Описание: Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of "pure poetry, +? but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics.
Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the flaneur, and modernist aesthetics.
Описание: Reading Baudelaire with Adorno examines Charles Baudelaire’s oeuvre – including verse poems, prose poems, and critical writings – in dialogue with the aesthetic theory of Theodor Adorno, for whom the autonomy of the artwork critically resists any attempt to view it merely as a product of its socio-historic context. Joseph Acquisto analyzes Baudelairean duality through the lens of dissonance, arguing that the figure of the subject as a “dissonant chord” provides a gateway to Baudelaire’s reconfiguration of subjectivity and objectivity in both esthetic and epistemological terms. He argues that Baudelaire’s dissonance depends on older models of subjectivity in order to define itself via the negation of romantic conceptions of a unified lyric subject in favor of one constituted simultaneously as subject and object.This new understanding of subjectivity reconfigures our relationship to the work of art, which will always surpass conceptual attempts to know it fully. Acquisto offers a fresh take on some familiar themes in Baudelaire’s work. Dissonant subjectivity in Baudelaire, rather than cancelling esthetic transcendence, points to a different way forward that depends on a new and dialectical relation of subject and object.
Автор: Pearson, Roger (emeritus Professor Of French, University Of Oxford; Emeritus Fellow, The Queen`s College, Oxford) Название: Beauty of baudelaire ISBN: 0192843311 ISBN-13(EAN): 9780192843319 Издательство: Oxford Academ Рейтинг: Цена: 17424.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A substantial study of the works of Charles Baudelaire (1821-1867) that provides fresh and detailed readings of his poetry in verse and prose.
Автор: Leakey Название: Baudelaire: Les Fleurs du mal ISBN: 0521369371 ISBN-13(EAN): 9780521369374 Издательство: Cambridge Academ Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Les Fleurs du mal owes its `landmark` status to the sheer aesthetic quality of its verses. Professor Leakey provides a comprehensive guide to understanding the poems and their context and a detailed account of Le Cygne.
Автор: Mills Kathryn Oliver Название: Formal Revolution in the Work of Baudelaire and Flaubert ISBN: 1611494923 ISBN-13(EAN): 9781611494921 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 9293.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author's broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer's corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally "come to terms with" the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry--as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire--was crucial to their mission of "painting modern life." This work concludes that experimentation with literary form represents these two seminal writers' major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.
Автор: Bien Gloria Название: Baudelaire in China ISBN: 1611493897 ISBN-13(EAN): 9781611493894 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 21542.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.
Автор: Whidden, Seth (Professor of French, Professor of French, University of Oxford) Название: Reading Baudelaire`s Le Spleen de Paris and the Nineteenth-Century Prose Poem ISBN: 0192849905 ISBN-13(EAN): 9780192849908 Издательство: Oxford Academ Рейтинг: Цена: 11286.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A study of Charles Baudelaire`s Le Spleen de Paris (1859) that explores how the practice of reading prose poems might be different from reading poetry in verse. It illustrates how Baudelaire wrote texts that he considered poems and how this form shows aspects of his poetic modernity.
Baudelaire's Media Aesthetics situates Charles Baudelaire in the midst of 19th-century media culture. It offers a thorough study of the role of newspapers, photography, and precinematic devices in Baudelaire's writings, while also discussing the cultural history of these media generally. The book reveals that Baudelaire was not merely inspired by the new media, but that he played with them, using them as frames of perception and ways of experiencing the world. His writings demonstrate how different media respond to one another and how the conventions of one medium can be paraphrased in another medium. Accordingly, Baudelaire's Media Aesthetics argues that Baudelaire should be seen merely as an advocate of "pure poetry," but as a poet in a media saturated environment. It shows that mediation, montage, and movement are features that are central to Baudelaire's aesthetics and that his modernist aesthetics can be conceived of, to a large degree, as a media aesthetics.
Highlighting Baudelaire's interaction with the media of his age, Baudelaire's Media Aesthetics discusses the ways in which we respond to new media technology, drawing on perspectives from Walter Benjamin and Giorgio Agamben. Combining detailed research with contemporary theory, the book opens up new perspectives on Baudelaire's writings, the figure of the flaneur, and modernist aesthetics.
Автор: Clements Patricia Название: Baudelaire and the English Tradition ISBN: 0691611262 ISBN-13(EAN): 9780691611266 Издательство: Wiley Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire`s impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot,
Описание: This book offers the first sustained argument against the philosophy of Walter Benjamin and his readings of Charles Baudelaire. Drawing upon the existential insights of Baudelaire it is also a critique of politicized aesthetics, and cultural Marxism, of which Benjamin is a pioneering and emblematic figure.
Автор: Bien Gloria Название: Baudelaire in China: A Study in Literary Reception ISBN: 1611495644 ISBN-13(EAN): 9781611495645 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 10138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Baudelaire's work entered China in the twentieth century amidst political and social upheavals accompanied by a "literary revolution" that called for classical models and modes of expression to be replaced by vernacular language and contemporary content. Chinese writers welcomed their meeting with the West and openly embraced Western literature as providing models in developing their "new" literature. Baudelaire's reception in China provides a representative study of this "meeting of East and west." His work, which has been declared to stand between tradition and modernity, also lies at the intersection between classical and modern literature in China. Many of the best known and most highly regarded writers in twentieth-century China were drawn to Baudelaire's work, and some addressed it directly in their own writings. Bien draws upon H.R. Jauss's theory of the shifting and expanding horizons of expectation in the reading and interpretation of a literary work, and upon James J.Y. Lin's notion of "worlds" received and created by both author and reader, to show how poetic lines, images, and ideas, as well as Chinese critics' comments, eventually weave into a rich picture of Baudelaire's reception in China.
Автор: Baudelaire Charles Название: Belgium Stripped Bare ISBN: 1940625289 ISBN-13(EAN): 9781940625287 Издательство: Неизвестно Рейтинг: Цена: 3035.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
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