Описание: Gender-Based Violence in Latin American and Iberian Cinemas rethinks the intersection between violence and its gendered representation.
Автор: Murguia Salvador Jimenez, Dymond Erica Joan, Fennelly Kristina Название: The Encyclopedia of Sexism in American Films ISBN: 1538115514 ISBN-13(EAN): 9781538115510 Издательство: INGRAM PUBLISHER SERVICES UK Рейтинг: Цена: 25133.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Encyclopedia of Sexism in Film discusses sexism on screen-both blatant and subtle-in more than 150 motion pictures. This volume, examine the images, scenes, and dialogue that both reflect and shape the ongoing struggles with gender roles, sex, and orientation across decades and genres, in films ranging from 9 to 5 to The X-Men.
Описание: In a series of case studies, and by analysing the individual films of the Mad Max series, this book examines how the kinetic energy and aesthetic design of a number of divergent exploitation films filters into the Mad Max series and resulted in a fresh cycle of international low-budget post-apocalyptic movies that appeared on the new home video markets in the 1980s.Mad Max: Fury Road signalled the return after 30 years of the most famous and celebrated post-apocalyptic film series, one that had a profound influence on numerous dystopian films, video games, and comic books. Fury Road's Academy Award success helped to reestablish the series as a mainstream cultural icon. By contrast, the first Mad Max was an inventive concoction of influences from a range of exploitation genres, including the biker movie, the revenge film, and the car chase cinema of the 1970s. The first in-depth academic study of the extraordinary journey of Mad Max, The Mad Max Effect reveals how a humble low-budget Australian action movie came from the cultural margins of exploitation cinema to have an indelible impact on the broader media landscape.
Описание: Exploring the multiple aesthetic and cultural links between French and Japanese cinema, The Cinematic Influence is packed with vivid examples and case studies of films by Akira Kurosawa, Jean-Luc Godard, Hirokazu Kore-eda, Claire Denis, Naomi Kawase, Michel Gondry and many others. It illustrates the vast array of cinematic connections that mark a long history of mutual influence and reverence between filmmakers in France and Japan. The book provides new insights into the ways that national cinemas resist Hollywood to maintain and strengthen their own cultural practices and how these national cinemas perform the task of informing and enlightening other cultures about what it means to be French or Japanese. This book also deepens our understandings of film's role as a viable cultural and economic player in individual nations. Importantly, the reader will see that film operates as a form of cultural exchange between France and Japan, and more broadly, Europe and Asia. This is the first major book to investigate the crossover between these two diverse national cinemas by tracking their history of shared narrative and stylistic techniques.
Автор: Lord Susan Название: The Cinema of Sara Gуmez: Reframing Revolution ISBN: 0253057043 ISBN-13(EAN): 9780253057044 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11913.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara G?mez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. G?mez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara G?mez assembles history, criticism, biography, methodology, and theory of G?mez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing G?mez's entire body of work, The Cinema of Sara G?mez unpacks her complex life and gives weight to her groundbreaking cinema.
Автор: Christine Gledhill Название: Gender Meets Genre in Postwar Cinemas ISBN: 0252078314 ISBN-13(EAN): 9780252078316 Издательство: Wiley EDC Рейтинг: Цена: 4288.00 р. Наличие на складе: Нет в наличии.
Описание:
This remarkable collection uses genre as a fresh way to analyze the issues of gender representation in film theory, film production, spectatorship, and the contexts of reception. With a uniquely global perspective, these essays examine the intersection of gender and genre in not only Hollywood films but also in independent, European, Indian, and Hong Kong cinemas. Working in the area of postcolonial cinema, contributors raise issues dealing with indigenous and global cinemas and argue that contemporary genres have shifted considerably as both notions of gender and forms of genre have changed. The volume addresses topics such as the history of feminist approaches to the study of genre in film, issues of female agency in postmodernity, changes taking place in supposedly male-dominated genres, concepts of genre and its use of gender in global cinema, and the relationship between gender and sexuality in film.
Contributors are Ira Bhaskar, Steven Cohan, Luke Collins, Pam Cook, Lucy Fischer, Jane Gaines, Christine Gledhill, Derek Kane-Meddock, E. Ann Kaplan, Samiha Matin, Katie Model, E. Deidre Pribram, Vicente Rodriguez Ortega, Adam Segal, Chris Straayer, Yvonne Tasker, Deborah Thomas, and Xiangyang Chen.
Автор: Lord Susan Название: The Cinema of Sara Gуmez: Reframing Revolution ISBN: 0253057051 ISBN-13(EAN): 9780253057051 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Throughout the 1960s until her untimely death in 1974, Afro-Cuban filmmaker Sara G?mez engaged directly and courageously with the social, political, economic, and cultural transformations promised by the Cuban Revolution. G?mez directed numerous documentary films in 10 prolific years. She also made De cierta manera (One way or another), her only feature-length film. Her films navigate complex experiences of social class, race, and gender by reframing revolutionary citizenship, cultural memory, and political value. Not only have her inventive strategies become foundational to new Cuban cinema and feminist film culture, but they also continue to inspire media artists today who deal with issues of identity and difference. The Cinema of Sara G?mez assembles history, criticism, biography, methodology, and theory of G?mez's work in scholarly writing; interviews with friends and collaborators; the film script of De cierta manera; and a detailed and complete filmography. Featuring striking images, this anthology reorients how we tell Cuban cinema history and how we think about the intersections of race, gender, and revolution. By addressing G?mez's entire body of work, The Cinema of Sara G?mez unpacks her complex life and gives weight to her groundbreaking cinema.
Автор: Dolores Tierney Название: New Transnationalisms in Contemporary Latin American Cinemas ISBN: 1474431135 ISBN-13(EAN): 9781474431132 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America`s transnational auteurs.
Автор: Ru?talo, Victoria Название: Latsploitation, Exploitation Cinemas, and Latin America ISBN: 0415993865 ISBN-13(EAN): 9780415993869 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Tierney, Dolores Название: New transnationalisms in contemporary latin american cinemas ISBN: 074864573X ISBN-13(EAN): 9780748645732 Издательство: Bloomsbury Academic Рейтинг: Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region`s transnationalized filmmaking, using textual analysis and industrial case studies.
Автор: Ruйtalo Victoria, Tierney Dolores Название: Latsploitation, Exploitation Cinemas, and Latin America ISBN: 0415898544 ISBN-13(EAN): 9780415898546 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Exploring the much neglected area of Latin American exploitation cinema, this anthology challenges established continental and national histories and canons which often exclude exploitation cinema due to its perceived 'low' cultural status. It argues that Latin American exploitation cinema makes an important aesthetic and social contribution to the larger body of Latin American cinema - often competing with Hollywood and more mainstream national cinemas in terms of popularity.
Автор: Buruc?a Название: The Precarious in the Cinemas of the Americas ISBN: 3319768069 ISBN-13(EAN): 9783319768069 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Historically, cinema in the Americas has been signed by a state of precariousness. Notwithstanding the growing accessibility to video and digital technologies, access to the material means of film production is still limited, affecting the spheres of production, distribution, and reception. Equally, questions about the precarious can be traced in cultural and archival policies, film legislations, as well as in thematic and aesthetic choices. While conventional definitions of the precarious have been associated with notions of scarcity and insecurity, this volume looks at precariousness from a non-monolithic angle, exploring its productivity and potential for original, critical approaches, with the aim of providing new readings to the variedly rich and complex cinemas of the Americas.
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