Humanist Biography in Renaissance Italy and Reformation Germany, Weiss, James M.
Автор: Howe Название: Autobiographical Writing by Early Modern Hispanic Women ISBN: 147243577X ISBN-13(EAN): 9781472435774 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Women`s life writing in general has too often been ignored, dismissed, or relegated to a separate category in those few studies of the genre that include it. The present work addresses these issues and offers a countervailing argument that focuses on the contributions of women writers to the study of autobiography in Spanish during the early modern period, both in Spain and in Mexico.
Автор: Anthony Raspa Название: Shakespeare the Renaissance Humanist ISBN: 1137581115 ISBN-13(EAN): 9781137581112 Издательство: Springer Рейтинг: Цена: 11179.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: During the Renaissance, moral philosophy came to permeate the minds of many, including the spectators that poured into Shakespeare`s Globe theatre.
This comprehensive biography of John Vitez, an instrumental figure of the Early Renaissance, presents a complex picture of cultural, political, and religious developments in Central Europe through one man’s life. Drawing on close study of Vitez’s writings and his various political and artistic networks of influence, Tomislav Matic demonstrates the wide scope of this church leader’s involvement in late medieval Central Europe. Not only were Vitez’s writings a catalyst for the introduction of humanism across the region, he was a patron of the arts, an avid astrologer, a master diplomat, and even a kingmaker, thus central to both political and cultural developments.
Название: Medievalia et humanistica, no. 39 ISBN: 1442226730 ISBN-13(EAN): 9781442226739 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 21120.00 р. Наличие на складе: Поставка под заказ.
Описание: Since its founding in 1943, Medievalia et Humanistica has won worldwide recognition as the first scholarly publication in America to devote itself entirely to medieval and Renaissance studies. Volume 39 showcases a broad range of medieval scholarship, including six original articles and seven review notices.
Becoming Christian argues that romance narratives of Jews and Muslims converting to Christianity register theological formations of race in post-Reformation England. The medieval motif of infidel conversion came under scrutiny as Protestant theology radically reconfigured how individuals acquire religious identities. Whereas Catholicism had asserted that Christian identity begins with baptism, numerous theologians in the Church of England denied the necessity of baptism and instead treated Christian identity as a racial characteristic passed from parents to their children. The church thereby developed a theology that both transformed a nation into a Christian race and created skepticism about the possibility of conversion. Race became a matter of salvation and damnation. Britton intervenes in critical debates about the intersections of race and religion, as well as in discussions of the social implications of romance. Examining English translations of Calvin, treatises on the sacraments, catechisms, and sermons alongside works by Edmund Spenser, John Harrington, William Shakespeare, John Fletcher, and Phillip Massinger, Becoming Christian demonstrates how a theology of race altered a nation’s imagination and literary landscape.
Автор: Hadfield Название: Literature, Politics and National Identity ISBN: 0521118859 ISBN-13(EAN): 9780521118859 Издательство: Cambridge Academ Рейтинг: Цена: 6653.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Andrew Hadfield offers a challenging reinterpretation of the sixteenth century through the work of major writers of the time, their involvement in the establishment of a vernacular literary tradition as a crucial component of English identity, and the development of `literature` as a site of critical and political debate.
We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants' Revolt to the English Civil War.
The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation--the process by which one could become a vessel for divine violence--and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic's claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism's tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.
We may think we know what defines religious fanaticism: violent action undertaken with dogmatic certainty. But the term fanatic, from the European Reformation to today, has never been a stable one. Then and now it has been reductively defined to justify state violence and to delegitimize alternative sources of authority. Unknowing Fanaticism rejects the simplified binary of fanatical religion and rational politics, turning to Renaissance literature to demonstrate that fanaticism was integral to how both modern politics and poetics developed, from the German Peasants' Revolt to the English Civil War.
The book traces two entangled approaches to fanaticism in this long Reformation moment: the targeting of it as an extreme political threat and the engagement with it as a deep epistemological and poetic problem. In the first, thinkers of modernity from Martin Luther to Thomas Hobbes and John Locke positioned themselves against fanaticism to pathologize rebellion and abet theological and political control. In the second, which arose alongside and often in response to the first, the poets of fanaticism investigated the link between fanatical self-annihilation--the process by which one could become a vessel for divine violence--and the practices of writing poetry. Edmund Spenser, John Donne, and John Milton recognized in the fanatic's claim to be a passive instrument of God their own incapacity to know and depict the origins of fanaticism. Yet this crisis of unknowing was a productive one. It led these writers to experiment with poetic techniques that would allow them to address fanaticism's tendency to unsettle the boundaries between human and divine agency and between individual and collective bodies. These poets demand a new critical method, which this book attempts to model: a historically-minded and politicized formalism that can attend to the complexity of the poetic encounter with fanaticism.
Описание: English Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
Описание: Each of the figures examined in this study - John Dee, John Donne, Sir Kenelm Digby, Henry and Thomas Vaughan, and Jane Lead - is concerned with the ways in which God can be approached or experienced. Michael Martin analyzes the ways in which the encounter with God is figured among these early modern writers who inhabit the shared cultural space of poets and preachers, mystics and scientists.
Название: The Arts of Remembrance in Early Modern England ISBN: 1138279692 ISBN-13(EAN): 9781138279698 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
Описание: The early modern period inherited and refashioned a culture of remembrance deeply-ingrained in the customs of Christian community. The Arts of Remembrance in Early Modern England maps the new terrain of remembrance in the post-Reformation and charts the creative re-fashioning of remembrance in material, textual and performance culture.
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