Music Semiotics: A Network of Significations, Sheinberg, Esti
Автор: Rima Povilioniene Название: Sounds, Societies, Significations ISBN: 3319470590 ISBN-13(EAN): 9783319470597 Издательство: Springer Рейтинг: Цена: 15372.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This edited book covers many topics in musicological literature, gathering various approaches to music studies that encapsulate the vivid relation music has to society. Depending on the type of society, music may have a certain "meaning" or "function" (music does not mean the same thing everywhere in the world).
Автор: Sheinberg, Esti Название: The Routledge Handbook of Music Signification ISBN: 1032172797 ISBN-13(EAN): 9781032172798 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Название: The Routledge Handbook of Music Signification ISBN: 0815376456 ISBN-13(EAN): 9780815376453 Издательство: Taylor&Francis Рейтинг: Цена: 33686.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Routledge Handbook of Music Signification captures the richness and complexity of the field, presenting 30 essays by recognized international experts that reflect current interdisciplinary and cross-disciplinary approaches to the subject.
Название: Music Semiotics: A Network of Significations ISBN: 1138270741 ISBN-13(EAN): 9781138270749 Издательство: Taylor&Francis Рейтинг: Цена: 8114.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: United in their indebtedness to the scholarship of Raymond Monelle, an international group of contributors, including leading authorities on music and culture, come together in this state of the art volume to investigate different ways in which music signifies. Music semiotics asks what music signifies as well as how the signification process takes place. Looking at the nature of musical texts and music's narrativity, a number of the essays in this collection delve into the relationship between music and philosophy, literature, poetry, folk traditions and the theatre, with opera a genre that particularly lends itself to this mode of investigation. Other contributions look at theories of musical markedness, metaphor and irony, using examples and specific musical texts to serve as case studies to validate their theoretical approaches. Musical works discussed include those by Haydn, Mozart, Beethoven, Schumann, Wagner, Stravinsky, BartA?k, Xenakis, Kutavicius and John Adams, offering stimulating discussions of music that attest to its beauty as much as to its intellectual challenge. Taking Monelle's writing as a model, the contributions adhere to a method of logical argumentation presented in a civilized and respectful way, even - and particularly - when controversial issues are at stake, keeping in mind that contemplating the significance of music is a way to contemplate life itself.
Описание: Is Language a Music? presents broadly ranging explorations of musical reference that address how and why language cannot be the only measure of meanings. Music, the author insists, is pervaded by significations, but often their erasure is as pertinent to artistry as their construction. This volume's 15 essays in musical semiotics are grouped into sections that treat issues in structural description, present alternative views of theoretical foundations, consider the elaboration of gestural references to form musical discourse, explore some stylistic issues in 20th-century music, and examine the resistance to reference which is esteemed in the tradition of absolute music. Musical Meaning and Interpretation—Robert S. Hatten, editor
Автор: Naomi Cumming Название: Sonic Self: Musical Subjectivity and Signification ISBN: 0253337542 ISBN-13(EAN): 9780253337542 Издательство: Wiley EDC Рейтинг: Цена: 5491.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: "Semioticians began by looking at literature but have gradually applied their techniques to other disciplines, including music. The late Naomi Cumming . . . based this consideration of the sources of musical expression on her experiences as a performer—with interesting, if rarely surprising, results." —Choice Using classical violin music as her principal laboratory, the author examines how a performance incorporates distinctive features not only of the work, but of the performer as well—and how the listener goes about interpreting not only the composer's work and the performer's rendering of the work, but also of the performer's and listener's identities. A richly interdisciplinary approach to a very common, yet persistently mysterious, part of our lives.
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