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Encyclopedia of Comparative Iconography, Roberts, Helene E.


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Автор: Roberts, Helene E.   (Э. Робертс Элен)
Название:  Encyclopedia of Comparative Iconography
Перевод названия: Э. Робертс Элен: Энциклопедия сравнительной иконографии
ISBN: 9781579580094
Издательство: Taylor&Francis
Классификация:


ISBN-10: 1579580092
Обложка/Формат: Hardback
Страницы: 1150
Вес: 3.08 кг.
Дата издания: 01.04.1998
Язык: English
Размер: 287 x 227 x 66
Читательская аудитория: Undergraduate
Подзаголовок: Themes depicted in works of art
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Поставляется из: Европейский союз


Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival

Автор: Raw
Название: Anglo-Saxon Crucifixion Iconography and the Art of the Monastic Revival
ISBN: 0521093082 ISBN-13(EAN): 9780521093088
Издательство: Cambridge Academ
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Цена: 6018.00 р.
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Описание: This book provides a major study of the drawings, paintings and carvings of the crucifixion from tenth- and eleventh-century England, placing these works of art within the context of the tenth-century monastic revival. The drawings and paintings of the crucifixion are discussed in relation to the literature, theology, liturgy and devotional practices of the late Anglo-Saxon period.

Japanese high school films

Автор: Pugsley, Peter C.
Название: Japanese high school films
ISBN: 1474494617 ISBN-13(EAN): 9781474494618
Издательство: Bloomsbury Academic
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Цена: 13464.00 р.
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Описание: Looks exclusively at high school films as valuable markers of contemporary Japanese culture.

Iconography: A Writer`s Meditation

Автор: Susan S. Neville
Название: Iconography: A Writer`s Meditation
ISBN: 0253216141 ISBN-13(EAN): 9780253216144
Издательство: Wiley EDC
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Цена: 2229.00 р.
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Описание: "I started this meditation on the first day of Lent. I hope to keep going every day until Easter. Each day I go fishing in the water of this internal voice. This week the water's still, this angled pen a blue sail; the hook is lazy in the estuary, the water the color of lapis. So what if I don't catch a fish? I said that I would fish; that's all I promised. I bait the hook with each day's discipline. I have no guarantees that there is anything at all to catch in these particular waters, that something beneath the surface won't grab my pen and pull me under." —from Iconography
When Susan Neville enrolls in an icon-painting class in the cellar of an Indianapolis monastery, she begins a journey into a fascinating hidden world where saints are fabricated of mineral and wood, yolk and blood, earth and time. The process is tedious, and she begins to make mistakes, to become impatient; she doesn't feel ready for the challenge. To prepare herself, Neville makes a vow to write during the 40 days of Lent. What emerges is a journal, a meditation, a series of confessions that we are invited to listen to as we follow Neville's sometimes painful attempts to reveal the truth and discover the mystery of her existence. In the layering of colors and moods, her writing is the spiritual equivalent of an icon. As she observes the world around her and applies the paint of language to her observations, she realizes that spirit and matter are not separate—that now and then moments of meaning emerge from daily life, and the stillness and majesty of the universe shine through.


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