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Baudelaire, Howells, Bernard


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Автор: Howells, Bernard
Название:  Baudelaire
ISBN: 9781900755016
Издательство: Taylor&Francis
Классификация:



ISBN-10: 1900755017
Обложка/Формат: Paperback
Страницы: 240
Вес: 0.45 кг.
Дата издания: 01.03.1996
Язык: English
Размер: 211 x 137 x 20
Читательская аудитория: Undergraduate
Подзаголовок: Individualism, dandyism and the philosophy of history
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Поставляется из: Европейский союз


Baudelaire and the English Tradition

Автор: Clements Patricia
Название: Baudelaire and the English Tradition
ISBN: 0691611262 ISBN-13(EAN): 9780691611266
Издательство: Wiley
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Цена: 10296.00 р.
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Описание: This study of Baudelaire and English modernism observes his protean influence on poets from Swinburne, who wrote the first English review of Les Fleurs du Mai, to T. S. Eliot. Documenting Baudelaire`s impact on Swinburne, Pater, Wilde, Arthur Symons, Aldous Huxley, Edith and Osbert Sitwell, D. H. Lawrence, the Imagists, John Middleton Murry, Eliot,

Belgium Stripped Bare

Автор: Baudelaire Charles
Название: Belgium Stripped Bare
ISBN: 1940625289 ISBN-13(EAN): 9781940625287
Издательство: Неизвестно
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Цена: 3035.00 р.
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Capital Letters: Hugo, Baudelaire, Camus, and the Death Penalty

Автор: Eve Morisi
Название: Capital Letters: Hugo, Baudelaire, Camus, and the Death Penalty
ISBN: 0810141523 ISBN-13(EAN): 9780810141520
Издательство: Mare Nostrum (Eurospan)
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Цена: 15048.00 р.
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Описание: Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus.   Working at the intersection of poetics, ethics, and law, ?ve Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and Ren? Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converge in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century.  Conversely, capital justice leads all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty. Inflecting traditional modes of representation and writing self-reflexively or self-critically, Hugo, Baudelaire, and Camus unsettle the commonly accepted divide between strictly aesthetic and politically committed writing. Form, rather than overtly political argument, at once conveys an ethical critique of justice and reflects on the possibilities, and duties, of literature.

Rethinking the Concept of the Grotesque

Автор: Chao, Shun-Liang
Название: Rethinking the Concept of the Grotesque
ISBN: 0367603276 ISBN-13(EAN): 9780367603274
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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Baudelaire in Song: 1880-1930

Автор: Abbott Helen
Название: Baudelaire in Song: 1880-1930
ISBN: 019879469X ISBN-13(EAN): 9780198794691
Издательство: Oxford Academ
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Цена: 10296.00 р.
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Описание: This book looks at a key 50-year period (1880-1930) in France and Europe, to see how and why Baudelaire`s poetry has been set to music in classical music, how composers have completely manipulated the texts, which poems they have chosen and why.

Formal Revolution in the Work of Baudelaire and Flaubert

Автор: Mills Kathryn Oliver
Название: Formal Revolution in the Work of Baudelaire and Flaubert
ISBN: 1611494923 ISBN-13(EAN): 9781611494921
Издательство: Rowman & Littlefield Publishers
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Описание: In Formal Revolution in the Work of Baudelaire and Flaubert, Kathryn Oliver Mills argues that despite the enduring celebrity of Baudelaire and Flaubert, their significance to modern art has been miscast and misunderstood. To date, literary criticism has paid insufficient attention to these authors' literary form and their socio-cultural context. In addition, critical literature has not always adequately integrated individual works to each author's broader oeuvre: on the one hand critics do not often maintain rigorous distinctions among texts when discussing Baudelaire and Flaubert, and on the other hand scholars of Baudelaire and Flaubert have not consistently considered the relationship of individual texts to either writer's corpus. Furthermore, critical focus has been on the modernity of Les Fleurs du mal, Madame Bovary, and L'Education Sentimentale. Addressing these lacunae in scholarship, Mills puts forth the argument that Baudelaire's collection of prose poems, Le Spleen de Paris, and Flaubert's short, poetic tales, Trois contes, best embody the modern aesthetic that Baudelaire develops in Le Peintre de la vie moderne and that Flaubert elaborates in his correspondence. Formal Revolution places these relatively less well-known but last published works in relationship with the artistic goals of their authors, showing that Baudelaire and Flaubert were both acutely aware of the need to launch a new form of literature in order to literally "come to terms with" the dramatic changes transforming the nineteenth-century into the Modern Age. More specifically, Formal Revolution demonstrates that for Baudelaire and Flaubert the formal project of fusing prose with poetry--as poetic prose in the case of Flaubert, as poetry in prose in the case of Baudelaire--was crucial to their mission of "painting modern life." This work concludes that experimentation with literary form represents these two seminal writers' major legacy to modernity; suggests that the twentieth-century might have gone too far down that road; and speculates about the future direction of literature. The modernity of Baudelaire and Flaubert, still relevant today but often taken for granted, needs to be reexamined in light of the cultural, formal, and contextual considerations that inform Formal Revolution in the Work of Baudelaire and Flaubert.

Poetic Principles and Practice

Автор: Austin
Название: Poetic Principles and Practice
ISBN: 0521128617 ISBN-13(EAN): 9780521128612
Издательство: Cambridge Academ
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Цена: 6019.00 р.
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Описание: Baudelaire, Mallarme and Valery, three central poets of the modern French tradition, form a noble poetic lineage. Although very different, all three reflected deeply on the principles of poetic creation; all three sought to apply these principles in the practice of writing. The central theme of the eighteen papers collected here is the constant confrontation of theory and practice.

Baudelaire and the Making of Italian Modernity: From the Scapigliatura to the Futurist Movement, 1857-1912

Автор: Cabiati Alessandro
Название: Baudelaire and the Making of Italian Modernity: From the Scapigliatura to the Futurist Movement, 1857-1912
ISBN: 3030920178 ISBN-13(EAN): 9783030920173
Издательство: Springer
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Цена: 12577.00 р.
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Описание: This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of modernity in Italian poetry between 1857, the year of publication of Baudelaire`s highly influential collection Les Fleurs du Mal, and 1912, when the first anthology of Futurist poetry, I poeti futuristi, was published in Milan.

Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence

Автор: Joseph Acquisto
Название: Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence
ISBN: ISBN-13(EAN): 9798765103005
Издательство: Bloomsbury Academic
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Цена: 12672.00 р.
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Описание: Reading Baudelaire with Adorno examines Charles Baudelaire’s oeuvre – including verse poems, prose poems, and critical writings – in dialogue with the aesthetic theory of Theodor Adorno, for whom the autonomy of the artwork critically resists any attempt to view it merely as a product of its socio-historic context. Joseph Acquisto analyzes Baudelairean duality through the lens of dissonance, arguing that the figure of the subject as a “dissonant chord” provides a gateway to Baudelaire’s reconfiguration of subjectivity and objectivity in both esthetic and epistemological terms. He argues that Baudelaire’s dissonance depends on older models of subjectivity in order to define itself via the negation of romantic conceptions of a unified lyric subject in favor of one constituted simultaneously as subject and object.This new understanding of subjectivity reconfigures our relationship to the work of art, which will always surpass conceptual attempts to know it fully. Acquisto offers a fresh take on some familiar themes in Baudelaire’s work. Dissonant subjectivity in Baudelaire, rather than cancelling esthetic transcendence, points to a different way forward that depends on a new and dialectical relation of subject and object.

Beauty of baudelaire

Автор: Pearson, Roger (emeritus Professor Of French, University Of Oxford; Emeritus Fellow, The Queen`s College, Oxford)
Название: Beauty of baudelaire
ISBN: 0192843311 ISBN-13(EAN): 9780192843319
Издательство: Oxford Academ
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Цена: 17424.00 р.
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Описание: A substantial study of the works of Charles Baudelaire (1821-1867) that provides fresh and detailed readings of his poetry in verse and prose.

The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy

Автор: Joseph Acquisto
Название: The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy
ISBN: 162892652X ISBN-13(EAN): 9781628926521
Издательство: Bloomsbury Academic
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Цена: 19008.00 р.
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Описание: Joseph Acquisto examines literary writers and critical theorists who employ theological frameworks, but who divorce that framework from questions of belief and thereby remove the doctrine of salvation from their considerations. Acquisto claims that Baudelaire inaugurates a new kind of amodern modernity by canceling the notion of salvation in his writing while also refusing to embrace any of its secular equivalents, such as historical progress or redemption through art. Through a series of “interhistorical” readings that put literary and critical writers from the last 150 years in dialogue, Acquisto shows how these authors struggle to articulate both the metaphysical and esthetic consequences of attempting to move beyond a logic of salvation. Putting these writers into dialogue with Baudelaire highlights the way both literary and critical approaches attempt to articulate a third option between theism and atheism that also steers clear of political utopianism and Nietzschean estheticism. In the concluding section, Acquisto expands metaphysical and esthetic concerns to account also for the ethics inherent in the refusal of the logic of salvation, an ethics which emerges from, rather than seeking to redeem or cancel, a certain kind of nihilism.

The Truth of Poetry

Автор: Hamburger, Michael
Название: The Truth of Poetry
ISBN: 1032198850 ISBN-13(EAN): 9781032198859
Издательство: Taylor&Francis
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Цена: 19906.00 р.
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