked and situates Purcell's compositional concerns in the broader context of notions of artifice in Restoration culture. Howard thereby offers both a fresh analytical approach - both to Purcell's early instrumental works and to his later concerted vocal music - and a critique of the reception history surrounding the fantazias and sonatas in particular.
Описание: An innovative study of the ways in which theological themes related to earthly and heavenly `treasures` and Bach`s own apparent attentiveness to the spiritual values related to money intertwined in his sacred music.
Описание: An international collaboration between leading scholars showcases a broad spectrum of observations on Handel and his music, covering many aspects of modern interdisciplinary and traditional philological musicology.
Автор: Burrows Название: George Frideric Handel ISBN: 1107019559 ISBN-13(EAN): 9781107019553 Издательство: Cambridge Academ Рейтинг: Цена: 23285.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Handel`s life and career are intricately documented in a wide range of contemporary sources. This major multi-volume publication is the most up-to-date and comprehensive collection of these documents available. Presented in an accessible form, the volumes include English translations of foreign-language texts and commentaries incorporating the results of recent research.
Автор: Gardner Matthew Название: Music and the Benefit Performance in Eighteenth-Century Brit ISBN: 1108492932 ISBN-13(EAN): 9781108492935 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Explores the history of the benefit performance in eighteenth-century Britain, revealing how benefits helped musicians establish themselves within the commercial structures of Britain`s urban centres. This book is for anyone interested in British musical history, particularly its performers, audiences, and institutions.
Название: Aspects of the Secular Cantata in Late Baroque Italy ISBN: 1138257273 ISBN-13(EAN): 9781138257276 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: As shown by the ever-increasing volume of recordings, editions and performances of the vast repertory of secular cantatas for solo voice produced, primarily in Italy, in the second half of the seventeenth century and the first half of the eighteenth century, this long neglected genre has at last 'come of age'. However, scholarly interest is currently lagging behind musical practice: incredibly, there has been no general study of the Baroque cantata since Eugen Schmitz's handbook of 1914, and although many academic theses have examined microscopically the cantatas of individual composers, there has been little opportunity to view these against the broader canvas of the genre as a whole. The contributors in this volume choose aspects of the cantata relevant to their special interests in order to say new things about the works, whether historical, analytical, bibliographical, discographical or performance-based. The prime focus is on Italian-born composers working between 1650 and 1750 (thus not Handel), but the opportunity is also taken in one chapter (by Graham Sadler) to compare the French cantata tradition with its Italian parent in association with a startling new claim regarding the intended instrumentation. Many key figures are considered, among them Tomaso Albinoni, Giovanni Bononcini, Giovanni Legrenzi, Benedetto Marcello, Alessandro Scarlatti, Alessandro Stradella, Leonardo Vinci and Antonio Vivaldi. The poetic texts of the cantatas, all too often treated as being of little intrinsic interest, are given their due weight. Space is also found for discussions of the history of Baroque solo cantatas on disc and of the realization of the continuo in cantata arias - a topic more complex and contentious than may at first be apparent. The book aims to stimulate interest in, and to win converts to, this genre, which in its day equalled the instrumental sonata in importance, and in which more than a few composers invested a major part of their creativity.
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