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Composition, Chromaticism and the Developmental Process, Burnett, Henry


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Автор: Burnett, Henry
Название:  Composition, Chromaticism and the Developmental Process
ISBN: 9780754651628
Издательство: Taylor&Francis
Классификация:
ISBN-10: 0754651622
Обложка/Формат: Hardback
Страницы: 430
Вес: 0.79 кг.
Дата издания: 23.11.2007
Язык: English
Размер: 239 x 165 x 29
Читательская аудитория: Undergraduate
Подзаголовок: A new theory of tonality
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Поставляется из: Европейский союз


Composition, Performance, Reception

Автор: Thomas, Wyndham
Название: Composition, Performance, Reception
ISBN: 185928325X ISBN-13(EAN): 9781859283257
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Composition, Chromaticism and the Developmental Process

Автор: Burnett
Название: Composition, Chromaticism and the Developmental Process
ISBN: 1138264776 ISBN-13(EAN): 9781138264779
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Musicology, having been transmitted as a compilation of disparate events and disciplines, has long necessitated a 'magic bullet', a 'unified field theory' so to speak, that can interpret the steady metamorphosis of Western art music from late medieval modality to twentieth-century atonality within a single theoretical construct. Without that magic bullet, discussions of this kind are increasingly complicated and, to make matters worse, the validity of any transformational models and ideas of the natural evolution of styles is questioned and even frowned upon today as epitomizing a grotesque teleological bigotry. Going against current thinking, Henry Burnett and Roy Nitzberg claim that the teleological approach to observing stylistic change is still valid when considered from the purely compositional perspective. The authors challenge the traditional understanding of development, and advance a new theory of eleven-pitch tonality as it relates to the corpus of Western composition. The book plots the evolution of tonality and its bearing on style and the compositional process itself. The theory is not based on the diatonic aspect of the various tonal systems exploited by composers; rather, the theory is chromatically based - the chromatically inflected octave being the source not only of a highly ingenious developmental dialectic, but also encompassing the moment-to-moment progression of the musical narrative itself. Even the most profound teachings of Schenker, and the often startlingly original and worthwhile speculations of Riemann, Tovey, Dahlhaus and others, still provide no theory of development and so are ultimately unable to unite the various tendrils of the compositional organism into a unified whole. Burnett and Nitzberg move beyond existing theory and analysis to base their theory from the standpoint of chromatic 'pitch fields'. These fields are the specific chromatic pitch choices that a composer uses to inform and design a complete composition, utilizing specific chromatic inflections to control a large-scale working out process that is the very essence of 'development'. In short, the authors claim that a chromatic background that coexists with a diatonic contrapuntal background may define the process of compositional development. These chromatic and diatonic events are the two genus expressions of slowly unfolding tonic octaves.

Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siиcle Tonality

Автор: Smith Kenneth M.
Название: Desire in Chromatic Harmony: A Psychodynamic Exploration of Fin de Siиcle Tonality
ISBN: 0190923423 ISBN-13(EAN): 9780190923426
Издательство: Oxford Academ
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Цена: 17472.00 р.
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Описание: In Desire in Chromatic Harmony, Kenneth Smith reveals how composers used chromatic and dissonant chord progressions to mirror the psychological tension and complexity found in the work of psychoanalytic writers.

Desire in chromatic harmony

Автор: Smith, Kenneth M. (professor Of Music Theory, Professor Of Music Theory, University Of Liverpool)
Название: Desire in chromatic harmony
ISBN: 0197752209 ISBN-13(EAN): 9780197752203
Издательство: Oxford Academ
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Цена: 4117.00 р.
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Composition, Performance, Reception

Название: Composition, Performance, Reception
ISBN: 1138269050 ISBN-13(EAN): 9781138269057
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Composers, performers, listeners, critics and theorists all play vital roles in the creation of music culture; yet often each group can appear to hold widely divergent views of a musical work’s aims and effects. As the title indicates, this book examines the parts played by these groups and the interaction between them. In the first of eleven essays, Robert Saxton discusses the difficulty in pin-pointing the moment of inspiration for a new composition; while Raymond Warren looks at the problems facing operatic performers, including those that arise when interpretations are suggested by the libretto but not in the music. The changing perception of the composer's art from the 14th century to the present day is charted by Wyndham Thomas, in particular attitudes towards arrangement. Two quite different views of the performer’s responsibility in communicating the composer’s intentions are taken by Charles Rosen and Susan Bradshaw, the latter arguing for the need to bridge the gap between theoretical and practical analysis of a work; and in two fascinating case studies, Eric Clarke and Jennifer Davidson highlight the ways in which attention to movements of the body in performance can reveal aspects of musical structure. The reception of music is tackled from a variety of perspectives in the book. In his assessment of audience reaction to Jonathan Harvey’s ’The Riot’, Adrian Beaumont concludes that our response is influenced by a complex web of expectations and previous musical experience. The influence of record sleeves in also determining a listener’s response to music is discussed by Nicholas Cook; while Stephen Walsh and Adrian Thomas explore two milieux of critical reception - the first to the music of Stravinsky, and the second to works composed during the social-realist period in Poland. On a more personal level, Bojan Bujic’s essay forms a fitting counterpart to Saxton’s in his attempt to locate the ways in which we experience a new musica

Chromaticism

Автор: Barsky, Vladimir
Название: Chromaticism
ISBN: 3718657058 ISBN-13(EAN): 9783718657056
Издательство: Taylor&Francis
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Цена: 7042.00 р.
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Chromaticism

Автор: Barsky, Vladimir
Название: Chromaticism
ISBN: 371865704X ISBN-13(EAN): 9783718657049
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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The Act of Musical Composition

Автор: Collins, Dave
Название: The Act of Musical Composition
ISBN: 1409434257 ISBN-13(EAN): 9781409434252
Издательство: Taylor&Francis
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Цена: 22968.00 р.
Наличие на складе: Нет в наличии.


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