Автор: Lozano, Luis-martin Rivera, Juan Rafael Coronel Название: Diego Rivera. The Complete Murals ISBN: 3836591197 ISBN-13(EAN): 9783836591195 Издательство: Taschen Рейтинг: Цена: 9962.00 р. Наличие на складе: Есть (2 шт.) Описание: Here are the life and works of Diego Rivera: folk hero, husband of Frida Kahlo, and one of Mexico`s greatest artists. His giant murals depicting social change still grace the halls of Mexico`s public buildings. Much of the photography for this book required scaffolding to achieve the greatest accuracy and show Rivera`s murals in detail.
Описание: If all of the murals of New York City were under one roof, it would be the greatest collection of populist art in America. MURALS OF NEW YORK CITY is the first book to curate over thirty of the most important, influential, and impressive murals found within all five boroughs
Автор: Cooper, Tarnya; Bunstock, Aviva; Howard, Maurice; Название: Painting in Britain 1500-1630 ISBN: 0197265847 ISBN-13(EAN): 9780197265840 Издательство: Oxford Academ Рейтинг: Цена: 25344.00 р. Наличие на складе: Поставка под заказ.
Описание: This overview answers key questions about the production and consumption of art in Britain in the 16th and early 17th century, integrating art history, history, and conservation science. The lavish illustrations allow the reader to engage directly with the new material and to see some of the most famous Tudor and Jacobean paintings in a new light.
Автор: Konstam, Angus Название: The Pirate Ship 1660–1730 ISBN: 1841764973 ISBN-13(EAN): 9781841764979 Издательство: Osprey Рейтинг: Цена: 1929.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This work provides a detailed description and pictorial exploration of the ships that scoured the high seas during the "Golden age of Piracy". It covers the vessels of the leading pirates of their age.
Presenting the first comprehensive art historical study of some magnificent Mesoamerican murals, this book demonstrates how generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination.
Honorable Mention, ALAA Book Award, Association for Latin American Art/Arvey Foundation, 2016
Between AD 650 and 950, artists at the small Central Mexican city-state of Cacaxtla covered the walls of their most important sacred and public spaces with dazzling murals of gods, historical figures, and supernatural creatures. Testimonies of a richly interconnected ancient world, the Cacaxtla paintings present an unexpectedly deep knowledge of the art and religion of the Maya, Zapotec, and other distant Mesoamerican peoples. Painted during a period of war and shifting alliances after the fall of Teotihuacan, the murals’ distinctive fusion of cosmopolitan styles and subjects claimed a powerful identity for the beleaguered city-state.
Presenting the first cohesive, art historical study of the entire painting corpus, The Murals of Cacaxtla demonstrates that these magnificent works of art constitute a sustained and local painting tradition, treasured by generations of patrons and painters. Exhaustive chapters on each of the mural programs make it possible to see how the Cacaxtla painting tradition developed over time, responding to political and artistic challenges. Lavishly illustrated, The Murals of Cacaxtla illuminates the agency of ancient artists and the dynamics of artistic synthesis in a Mesoamerican context, offering a valuable counterpoint to studies of colonial and modern art operating at the intersection of cultural traditions.
Описание: The beaux-arts mural movement in America was fueled by energetic young artists and architects returning from training abroad. They were determined to transform American art and architecture to make them more thematically cosmopolitan and technically fluid and accomplished.
Описание: John Barrell`s influential 1980 study shows why the poor began to be of such interest to painters, and examines the ways in which they could be represented so as to be an acceptable part of the decor of the salons of the rich. His terse and vigourous account has provided a landmark for literary critics, social and art historians.
Описание: This is a revisionist study of the literary and visual representation of the nation in the century following the formation of the British state. It argues that the most engaging accounts of Great Britain subject their imagery to sustained artistic pressure, threatening to dismantle the national vision at the moment of its construction.
Автор: Healey Jonathan Название: First Century of Welfare ISBN: 1843839563 ISBN-13(EAN): 9781843839569 Издательство: Boydell & Brewer Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The first major regional study of poverty and its relief in the seventeenth century: the first century of welfare.
Автор: Margaret DeLacy Название: Contagionism Catches On ISBN: 3319509586 ISBN-13(EAN): 9783319509587 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The reformers, who were often "outsiders," English Nonconformists or men born outside England, emerged from three coincidental transformations: transformation in medical ideas, in the nature and content of medical education, and in the sort of men who became physicians.
Автор: Edited By Jane Ohlme Название: Cambridge history of ireland: volume 2, 1550-1730 ISBN: 1107117631 ISBN-13(EAN): 9781107117631 Издательство: Cambridge Academ Рейтинг: Цена: 19325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Offers fresh perspectives on the political, military, religious, social, cultural, intellectual, economic, and environmental history of early modern Ireland, within their global and comparative contexts, to explain in an accessible manner how and why people acted as they did in the transformative and tumultuous years between 1550 and 1730.
Описание: A series of drawings of medieval buildings in Stamford, made in the 1730s by William Stukeley, provide important new evidence for the history of the town, while documents relating to the bitterly contested parliamentary election of 1734 demonstrate the contemporary vitality of this Georgian town.The buildings and institutions of medieval Stamford have long fascinated historians and antiquaries, not least in the light of the claim that the fourteenth-century migration to the town of students from Oxford constituted the establishment of the 'third university of England'. The first history of the town, that of Richard Butcher, was published as early as 1646. So, when in 1730 the antiquary William Stukeley became Vicar of All Saints' Church in Stamford, he found a fruitful field for his historical studies. His manuscript history, 'Stanfordia Illustrata', has recently been published by the Lincoln Record Society. Now in this companion volume, the drawings which he produced to accompany that history, Designs of Stanford Antiquitys, are reproduced in full for the first time. Many of the buildings that Stukeley sketched no longer survive and his drawings form a valuable record of what has been lost. They are accompanied by a detailed commentary, the fruit of many years of research into Stamford and its buildings.Stukeley was a sociable antiquary and enjoyed the company of like-minded scholars, men such as Samuel Gale and William Warburton, taking them on elaborate tours of historic Stamford. But some of his fellow townspeople were not so friendly. As a Whig in a strongly conservative town, dominated by the Tory Cecils at nearby Burghley House, Stukeley was often involved in local disputes, sometimes over ecclesiastical appointments, such as the wardenship of Browne's Hosital, sometimes even over scientific matters, such as the treatment of gout. A notable struggle occurred over the Stamford election of 1734, both Tories and Whigs throwing mutual accusations of corruption and bribery, culminating in the 'battle of Friary Gate', an attack on the house of the major Whig candidate. Stukeley's account of the election, submitted to Prime Minister Sir Robert Walpole, the subsequent Tory counter-petition and other related documents, are published in this volume.By the 1740s, and the publication of his major works, Stonehenge and Avebury, Stukeley had put such tribulations behind him and had reintegrated himself into Stamford society, eventually leaving the town early in 1748 to seek pastures new in London. The drawings and documents reproduced in this volume help us to see early eighteenth-century Stamford through Stukeley's eyes, providing new insights into an important phase of his life and into the history of a Lincolnshire market town in the reign of George II.
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