Performance, Trauma and Puerto Rico in Musical Theatre, Rua, Colleen
Название: Ivo van Hove ISBN: 1350031542 ISBN-13(EAN): 9781350031548 Издательство: Bloomsbury Academic Рейтинг: Цена: 5226.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book offers a wealth of resources, critical overviews and detailed analysis of Ivo van Hove’s internationally acclaimed work as the foremost director of theatre, opera and musicals in our time. Stunning production photos capture the power of van Hove’s directorial vision, his innovative use of theatrical spaces, and the arresting stage images that have made his productions so popular among audiences worldwide over the last 30 years. Van Hove’s own contribution to the book, which includes a foreword, interview and his director’s notes for some of his most popular shows, makes this book a unique resource for students, scholars and for his fans across the different art forms in which he works. An informative introduction provides an overview of van Hove’s unique approach to directing, while five sections, individually curated by experts in the respective fields of Shakespeare, classical theatre, modern theatre, opera, musicals, film, and international festival curatorship, offer readers a combination of critical insight and short excerpts by van Hove’s collaborators, the actors in the ensemble companies van Hove works with in Amsterdam and New York, and by arts critics and reviewers.
Автор: Barbieri, Donatella (victoria And Albert Museum And London College Of Fashion, Uk) Название: Costume in performance ISBN: 1350106380 ISBN-13(EAN): 9781350106383 Издательство: Bloomsbury Academic Рейтинг: Цена: 3960.00 р. Наличие на складе: Нет в наличии.
Описание: Winner of Best Performance Design and Scenography Publication Award, Prague Quadrennial 2019This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the ‘fashion plays’ to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume’s ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK
Автор: Rumsey, Phoebe Название: Embodied Nostalgia ISBN: 0367757192 ISBN-13(EAN): 9780367757199 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Название: Thinking Through Theatre and Performance ISBN: 1472579607 ISBN-13(EAN): 9781472579607 Издательство: Bloomsbury Academic Рейтинг: Цена: 4592.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
Описание: Creating Musical Theatre features interviews with the directors and choreographers that make up today's Broadway elite. From Susan Stroman and Kathleen Marshall to newcomers Andy Blankenbuehler and Christopher Gattelli, this book features twelve creative artists, mostly director/choreographers, many of whom have also crossed over into film and television, opera and ballet.
To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today.
Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).
Voice and Speech for Musical Theatre is the first book to combine traditional actor vocal training with musical theatre training, offering support and guidance for performers seeking to train their spoken voice specifically for singing and performing in musical theatre.
Performers in musical theatre are working harder than ever. The shifting and extreme nature of the modern musical theatre repertoire requires performers capable of mastering musicianship, singing and dancing while at the same time providing convincing and clear performances as actors. Voice and Speech for Musical Theatre will help train musical theatre performers in the longer modes of voice needed to create convincing and moving performances. Ideal for the triple-threat performer, Voice and Speech for Musical Theatre features exercises for performers, tips for teachers and online video resources, allowing for a focused and outcome-oriented training of vocal techniques for musical theatre performers.
Описание: Voice and Speech for Musical Theatre is the first book to combine traditional actor vocal training with musical theatre training, offering support and guidance for performers seeking to train their spoken voice specifically for singing and performing in musical theatre.
Performers in musical theatre are working harder than ever. The shifting and extreme nature of the modern musical theatre repertoire requires performers capable of mastering musicianship, singing and dancing while at the same time providing convincing and clear performances as actors. Voice and Speech for Musical Theatre will help train musical theatre performers in the longer modes of voice needed to create convincing and moving performances.
Ideal for the triple-threat performer, Voice and Speech for Musical Theatre features exercises for performers, tips for teachers and online video resources, allowing for a focused and outcome-oriented training of vocal techniques for musical theatre performers.
Автор: James P. Beasley, Kimberly Eckel Beasley Название: Dramatism and Musical Theater: Experiments in Rhetorical Performance ISBN: 1433181347 ISBN-13(EAN): 9781433181344 Издательство: Peter Lang Рейтинг: Цена: 7138.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dramatism and Musical Theater: Experiments in Rhetorical Performance is an innovative workbook for both students and teachers in advanced communication performance. Meeting at the nexus of English composition, advanced rhetoric, theater, music, and drama, this book utilizes Kenneth Burke's method of dramatism to discover the motives inherent in performance practices, whether they be in the classroom or on the stage. In this book Kimberly Eckel Beasley and James P. Beasley take the five corners of the dramatistic pentad (act, scene, agent, agency, and purpose) and demonstrate their utilization in performance analysis. The authors then correlate those performance practices with the production of five contemporary musicals: Little Women, Aida, Street Scene, Into the Woods, and Children of Eden in order to emphasize the use of the dramatistic pentad in character, scene, and staging direction. By doing so, the book highlights dramatism as a performance practice necessary for effective participation in artistic communities.
Dramatism and Musical Theater: Experiments in Rhetorical Performance is also an indispensable guide for teachers and directors to successfully navigate the challenges of collegiate theatrical production.
Автор: Maya Cantu Название: American Cinderellas on the Broadway Musical Stage ISBN: 1137561459 ISBN-13(EAN): 9781137561459 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Drawing upon Broadway musicals ranging from Irene (1919) to Gypsy (1959), Maya Cantu considers how Cinderella Broadway musicals from the 1920s through the 1950s adapted and transformed Perrault`s fairy tale icon in order to address changing social and professional roles for American women.
Название: Paris and the Musical ISBN: 1138611093 ISBN-13(EAN): 9781138611092 Издательство: Taylor&Francis Рейтинг: Цена: 5817.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paris and the Musical explores how the famous city has been portrayed on stage and screen, investigates why the city has been of such importance to the genre, and tracks how it has developed as a trope over the twentieth and twenty-first centuries.
Автор: James P. Beasley, Kimberly Eckel Beasley Название: Dramatism and Musical Theater: Experiments in Rhetorical Performance ISBN: 1433172844 ISBN-13(EAN): 9781433172847 Издательство: Peter Lang Рейтинг: Цена: 18598.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Dramatism and Musical Theater: Experiments in Rhetorical Performance is an innovative workbook for both students and teachers in advanced communication performance. Meeting at the nexus of English composition, advanced rhetoric, theater, music, and drama, this book utilizes Kenneth Burke's method of dramatism to discover the motives inherent in performance practices, whether they be in the classroom or on the stage. In this book Kimberly Eckel Beasley and James P. Beasley take the five corners of the dramatistic pentad (act, scene, agent, agency, and purpose) and demonstrate their utilization in performance analysis. The authors then correlate those performance practices with the production of five contemporary musicals: Little Women, Aida, Street Scene, Into the Woods, and Children of Eden in order to emphasize the use of the dramatistic pentad in character, scene, and staging direction. By doing so, the book highlights dramatism as a performance practice necessary for effective participation in artistic communities.
Dramatism and Musical Theater: Experiments in Rhetorical Performance is also an indispensable guide for teachers and directors to successfully navigate the challenges of collegiate theatrical production.
Автор: Sarah K. Whitfield, Sean Mayes Название: An Inconvenient Black History of British Musical Theatre: 1900 - 1950 ISBN: 1350232688 ISBN-13(EAN): 9781350232686 Издательство: Bloomsbury Academic Рейтинг: Цена: 3483.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
An Inconvenient Black History of British Musical Theatre: 1900 - 1950 makes a radical and vital intervention in this established history of British musical theatre. It records how Black performance and creative practice was a significant force in the British musical theatre industry and disrupts established ideas that Black British performance practice starts after the arrival of the Windrush in 1948.
Through original research and investigation this book draws together threads from existing work in histories of popular music alongside significant archival work and framing of newly digitised newspapers, theatrical newspapers and magazines, and genealogical records. It makes two overarching arguments; firstly, that Black performance practice was a vital and significant part of the history of British musical theatre with an extraordinary impact on the development of the form; and secondly, that this was inherently a resistant practice on the part of hundreds, of practitioners of African descent, whose backgrounds reflect the breadth of the African diaspora. Through considering the presence of, and relationships between, African American, Caribbean and Black British performers and creative producers, this book reinstates the work of hundreds of practitioners by focusing on a close reading of twelve key figures who made musicals theatre in the UK. From Mabel Mercer, Johnny Nit, Pip Graham and Gordon Stretton to Frank Weaver, Alberta Hunter, and Clarence "Buddy" Bradley, it shows how Black composers, musicians, performers and choreographers with a variety of heritages and national identities played a central role in reshaping the form from Edwardian musical comedy into the age of modernism and beyond. Many of their names or works are not included in histories of the British musical. This book exposes this inconvenient history.
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