Musical Topics and Musical Performance, Hellaby, Julian
Название: Keyboard in baroque europe ISBN: 0521102618 ISBN-13(EAN): 9780521102612 Издательство: Cambridge Academ Рейтинг: Цена: 5544.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Twelve of today`s most distinguished scholar-performers offer essays on new and intriguing aspects of baroque keyboard music. The volume gives a balanced picture of the latest theories and discoveries, and concludes with a new arrangement for keyboard of Bach`s D minor Violin Partita, published here for the first time.
Автор: Kuijken Barthold Название: Notation is Not the Music ISBN: 0253010608 ISBN-13(EAN): 9780253010605 Издательство: Wiley EDC Рейтинг: Цена: 5146.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written by a leading authority and artist of the historical transverse flute, The Notation Is Not the Music offers invaluable insight into the issues of historically informed performance and the parameters—and limitations—of notation-dependent performance. As Barthold Kuijken illustrates, performers of historical music should consider what is written on the page as a mere steppingstone for performance. Only by continual examination and reexamination of the sources to discover original intent can an early music practitioner come close to authentic performance.
Описание: In Sami Musical Performance and the Politics of Indigeneity in Northern Europe, ethnomusicologist Thomas Hilder offers the first book-length study of this diverse and dynamic music scene and its intersection with the politics of indigeneity.
Автор: Guldbrandsen Название: Transformations of Musical Modernism ISBN: 1107127211 ISBN-13(EAN): 9781107127210 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Modernism is key to Western art music yet remains poorly understood. This book offers new perspectives on transformations in recent composition, performance and musical thought. It recasts modernism as a whole, revealing both its connections to tradition and its contemporary vitality.
Автор: Brooks Название: The Musical Work of Nadia Boulanger ISBN: 131661638X ISBN-13(EAN): 9781316616383 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Nadia Boulanger - composer, critic, impresario and the most famous composition teacher of the twentieth century - was also a performer of international repute. This book is the first to investigate Boulanger`s performing career, tracing her influence on musical performance in Europe and America in the years before 1945.
Автор: Yearsley Название: Bach`s Feet ISBN: 1316639835 ISBN-13(EAN): 9781316639832 Издательство: Cambridge Academ Рейтинг: Цена: 4118.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: From 1500, the independent use of the feet in musical performance at the organ was unique to Germany and vital to its cultural standing in Europe. Yearsley presents an account of this mode of music-making spanning some 500 years, including reappraising J. S. Bach`s crucial role in that history.
Автор: Haines Название: Eight Centuries of Troubadours and Trouv?res ISBN: 0521108144 ISBN-13(EAN): 9780521108140 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of `medieval music`.
Автор: Garratt Название: Palestrina and the German Romantic Imagination ISBN: 0521807379 ISBN-13(EAN): 9780521807371 Издательство: Cambridge Academ Рейтинг: Цена: 17107.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: James Garratt explores the revival of sixteenth-century music in nineteenth-century Germany, focusing on the reception of Palestrina by critics, historians, performers and composers. This book will interest scholars, students and devotees of nineteenth-century music, and those interested in nineteenth-century culture, art, architecture, literature and aesthetics, and the early music revival.
Автор: Goulden, John Название: Michael costa: england`s first conductor ISBN: 1472427173 ISBN-13(EAN): 9781472427175 Издательство: Taylor&Francis Рейтинг: Цена: 24499.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Among the major changes that swept through the music industry during the mid-nineteenth century, one that has received little attention is how musical performances were managed and directed. The key figure in this process was Michael Costa. This book provides insight into the politics and changing aesthetics of the Victorian musical world.
Автор: Jones, Gregory R. Название: Developing expression in brass performance and teaching ISBN: 1138929018 ISBN-13(EAN): 9781138929012 Издательство: Taylor&Francis Рейтинг: Цена: 7501.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Developing Expression in Brass Performance and Teaching helps university music teachers, high school band directors, private teachers, and students develop a vibrant and flexible approach to brass teaching and performance that keeps musical expression central to the learning process. Strategies for teaching both group and applied lessons will help instructors develop more expressive use of articulation, flexibility in sound production, and how to play with better intonation.
The author shares strategies from today's best brass instrument performers and teachers for developing creativity and making musical expression central to practicing and performing. These concepts presented are taken from over thirty years of experience with musicians like Wynton Marsalis, Barbara Butler, Charles Geyer, Donald Hunsberger, Leonard Candelaria, John Haynie, Bryan Goff, members of the Chicago Symphony and New York Philharmonic and from leading music schools such as the Eastman School of Music, The University of North Texas and The Florida State University.?
The combination of philosophy, pedagogy, and common sense methods for learning will ignite both musicians and budding musicians to inspired teaching and playing.
Derived from the nationalist writings of Jose Marti, the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities.
This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making.
Описание: A study of how notions of place and race inform the identities and performances of musicians in contemporary Cuba Derived from the nationalist writings of Jos Mart , the concept of Cubanidad (Cubanness) has always imagined a unified hybrid nation where racial difference is nonexistent and nationality trumps all other axes identities. Scholars have critiqued this celebration of racial mixture, highlighting a gap between the claim of racial harmony and the realities of inequality faced by Afro-Cubans since independence in 1898. In this book, Rebecca M. Bodenheimer argues that it is not only the recognition of racial difference that threatens to divide the nation, but that popular regional sentiment further contests the hegemonic national discourse. Given that the music is a prominent symbol of Cubanidad, musical practices play an important role in constructing regional, local, and national identities. This book suggests that regional identity exerts a significant influence on the aesthetic choices made by Cuban musicians. Through the examination of several genres, Bodenheimer explores the various ways that race and place are entangled in contemporary Cuban music. She argues that racialized notions which circulate about different cities affect both the formation of local identity and musical performance. Thus, the musical practices discussed in the book--including rumba, timba, eastern Cuban folklore, and son--are examples of the intersections between regional identity formation, racialized notions of place, and music-making. REBECCA M. BODENHEIMER, Oakland, California, is an ethnomusicologist who has conducted research in Cuba since 2004, examining the contemporary performance practices of rumba and a range of other Afro-Cuban folkloric and popular musical styles in the cities of Havana, Matanzas, and Santiago. Her work has appeared in Black Music Research Journal, Musical Quarterly, Ethnomusicology, and Latin American Music Review.
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