Classical Myths and Legends in the Middle Ages and Renaissance, Brumble, H. David
Автор: Allen Название: Middle Egyptian Literature ISBN: 110745607X ISBN-13(EAN): 9781107456075 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть (1 шт.) Описание: This companion volume to the third edition of the author`s popular Middle Egyptian contains eight literary works from the Middle Kingdom, the golden age of Middle Egyptian literature. Included are the compositions widely regarded as the pinnacle of Egyptian literary arts, by the Egyptians themselves and by modern readers.
The medieval northern world consisted of a vast and culturally diverse region, both geographically, from roughly Greenland to Novgorod and culturally, as one of the last areas of Europe to be converted to Christianity. Old Norse Folklore explores the complexities of this fascinating world in a series of case studies and theoretical essays to connect orality and performance theory to memory studies and from myths relating to pre-Christian Nordic religion to innovations within late medieval pilgrimage song culture.
Old Norse Folklore provides critical new perspectives on the Old Norse world, some of which appear in this volume for the first time in English. Stephen A. Mitchell presents emerging methodologies by analyzing Old Norse materials to offer new and better understandings of this kind of evidence. He examines, interprets, and re-interprets the medieval data bequeathed to us by posterity—myths, legends, riddles, charms, court culture, conversion narratives, landscapes, and mindscapes—targeting largely overlooked, yet important sources of cultural insights.
Автор: Lewis Название: The Discarded Image ISBN: 1107604702 ISBN-13(EAN): 9781107604704 Издательство: Cambridge Academ Рейтинг: Цена: 2533.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Paints a lucid picture of the medieval world view, providing the historical and cultural background to the literature of the Middle Ages and Renaissance. This, Lewis`s last book, has been hailed as `the final memorial to the work of a great scholar and teacher and a wise and noble mind`.
Ancient and medieval labyrinths embody paradox, according to Penelope Reed Doob. Their structure allows a double perspective—the baffling, fragmented prospect confronting the maze-treader within, and the comprehensive vision available to those without. Mazes simultaneously assert order and chaos, artistry and confusion, articulated clarity and bewildering complexity, perfected pattern and hesitant process. In this handsomely illustrated book, Doob reconstructs from a variety of literary and visual sources the idea of the labyrinth from the classical period through the Middle Ages.
Doob first examines several complementary traditions of the maze topos, showing how ancient historical and geographical writings generate metaphors in which the labyrinth signifies admirable complexity, while poetic texts tend to suggest that the labyrinth is a sign of moral duplicity. She then describes two common models of the labyrinth and explores their formal implications: the unicursal model, with no false turnings, found almost universally in the visual arts; and the multicursal model, with blind alleys and dead ends, characteristic of literary texts. This paradigmatic clash between the labyrinths of art and of literature becomes a key to the metaphorical potential of the maze, as Doob's examination of a vast array of materials from the classical period through the Middle Ages suggests. She concludes with linked readings of four "labyrinths of words": Virgil's Aeneid, Boethius' Consolation of Philosophy, Dante's Divine Comedy, and Chaucer's House of Fame, each of which plays with and transforms received ideas of the labyrinth as well as reflecting and responding to aspects of the texts that influenced it.
Doob not only provides fresh theoretical and historical perspectives on the labyrinth tradition, but also portrays a complex medieval aesthetic that helps us to approach structurally elaborate early works. Readers in such fields as Classical literature, Medieval Studies, Renaissance Studies, comparative literature, literary theory, art history, and intellectual history will welcome this wide-ranging and illuminating book.
Автор: Andrew Von Hendy Название: Modern Construction of Myth ISBN: 0253339960 ISBN-13(EAN): 9780253339966 Издательство: Wiley EDC Рейтинг: Цена: 6006.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: ". . . one of the richest, clearest, and acutest surveys to date of the course of theorizing about myth from the eighteenth century on. I know of no more useful volume on the topic. Despite the postmodern connotations of the title, Von Hendy is writing not to expose the concept of myth but simply to show the array of ways in which it has been used from time to time and from place to place. A superb work." —Robert A. Segal, University of Lancaster, author of Theorizing about Myth Andrew Von Hendy offers an integrated critical account of the career of myth in modernity. He takes as its starting point some crucial moments in the 18th-century reinvention of the concept and then follows the major branches of theorizing as they appear in the work of theologians, philosophers, literary artists, political thinkers, folklorists, anthropologists, psychologists, and others. Von Hendy pursues each of these four fundamental strains of theory through the 20th century: the rise of neo-romantic theories in depth psychology, modernist literature, and later in religious phenomenology, philosophy, and literary criticism; the establishment of folkloristic theory in ethnological fieldwork and in classical studies; the growth of ideological theories from Sorel to Barthes and Derrida; and the recent ascent of constitutive theories of myth as necessary fiction. Finally, Von Hendy examines the work of five theorists who attempt to come to terms with the lessons of the ideological critique, yet regard myth as a constructive phenomenon.
Описание: 'We live,’ according to Adam Kotsko, ‘in an awkward age.’ While this condition may present some challenges, it may also help us to be more attuned to awkwardness in other ages. This book pairs medieval texts with twenty-first century films or television programmes to explore what the resonance between them can tell us about living together in an awkward age. In this nuanced and engaging study, David Watt focuses especially, but not exclusively, on the 15th century, which seems to intervene awkwardly in the literary trajectory between Chaucer and the Renaissance. This book’s hypothesis is that the social discomfort depicted and engendered by writers as diverse as Thomas Hoccleve, Margery Kempe, and Sir Thomas Malory is a feature rather than a flaw. Laughter and Awkwardness in Late Medieval England explains that these authors have a great deal in common with other fifteenth-century authors, who generated embodied experiences of social discomfort in a range of genres by adopting and adapting literary techniques used by their predecessors and successors in slightly different ways. Like the twenty-first century texts with which they are paired, the late-medieval texts that feature in this book use the relationship between laughter and awkwardness to ask what it means to live with each other and how we can learn to live with ourselves.
Описание: This collection offers a range of interdisciplinary viewpoints on the occupation of space and theories of place in Britain and Ireland throughout the medieval and early modern periods. It considers space in both its physical and abstract sense, exploring literature, history, art, manuscript studies, religion, geography and archaeology. The buildings and ruins still occupying our urban and rural spaces bridge the gap between the medieval and the modern; manuscripts and objects hold keys to unlocking the secrets of the past. Focusing on the varied uses of space enriches our understanding of the material culture of the medieval and early modern period. The essays collected here offer astute observations on this theme and generate new insights into areas such as social interaction, cultural memory, sacred space and ideas of time and community.
Описание: Although poetry can enrich our lives and help us make sense of the human condition, many readers are intimidated by the language and literary conventions of medieval and Renaissance poetry. Keeping the needs of new readers of old poetry in mind, Goldstein introduces some of the greatest masterpieces of lyric poetry over a span of five centuries.
Описание: Essays on important topics in early music.
Автор: Kisha G. Tracy Название: Why Study the Middle Ages? ISBN: 1641891971 ISBN-13(EAN): 9781641891974 Издательство: NBN International Рейтинг: Цена: 3580.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The study of the Middle Ages in every aspect of the modern liberal arts—the humanities, STEM, and the social sciences—has significant importance for society and the individual. There is a common belief that the peoples of the past were somehow exempt from (positive, especially) human nature, had less of a sense of morality (by any definition) than we do now, or were unaware of basic human dilemmas or triumphs. Relegating the Middle Ages to "primitive" distances us from close examination of what has not changed in society—or what has, which might not be for the better. Exploring and exploding these (mis)conceptions is essential to experience the benefits of a liberal education.
Автор: Hornback Robert Название: English Clown Tradition from the Middle Ages to Shakespeare ISBN: 1843843560 ISBN-13(EAN): 9781843843566 Издательство: Boydell & Brewer Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A new account of medieval and Renaissance clown traditions reveals the true extent of their cultural influence.
Автор: Daniel DiMassa Название: Dante in Deutschland: An Itinerary of Romantic Myth ISBN: 1684484189 ISBN-13(EAN): 9781684484188 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4508.00 р. Наличие на складе: Поставка под заказ.
Описание: Around the turn of the nineteenth century, no task seemed more urgent to German Romantics than the creation of a new mythology. It would unite modern poets and grant them common ground, and bring philosophers and the Volk closer together. But what would a new mythology look like? Only one model sufficed, according to Friedrich Schlegel: Dante's Divine Comedy. Through reading and juxtaposing canonical and obscure texts, Dante in Deutschland shows how Dante's work shaped the development of German Romanticism; it argues, all the while, that the weight of Dante's influence induced a Romantic preoccupation with authority: Who was authorized to create a mythology? This question—traced across texts by Schelling, Novalis, and Goethe—begets a Neo-Romantic fixation with Dantean authority in the mythic ventures of Gerhart Hauptmann, Rudolf Borchardt, and Stefan George. Only in Thomas Mann's novels, DiMassa asserts, is the Romantics' Dantean project ultimately demythologized.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
