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The Places of Van Morrison`s Songwriting, Munns, Geoff


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Цена: 19906.00р.
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Автор: Munns, Geoff
Название:  The Places of Van Morrison`s Songwriting
ISBN: 9781032253947
Издательство: Taylor&Francis
Классификация:





ISBN-10: 1032253940
Обложка/Формат: Hardback
Страницы: 180
Вес: 0.51 кг.
Дата издания: 21.12.2022
Серия: Routledge studies in popular music
Размер: 234 x 156
Читательская аудитория: Tertiary education (us: college)
Подзаголовок: Venturing in the slipstream
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Поставляется из: Европейский союз


Guys who wrote `em

Автор: Egan, Sean
Название: Guys who wrote `em
ISBN: 0954575016 ISBN-13(EAN): 9780954575014
Издательство: Неизвестно
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Цена: 3309.00 р.
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Описание: The ethics of virtue predominated in the ancient world, and recent moral philosophy has seen a revival of interest in virtue ethics as a rival to contemporary views such as utilitarianism. This latest addition to the successful Oxford Readings in Philosophy series brings together some of the most interesting and influential work undertaken in the field of virtue ethics over the last four decades.

True Love Cast Out All Evil: The Songwriting Legacy of Roky Erickson

Автор: Atkinson Brian T.
Название: True Love Cast Out All Evil: The Songwriting Legacy of Roky Erickson
ISBN: 1648430430 ISBN-13(EAN): 9781648430435
Издательство: Mare Nostrum (Eurospan)
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Цена: 3511.00 р.
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Описание: “Transcendence came with a price,” Brian T. Atkinson writes in his introduction to this collection of reflections by and about pioneer psychedelic rocker Roky Erickson (1947–2019). The singer and songwriter who fronted the 13th Floor Elevators burst onto the Texas music scene in 1966 with the release of “You’re Gonna Miss Me,” the band’s only charting single, which featured Erickson’s primal vocal stylings. The band attracted considerable regional attention, including interest from a young Janis Joplin, who considered joining the group before opting to go to San Francisco instead.Through his interviews with those who were there and presentation of Erickson’s own words, Atkinson chronicles how Erickson was haunted for most of his life by mental illness, likely compounded by his liberal usage of hallucinogenic and other drugs. Despite that, however, his influence on Texas musicians of various genres is vast. As Billy Gibbons of ZZ Top attests in his foreword, “He stands alone to this day and is revered as an artist because he had the gift of a wonderful voice.”As with his previous books on Townes Van Zandt, Ray Wylie Hubbard, and Mickey Newbury, Atkinson has recorded hours of interviews with veteran and upcoming musicians who were impacted by Roky Erickson. Along with the insights of long-time music journalists like Joe Nick Patoski and the bittersweet recollections of friends and family members like Mikel Erickson, brother of the singer, this work includes poetry and lyrics written by Erickson during his confinement at Rusk State Hospital in the late 1960s and early 1970s. The picture that emerges is that of a brilliant, troubled mind and an artist whose influence extended far beyond the period of his greatest notoriety, continuing even beyond his death.

Автор: Alex Jeffery
Название: Popular Music and Narrativity: A Theory and History of Pop Storyworlds
ISBN: 1501343254 ISBN-13(EAN): 9781501343254
Издательство: Bloomsbury Academic
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Цена: 14256.00 р.
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Описание: Popular music is rich in imaginative storytelling, from the songs of music hall, and street narratives of hip-hop to the 1970s heyday of the concept album. As an even broader audiovisual practice, including music video, sleeve art and star-texts of performers themselves, the possibilities for unique ways of telling stories multiply - capturing the public imagination more recently are examples like Beyonce’s recent visual album Lemonade and experiments in popular music transmedia like Gorillaz.While music’s role as soundtrack for other narrative media has been extensively theorised, relatively little attention has been paid to how narrativity works within popular music itself. By building on writing around narrativity from popular music scholars, applying concepts from the storyworlds literature to music and vice versa, this book connects these two disciplines. It provides fresh takes on well-known case studies from David Bowie and The Beatles to Jeff Wayne’s Musical Version of War of the Worlds, while introducing the reader to lesser known examples from global popular music culture. Providing a long overdue overview of narrativity in popular music culture, this book connects the dots between innovative and exciting examples across its history.


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