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Postmodern Music/Postmodern Thought, Lochhead, Judy


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Автор: Lochhead, Judy
Название:  Postmodern Music/Postmodern Thought
ISBN: 9780815338192
Издательство: Taylor&Francis
Классификация:


ISBN-10: 0815338198
Обложка/Формат: Hardback
Страницы: 392
Вес: 0.64 кг.
Дата издания: 16.11.2001
Серия: Studies in contemporary music and culture
Язык: English
Иллюстрации: 22 illustrations, color
Размер: 233 x 155 x 27
Читательская аудитория: Undergraduate
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Поставляется из: Европейский союз


Beyond Postmodern Politics

Автор: Haber, Honi Fern
Название: Beyond Postmodern Politics
ISBN: 041590823X ISBN-13(EAN): 9780415908238
Издательство: Taylor&Francis
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Цена: 6889.00 р.
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Pixar`s Boy Stories: Masculinity in a Postmodern Age

Автор: Wooden Shannon R., Gillam Ken
Название: Pixar`s Boy Stories: Masculinity in a Postmodern Age
ISBN: 1442233583 ISBN-13(EAN): 9781442233584
Издательство: Rowman & Littlefield Publishers
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Цена: 20064.00 р.
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Описание: Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current crisis that sociologists and others have noted in boy culture. In Pixar s Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar s males succeed or fail according to the boy code, the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, social hierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a much-needed perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar s Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.

Pixar`s Boy Stories: Masculinity in a Postmodern Age

Автор: Wooden Shannon R., Gillam Ken
Название: Pixar`s Boy Stories: Masculinity in a Postmodern Age
ISBN: 1442275650 ISBN-13(EAN): 9781442275652
Издательство: Rowman & Littlefield Publishers
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Цена: 7392.00 р.
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Описание: Since Toy Story, its first feature in 1995, Pixar Animation Studios has produced a string of commercial and critical successes including Monsters, Inc.; WALL-E; Finding Nemo; The Incredibles; Cars; and Up. In nearly all of these films, male characters are prominently featured, usually as protagonists. Despite obvious surface differences, these figures often follow similar narratives toward domestic fulfillment and civic engagement. However, these characters are also hypermasculine types whose paths lead to postmodern social roles more revelatory of the current "crisis" that sociologists and others have noted in boy culture. In Pixar's Boy Stories: Masculinity in a Postmodern Age, Shannon R. Wooden and Ken Gillam examine how boys become men and how men measure up in films produced by the animation giant. Offering counterintuitive readings of boy culture, this book describes how the films quietly but forcefully reiterate traditional masculine norms in terms of what they praise and what they condemn. Whether toys or ants, monsters or cars, Pixar's males succeed or fail according to the "boy code," the relentlessly policed gender standards rampant in American boyhood. Structured thematically around major issues in contemporary boy culture, the book discusses conformity, hypermasculinity, social hierarchies, disability, bullying, and an implicit critique of postmodern parenting. Unprecedented in its focus on Pixar and boys in its films, this book offers a valuable perspective to current conversations about gender and cinema. Providing a critical discourse about masculine roles in animated features, Pixar's Boy Stories will be of interest to scholars of film, media, and gender studies and to parents.

Postmodern Debates

Название: Postmodern Debates
ISBN: 0333765354 ISBN-13(EAN): 9780333765357
Издательство: Springer
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Цена: 16350.00 р.
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Описание: This text introduces modernity, postmodernism and postmodernity through a series of debates between prominent thinkers in literary theory, philosophy and cultural studies. It explores this topic through thinkers who are at odds, considering the wider implications of postmodern thought.

The Postmodern Novel in Latin America

Автор: Raymond L. Williams
Название: The Postmodern Novel in Latin America
ISBN: 0312120818 ISBN-13(EAN): 9780312120818
Издательство: Springer
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Цена: 14673.00 р.
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Описание: Recent Latin American cultural and political magazines have noted the trend of postmodernity in the literature of the region, with a range of responses. But the debate has been particularly headed by a new group of young writers who consider themselves postmodern and politically progressive: Severo Sarduy of Cuba, Diamela Eltit of Chile, and R.H.

Digital Exposure

Автор: Sassower Raphael
Название: Digital Exposure
ISBN: 1137312394 ISBN-13(EAN): 9781137312396
Издательство: Springer
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Цена: 7685.00 р.
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Описание: This book adopts an explicitly postmodernist perspective of the digital revolution. While exploring issues relating to the re-creation of social life in the digital world, its main focus is on the political economy and in particular the extent to which the paradigms of capitalism and socialism can be mapped as postcapitalism onto this new world.

The most radical gesture

Автор: Plant, Sadie
Название: The most radical gesture
ISBN: 0415062225 ISBN-13(EAN): 9780415062220
Издательство: Taylor&Francis
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Цена: 8726.00 р.
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Описание: Tracing the history, ideas and influences of the Situationist International, from dada to postmodernism, this book illustrates how situationist ideas continue to inform political events, cultural movements and theoretical debate.

Max Weber and Postmodern Theory

Автор: Gane
Название: Max Weber and Postmodern Theory
ISBN: 1403941165 ISBN-13(EAN): 9781403941169
Издательство: Springer
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Цена: 5589.00 р.
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Описание: This book explores the contemporary nature of Max Weber`s work by looking in detail at his key concepts of rationalization and disenchantment. Examining the work of these three key thinkers in this way casts new light both on postmodern theory and on Weber`s sociology of rationalization.

Max Weber and Postmodern Theory

Автор: Gane
Название: Max Weber and Postmodern Theory
ISBN: 0333930584 ISBN-13(EAN): 9780333930588
Издательство: Springer
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Цена: 16070.00 р.
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Описание: This book explores the contemporary nature of Max Weber`s work by looking in detail at his key concepts of rationalization and disenchantment. Examining the work of these three key thinkers in this way casts new light both on postmodern theory and on Weber`s sociology of rationalization.

European Culture Since 1848

Автор: Winders
Название: European Culture Since 1848
ISBN: 0312228732 ISBN-13(EAN): 9780312228736
Издательство: Springer
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Цена: 9083.00 р.
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Описание: This work is a wide ranging thematic study of modern European cultural history, including popular culture, with an emphasis on the second half of the 20th century. It also synthesizes new directions and interpretive debates.

Fictions Inc.

Автор: Clare
Название: Fictions Inc.
ISBN: 0813565871 ISBN-13(EAN): 9780813565873
Издательство: Mare Nostrum (Eurospan)
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Цена: 4019.00 р.
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Описание: Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation--Frank Norris's The Octopus--Ralph Clare traces this figure as it shifts from monster to man, from force to "individual," and from American industry to multinational "Other." Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television's The Office and the comic strips Life Is Hell and Dilbert.

Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of "corporate bodies," Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.

Fictions Inc.

Автор: Clare
Название: Fictions Inc.
ISBN: 081356588X ISBN-13(EAN): 9780813565880
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 13167.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: Fictions Inc. explores how depictions of the corporation in American literature, film, and popular culture have changed over time. Beginning with perhaps the most famous depiction of a corporation - Frank Norris’s The Octopus - Ralph Clare traces this figure as it shifts from monster to man, from force to “individual,” and from American industry to multinational “Other.” Clare examines a variety of texts that span the second half of the twentieth century and beyond, including novels by Thomas Pynchon, William Gaddis, Don DeLillo, Richard Powers, and Joshua Ferris; films such as Network, Ghostbusters, Gung Ho, Office Space, and Michael Clayton; and assorted artifacts of contemporary media such as television’s The Office and the comic strips Life Is Hell and Dilbert.Paying particular attention to the rise of neoliberalism, the emergence of biopolitics, and the legal status of “corporate bodies,” Fictions Inc. shows that representations of corporations have come to serve, whether directly or indirectly, as symbols for larger economic concerns often too vast or complex to comprehend. Whether demonized or lionized, the corporation embodies American anxieties about these current conditions and ongoing fears about the viability of a capitalist system.


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