Counterpoint, Composition and Musica Ficta, Bent, Margaret
Автор: McQuiston, Kate (Author) Название: We`ll Meet Again: Musical Design in the Films of Stanley Kubrick ISBN: 0199767653 ISBN-13(EAN): 9780199767656 Издательство: Oxford Academ Рейтинг: Цена: 11365.00 р. 16236.00-30% Наличие на складе: Есть (1 шт.) Описание: We`ll Meet Again illuminates music`s central role in the design and reception of Stanley Kubrick`s films. It brings together archival evidence and close analysis to trace the ways music serves as starting point and inspiration throughout Kubrick`s working process.
Описание: Using the influential Venetian composer Adrian Willaert`s (1490-1562) music, this book reconstructs his innovative theories concerning how music might communicate extramusical ideas. It discusses the influence of Willaert`s theory on the madrigals of composers such as Vicentino, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato.
Описание: There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agape Agape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.
Автор: Knowles, J. Название: Critica Musica ISBN: 9056995227 ISBN-13(EAN): 9789056995225 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Нет в наличии.
Автор: Szczurko, Elzbieta Название: Antoni szalowski ISBN: 3631639953 ISBN-13(EAN): 9783631639955 Издательство: Peter Lang Рейтинг: Цена: 16147.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is the first extensive study of the works of Antoni Szalowski, which provide a clear example of the adaptation of the principles of Neoclassicism and the norms of Nadia Boulanger. The reader gains the impression that the author is firmly grounded in the literature of the subject in its widest sense.
The concept of «musica mathematica» seeks to accurately examine the intersection of two seemingly radically different subject areas. From the perspective of a European perception, the definition of the science of music was a result of the Pythagorean concept of universal harmony. The Pythagoreans were the first in European culture to raise the issue of uniting music and mathematics, sound and number.
In the three parts of the monograph, versatile cases of the intersection of music and mathematics are displayed, moving from philosophical and aesthetic considerations about mathesis to practical studies, discussing the interaction between music and other kinds of art (architecture, painting, poetry and literature), and providing a practical research of contemporary music compositions.
Автор: Mckinney Название: Adrian Willaert and the Theory of Interval Affect ISBN: 1138265802 ISBN-13(EAN): 9781138265806 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In the writings of Nicola Vicentino (1555) and Gioseffo Zarlino (1558) is found, for the first time, a systematic means of explaining music's expressive power based upon the specific melodic and harmonic intervals from which it is constructed. This "theory of interval affect" originates not with these theorists, however, but with their teacher, influential Venetian composer Adrian Willaert (1490-1562). Because Willaert left no theoretical writings of his own, Timothy McKinney uses Willaert's music to reconstruct his innovative theories concerning how music might communicate extramusical ideas. For Willaert, the appellations "major" and "minor" no longer signified merely the larger and smaller of a pair of like-numbered intervals; rather, they became categories of sonic character, the members of which are related by a shared sounding property of "majorness" or "minorness" that could be manipulated for expressive purposes. This book engages with the madrigals of Willaert's landmark Musica nova collection and demonstrates that they articulate a theory of musical affect more complex and forward-looking than recognized currently. The book also traces the origins of one of the most widespread musical associations in Western culture: the notion that major intervals, chords and scales are suitable for the expression of happy affections, and minor for sad ones. McKinney concludes by discussing the influence of Willaert's theory on the madrigals of composers such as Vicentino, Zarlino, Cipriano de Rore, Girolamo Parabosco, Perissone Cambio, Francesco dalla Viola, and Baldassare Donato, and describes the eventual transformation of the theory of interval affect from the Renaissance view based upon individual intervals measured from the bass, to the Baroque view based upon invertible triadic entities.
Описание: Improvisation was a crucial aspect of musical life in Europe from the late 18th century to the mid-19th. Composers devoted themselves to this practice while formulating the musical ideas found at the core of their published works; improvisation was linked to composition itself. The full extent of this can be inferred from p
Автор: Halstead Название: The Woman Composer ISBN: 1859281834 ISBN-13(EAN): 9781859281833 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Unlike previous anthologizing examinations of women and musical composition, this book concentrates on the reasons why there have been, and continue to be, so few women composers.
Автор: Walden, Joshua S. Название: Musical Portraits ISBN: 0190653507 ISBN-13(EAN): 9780190653507 Издательство: Oxford Academ Рейтинг: Цена: 13147.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Joshua S. Walden's Musical Portraits: The Composition of Identity in Contemporary and Experimental Music explores the wide-ranging but under-examined genre of musical portraiture. It focuses in particular on contemporary and experimental music created between 1945 and the present day, an era in which conceptions of identity have changed alongside increasing innovation in musical composition as well as in the uses of abstraction, mixed media, and other novel techniques in the field of visual portraiture. In the absence of physical likeness, an element typical of portraiture that cannot be depicted in sound, composers have experimented with methods of constructing other attributes of identity in music, such as character, biography, and profession. By studying musical portraits of painters, authors, and modern celebrities, in addition to composers' self-portraits, the book considers how representational and interpretive processes overlap and differ between music and other art forms, as well as how music is used in the depiction of human identities. Examining a range of musical portraits by composers including Peter Ablinger, Pierre Boulez, Morton Feldman, Philip Glass, Gyцrgy Ligeti, and Virgil Thomson, and director Robert Wilson's on-going series of video portraits of modern-day celebrities and his "portrait opera" Einstein on the Beach, Musical Portraits contributes to the study of music since 1945 through a detailed examination of contemporary understandings of music's capacity to depict identity, and of the intersections between music, literature, theater, film, and the visual arts.
Автор: Marx Название: The School of Musical Composition, Practical and Theoretical ISBN: 1108063993 ISBN-13(EAN): 9781108063999 Издательство: Cambridge Academ Рейтинг: Цена: 7445.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Adolf Bernhard Marx (1795-1866), influential music theorist, composer and friend of Mendelssohn, believed music should be part of everyone`s education. This English translation, of only the first volume of the fourth edition of his influential work on the principles of music theory and composition, was first published in 1852.
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