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Dancing in the World, Emoghene, Sinclair Ogaga


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Цена: 22202.00р.
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При оформлении заказа до: 2025-08-18
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Автор: Emoghene, Sinclair Ogaga
Название:  Dancing in the World
ISBN: 9781032138114
Издательство: Taylor&Francis
Классификация:








ISBN-10: 1032138114
Обложка/Формат: Hardback
Страницы: 184
Вес: 0.44 кг.
Дата издания: 11.08.2023
Серия: Routledge series in equity, diversity, and inclusion in theatre and performance
Иллюстрации: 1 halftones, black and white; 1 illustrations, black and white
Размер: 161 x 241 x 16
Читательская аудитория: Professional & vocational
Подзаголовок: Revealing cultural confluences
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Поставляется из: Европейский союз


B Plus: Dancing for Mikhail Baryshnikov at American Ballet Theatre: A Memoir

Автор: Langlois Michael
Название: B Plus: Dancing for Mikhail Baryshnikov at American Ballet Theatre: A Memoir
ISBN: 1948796139 ISBN-13(EAN): 9781948796132
Издательство: Неизвестно
Цена: 4221.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: B Plus: Dancing for Mikhail Baryshnikov at American Ballet Theatre is an intimate look at the upper echelons of the dance world as it appeared to a young man who made it to the top of his profession only to discover a vast plateau filled with dancers whose talents and ambitions were often superior to his own.

Dancing with strangers

Автор: Clendinnen, Inga
Название: Dancing with strangers
ISBN: 1841956996 ISBN-13(EAN): 9781841956992
Издательство: Canongate
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Цена: 2375.00 р.
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Описание: In January of 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who will be their new neighbours;

Posthuman capitalism

Автор: Ibrahim, Yasmin
Название: Posthuman capitalism
ISBN: 0367763532 ISBN-13(EAN): 9780367763534
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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Описание: Posthuman Capitalism critically reviews the manifestation of capitalist agenda online by examining the phenomenon of the `posthuman` in the data economy.

Dance On!

Автор: Burridge, Stephanie
Название: Dance On!
ISBN: 1032310138 ISBN-13(EAN): 9781032310138
Издательство: Taylor&Francis
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Цена: 5817.00 р.
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Tango and the Dancing Body in Istanbul

Автор: Levent Yuna, Melin
Название: Tango and the Dancing Body in Istanbul
ISBN: 1032011343 ISBN-13(EAN): 9781032011349
Издательство: Taylor&Francis
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Цена: 6123.00 р.
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Choreographing Mexico: Festive Performances and Dancing Histories of a Nation

Автор: Manuel R. Cuellar
Название: Choreographing Mexico: Festive Performances and Dancing Histories of a Nation
ISBN: 1477325166 ISBN-13(EAN): 9781477325162
Издательство: Mare Nostrum (Eurospan)
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Цена: 5643.00 р.
Наличие на складе: Нет в наличии.

Описание:

The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.

Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.

Ballroom Dancing

Автор: Moore Alex
Название: Ballroom Dancing
ISBN: 1032163089 ISBN-13(EAN): 9781032163086
Издательство: Taylor&Francis
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Цена: 10160.00 р.
Наличие на складе: Нет в наличии.

Описание:

Now in its eleventh edition, this classic and comprehensive handbook has been revised to bring it up to date with changes on the dance floor and in the rules of dance competitions.

The Quickstep, Waltz, Foxtrot, and Tango are all illustrated and described in great detail, as well as the versions of most dances approved for championships. Diagrams demonstrate every step from both the Leader's and Follower's perspectives, and a collection of photographs new to this edition celebrate the diverse range of dancers involved with ballroom.

This is the go-to book for dancers, competition judges, teachers, and anyone who needs to be at the forefront of today's ballroom technique, from amateur practice to international championships.

Dancing machines

Автор: Mccarren, Felicia
Название: Dancing machines
ISBN: 0804739889 ISBN-13(EAN): 9780804739887
Издательство: Marston Book Services
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Цена: 14196.00 р.
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Описание: This work traces the abstraction and anonymity of the bodies making machines dance, in the codes of modernisms graphic and choreographic and in the streamlined gestures of industry, avant-garde art and entertainment.

The dancing master

Автор: Rameau Pierre
Название: The dancing master
ISBN: 1852730927 ISBN-13(EAN): 9781852730925
Издательство: Неизвестно
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Цена: 3442.00 р.
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Описание: Pierre Rameau`s "Le Maitre a Danser" is the standard work on the technique of 18th century dancing. It was first published in Paris in 1725, and bore the printed recommendation of the celebrated dancer and maitre de ballet Louis Pecour.

Dancing with Merce Cunningham

Автор: Preger-Simon Marianne
Название: Dancing with Merce Cunningham
ISBN: 0813064856 ISBN-13(EAN): 9780813064857
Издательство: Mare Nostrum (Eurospan)
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Цена: 2502.00 р.
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Описание: Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic geniuses of our time. Marianne Preger-Simon’s story begins amid the explosion of artistic creativity that followed World War II. While immersed in the vibrant arts scene of postwar Paris during a college year abroad, Preger-Simon was so struck by the unconventional dance style of choreographer Merce Cunningham that she joined his classes in New York. She soon became an important member of his brand new dance troupe?and a constant friend. Through her experiences in the Merce Cunningham Dance Company, Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She also portrays the relationships among the company’s dancers, designers, and musicians, many of whom?including John Cage, David Tudor, and Carolyn Brown?would become integral to the avant-garde arts movement, telling tales of their adventures and conversations touring in a VW Microbus across the United States. Finally, reflecting on her connection with Cunningham throughout the latter part of his career, Preger-Simon recalls warm moments that continued to characterize their enduring friendship. Her memoir is an intimate look at the early years of one of the most influential companies in modern American dance and the brilliance of its visionary leader.

Roadhouse comes to britain

Автор: Gutzke, David W. (missouri State University, Usa) Law, Michael John (university Of Westminster, Uk)
Название: Roadhouse comes to britain
ISBN: 1350090042 ISBN-13(EAN): 9781350090040
Издательство: Bloomsbury Academic
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Цена: 5542.00 р.
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Описание: This is the first book to examine the cultural phenomenon of the roadhouse in mid 20th-century Britain and its impact on British leisure. The term ‘roadhouse’ was used in varied ways in the 1930s, from small roadside tearooms to enormous establishments on the outskirts of major cities. These roadhouses were an important component in the transformation of leisure in the 1930s and beyond, reflecting the increased levels of social and physical mobility brought about by new technologies, suburbanisation and the influence of American culture. Roadhouses attracted wealthy Londoners excited by the prospect of a high-speed run into the countryside. During the day, they offered family activities such as tennis, archery, horse riding and swimming. At night, they provided all the fun of the West End with dancing, classy restaurants, cabaret, swimsuit parades and dance demonstrations, subverting the licensing laws to provide all-night drinking. Rumours abounded of prostitution and transgressive behaviour in the car park. Roadhouses formed part of an imaginary America in suburban Britain that was promoted by the popularity of American movies, music and fiction, providing a pastiche of the American country club. While much work has been done on the Soho nightclubs of the 1930s, the roadhouse has been largely ignored. Michael John Law and David Gutzke fill this gap in the literature by providing a comprehensive analysis of the roadhouse’s cultural meaning, demonstrating how its Americanisation was interpreted for British consumers. This original and engaging study will be fascinating reading for all scholars of 20th-century British cultural history.

Dancing with the Revolution: Power, Politics, and Privilege in Cuba

Автор: Elizabeth B. Schwall
Название: Dancing with the Revolution: Power, Politics, and Privilege in Cuba
ISBN: 1469662965 ISBN-13(EAN): 9781469662961
Издательство: Mare Nostrum (Eurospan)
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Цена: 11913.00 р.
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Описание: Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.

As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.


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