Soviet Self-Hatred examines the imaginary Russian identities that emerged following the collapse of the Soviet Union. Eliot Borenstein shows how these identities are best understood as balanced on a simple axis between pride and shame, shifting in response to Russia's standing in the global community, its anxieties about internal dissension and foreign threats, and its stark socioeconomic inequalities.
Through close readings of Russian fiction, films, jokes, songs, fan culture, and Internet memes, Borenstein identifies and analyzes four distinct types with which Russians identify or project onto others. They are the sovok (the Soviet yokel); the New Russian (the despised, ridiculous nouveau riche), the vatnik (the belligerent, jingoistic patriot), and the Orc (the ultraviolent savage derived from a deliberate misreading of Tolkien's epic). Through these contested identities, Soviet Self-Hatred shows how stories people tell about themselves can, tragically, become the stories that others are forced to live.
Автор: Blum Название: National Identity and Globalization ISBN: 0521699630 ISBN-13(EAN): 9780521699631 Издательство: Cambridge Academ Рейтинг: Цена: 4909.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Is globalization in danger of diluting national identities and cultures? This 2007 book studies three states and cities in post-Soviet Eurasia to examine how they respond to globalization. The author explores how cultures, particularly youth cultures, attempt to embrace aspects of modernism and liberalism without losing their sense of national identity.
Описание: Material Culture in Russia and the USSR comprises some of the most cutting-edge scholarship across anthropology, history and material and cultural studies relating to Russia and the Soviet Union, from Peter the Great to Putin.
Soviet Self-Hatred examines the imaginary Russian identities that emerged following the collapse of the Soviet Union. Eliot Borenstein shows how these identities are best understood as balanced on a simple axis between pride and shame, shifting in response to Russia's standing in the global community, its anxieties about internal dissension and foreign threats, and its stark socioeconomic inequalities.
Through close readings of Russian fiction, films, jokes, songs, fan culture, and Internet memes, Borenstein identifies and analyzes four distinct types with which Russians identify or project onto others. They are the sovok (the Soviet yokel); the New Russian (the despised, ridiculous nouveau riche), the vatnik (the belligerent, jingoistic patriot), and the Orc (the ultraviolent savage derived from a deliberate misreading of Tolkien's epic). Through these contested identities, Soviet Self-Hatred shows how stories people tell about themselves can, tragically, become the stories that others are forced to live.
Описание: Youth and Rock in the Soviet Bloc explores the impact of Western popular culture on young people in Russia and Eastern Europe during the Cold War.
Автор: Anastasia Gordienko Название: Outlaw Music in Russia: The Rise of an Unlikely Genre ISBN: 0299340104 ISBN-13(EAN): 9780299340100 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11280.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Russian shanson can be heard across the country today, on radio and television shows, at mass events like political rallies, and even at the Kremlin. Yet despite its ubiquity, it has attracted almost no scholarly attention. Anastasia Gordienko provides the first full history of the shanson, from its tenuous ties to early modern criminals’ and robbers’ folk songs, through its immediate generic predecessors in the Soviet Union, to its current incarnation as the soundtrack for daily life in Russia. It is difficult to firmly define the shanson or its family of song genres, but they all have some connection, whether explicit or implicit, to the criminal underworld or to groups or activities otherwise considered subversive. Traditionally produced by and popular among criminals and other marginalized groups, and often marked by characters and themes valorizing illegal activities, the songs have undergone censorship since the early nineteenth century. Technically legal only since the collapse of the Soviet Union, the shanson is today not only broadly popular but also legitimized by Vladimir Putin’s open endorsement of the genre.
With careful research and incisive analysis, Gordienko deftly details the shanson’s history, development, and social meanings. Attempts by imperial rulers, and later by Soviet leaders, to repress the songs and the lifestyles they romanticized not only did little to discourage their popularity but occasionally helped the genre flourish. Criminals and liberal intelligentsia mingled in the Gulag system, for instance, and this contact introduced censored songs to an educated, disaffected populace that inscribed its own interpretations and became a major point of wider dissemination after the Gulag camps were closed. Gordienko also investigates the shanson as it exists in popular culture today: not divorced from its criminal undertones (or overtones) but celebrated for them. She argues that the shanson expresses fundamental themes of Russian culture, allowing for the articulation of anxieties, hopes, and dissatisfactions that are discouraged or explicitly forbidden otherwise.
Автор: Dorothea L. Meek Название: Soviet Youth: Some Achievements and problems ISBN: 0415868742 ISBN-13(EAN): 9780415868747 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: First published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.
Автор: Micinska, Magdalena Название: At the crossroads - 1865-1918 ISBN: 3631623887 ISBN-13(EAN): 9783631623886 Издательство: Peter Lang Рейтинг: Цена: 9971.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The three-part work provides a first synthetic account of the history of the Polish intelligentsia from the days of its formation to World War I. The third part deals with the period between 1865 and 1918. It is the period of numerical growth of the intelligentsia, growth of its self-consciousness and at the same time of growing struggles and rivalries of various political streams. The study concludes with the moment when Poland regained the independence that had been lost in 1795. The work combines social and intellectual history, tracing both the formation of the intelligentsia as a social stratum and the forms of engagement of the intelligentsia in the public discourse. Thus, it offers a broad view of the group’s transformations which immensely influenced the course of the Polish history.
Автор: Khitrova, Daria Название: Lyric complicity ISBN: 0299322149 ISBN-13(EAN): 9780299322144 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 2753.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: For many nineteenth-century Russians, poetry was woven into everyday life-in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative.Lyric Complicity helps modern readers recover Russian poetry’s former uses and functions-life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse.
Описание: For many nineteenth-century Russians, poetry was woven into everyday life-in conversation and correspondence, scrapbook albums, and parlor entertainments. Blending close literary analysis with social and cultural history, Daria Khitrova shows how poetry lovers of the period all became nodes in a vast network of literary appreciation and constructed meaning. Poetry during the Golden Age was not a one-way avenue from author to reader. Rather, it was participatory, interactive, and performative.Lyric Complicity helps modern readers recover Russian poetry's former uses and functions-life situations that moved people to quote or perform a specific passage from a poem or a forgotten occasion that created unforgettable verse.
