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Proper Theatre, Hoffmann, Beth


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Автор: Hoffmann, Beth
Название:  Proper Theatre
ISBN: 9781138907805
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1138907804
Обложка/Формат: Paperback
Страницы: 138
Вес: 0.25 кг.
Дата издания: 31.12.2023
Серия: Published in collaboration with: georgetown university centre for international and regional studies, school of foreign service
Язык: English
Издание: Softcover reprint of
Иллюстрации: 1 tables, black and white; 2 line drawings, color; 7 line drawings, black and white; 10 halftones, black and white; 2 illustrations, color; 17 illustrations, black and white
Размер: 231 x 152 x 15
Читательская аудитория: Postgraduate, research & scholarly
Подзаголовок: Extracts from the final reports of coordinated research projects on behaviour of spent fuel assemblies in storage (befast i-iii) and spent fuel performance assessment and research (spar i-iii) - 1981-2014
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Поставляется из: Европейский союз


Автор: Hoffmann, Beth
Название: Proper Theatre
ISBN: 1138907790 ISBN-13(EAN): 9781138907799
Издательство: Taylor&Francis
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Цена: 13015.00 р.
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Costume

Автор: Maclaurin Alison
Название: Costume
ISBN: 113702948X ISBN-13(EAN): 9781137029485
Издательство: Springer
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Цена: 4471.00 р.
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Описание: Morality at the Ballot examines the ability of direct democracy (the process of deciding policy through the ballot) to increase turnout. In contrast to previous studies, this book shows that this ability is much more limited than currently thought. Daniel R. Biggers demonstrates how and when direct democracy can increase participation, affect who votes, and influence electoral and policy outcomes.

Автор: Itzin, Catherine
Название: Stages in the Revolution
ISBN: 1032046864 ISBN-13(EAN): 9781032046860
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Performing Iran: Culture, Performance, Theatre

Автор: Babak Rahimi
Название: Performing Iran: Culture, Performance, Theatre
ISBN: 0755635140 ISBN-13(EAN): 9780755635146
Издательство: Bloomsbury Academic
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Цена: 4592.00 р.
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Описание: The result of collaborative research from noteworthy dramatists and scholars, this volume investigates the dynamic relationship between culture, performance and theatre in Iran. The studies gathered here examine how various forms of performances, especially theatre, have and continue to undergo change in response to shifting political and social settings from the antiquity to the present day. The analysis in this book focuses on performance practices, examining drama, texts, rituals, plays, music, cinema and drama technologies. This is done in order to show how Iran has been imagined through enactments and representations, and reproduced through these performative actions. The book uses a wider definition of the concept of ‘performance’, offering analysis of a wide range of phenomena, including indigenous rituals – such as the naqqali and taziyeh – and online performances by diaspora communities.

Sex, Class, and the Theatrical Archive: Erotic Economies

Автор: Sikes Alan
Название: Sex, Class, and the Theatrical Archive: Erotic Economies
ISBN: 3030231151 ISBN-13(EAN): 9783030231156
Издательство: Springer
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Цена: 11878.00 р.
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Описание: In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history.

A Century of South African Theatre

Автор: Loren Kruger
Название: A Century of South African Theatre
ISBN: 135000801X ISBN-13(EAN): 9781350008014
Издательство: Bloomsbury Academic
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Цена: 4592.00 р.
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Описание: A Century of South African Theatre offers an authoritative, wide-ranging chronicle of a century of theatre and other kinds of performance in South Africa. Its comprehensive coverage includes the Pageant of Union celebrating white South Africa’s entry into the British Commonwealth in 1910, through apartheid culture and anti-apartheid protest and testimonial theatre right up to the present dramatization of the problems and conflicts of today’s uneven post-apartheid society, where government has promised much and delivered little. The breadth of work considered includes local languages of performance such as Afrikaans and Zulu as well as varieties of English, and local fusions of international forms from melodrama to the musical, tribal epics to avant-garde and multi-media experiments. Building on the author's previous publications in this field, A Century of South African Theatre provides a transnational historical and theoretical framework to highlight South Africa’s changing engagement with the world from the days of Empire through the supposed isolation and surreptitious contacts of the apartheid era to the multi-lateral and multi-lingual globalized networks of the 21st century. The final chapters bring the work up to the present: 'The Interregnum: Pitfalls Of Post-Anti-Apartheid Theatre' examines the successful if short-lived application of protest and testimonial theatre to new South African problems especially AIDS and domestic violence, as well as the better known testimonial performances in and around the TRC, while 'South African Performance In The Age Of Globalization' critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer/director William Kentridge, and Handspring Puppet Company, and the recently notorious work of showman Brett Bailey and Third World Bunfight in Exhibit B. The volume is supplemented with further resources including a glossary and chronology.

A Century of South African Theatre

Автор: Loren Kruger
Название: A Century of South African Theatre
ISBN: 1350008001 ISBN-13(EAN): 9781350008007
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: A Century of South African Theatre offers an authoritative, wide-ranging chronicle of a century of theatre and other kinds of performance in South Africa. Its comprehensive coverage includes the Pageant of Union celebrating white South Africa’s entry into the British Commonwealth in 1910, through apartheid culture and anti-apartheid protest and testimonial theatre right up to the present dramatization of the problems and conflicts of today’s uneven post-apartheid society, where government has promised much and delivered little. The breadth of work considered includes local languages of performance such as Afrikaans and Zulu as well as varieties of English, and local fusions of international forms from melodrama to the musical, tribal epics to avant-garde and multi-media experiments. Building on the author's previous publications in this field, A Century of South African Theatre provides a transnational historical and theoretical framework to highlight South Africa’s changing engagement with the world from the days of Empire through the supposed isolation and surreptitious contacts of the apartheid era to the multi-lateral and multi-lingual globalized networks of the 21st century. The final chapters bring the work up to the present: 'The Interregnum: Pitfalls Of Post-Anti-Apartheid Theatre' examines the successful if short-lived application of protest and testimonial theatre to new South African problems especially AIDS and domestic violence, as well as the better known testimonial performances in and around the TRC, while 'South African Performance In The Age Of Globalization' critically evaluates internationally known theatre makers, including the signature collaborations between animator/designer/director William Kentridge, and Handspring Puppet Company, and the recently notorious work of showman Brett Bailey and Third World Bunfight in Exhibit B. The volume is supplemented with further resources including a glossary and chronology.

Sex, Class, and the Theatrical Archive: Erotic Economies

Автор: Sikes Alan
Название: Sex, Class, and the Theatrical Archive: Erotic Economies
ISBN: 3030231186 ISBN-13(EAN): 9783030231187
Издательство: Springer
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Цена: 11878.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: In Sex, Class and the Theatrical Archive: Erotic Economies, Alan Sikes explores the intersection of struggles over sex and class identities in politicized performances during key revolutionary moments in modern European history.

Routledge Revivals: Theatres of the Left 1880-1935 (1985)

Автор: Samuel, Raphael
Название: Routledge Revivals: Theatres of the Left 1880-1935 (1985)
ISBN: 113821437X ISBN-13(EAN): 9781138214378
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Trump was a joke

Автор: Mcclennen, Sophia A
Название: Trump was a joke
ISBN: 1032278013 ISBN-13(EAN): 9781032278018
Издательство: Taylor&Francis
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Цена: 5358.00 р.
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Описание: Written by a scholar of satire and politics, Trump Was a Joke explains why satire is an exceptional foil for absurd political times and why it did a particularly good job of making sense of Trump.

Stages in the revolution

Автор: Itzin, Catherine
Название: Stages in the revolution
ISBN: 1032046899 ISBN-13(EAN): 9781032046891
Издательство: Taylor&Francis
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Цена: 5051.00 р.
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Описание: This book, first published in 1980, is a comprehensive study of the radical theatre movement in Britain from 1968 to 1978. The essays are based on first-hand interviews, with each section being introduced with a summary of key events before detailing the artists under examination.

Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora

Автор: Hershini Bhana Young
Название: Illegible Will: Coercive Spectacles of Labor in South Africa and the Diaspora
ISBN: 0822363097 ISBN-13(EAN): 9780822363095
Издательство: Mare Nostrum (Eurospan)
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Цена: 17550.00 р.
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Описание:

In Illegible Will Hershini Bhana Young engages with the archive of South African and black diasporic performance to examine the absence of black women's will from that archive. Young argues for that will's illegibility, given the paucity of materials outlining the agency of black historical subjects. Drawing on court documents, novels, photographs, historical records, websites, and descriptions of music and dance, Young shows how black will can be conjured through critical imaginings done in concert with historical research. She critically imagines the will of familiar subjects such as Sarah Baartman and that of obscure figures such as the eighteenth-century slave Tryntjie of Madagascar, who was executed in 1713 for attempting to poison her mistress. She also investigates the presence of will in contemporary expressive culture, such as the Miss Landmine Angola beauty pageant, placing it in the long genealogy of the freak show. In these capacious case studies Young situates South African performance within African diasporic circuits of meaning throughout Africa, North America, and South Asia, demonstrating how performative engagement with archival absence can locate that which was never recorded.

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