Sport, Public Broadcasting, and Cultural Citizenship, Scherer, Jay
Автор: Tracey, Michael Название: Decline and fall of public service broadcasting ISBN: 0198159242 ISBN-13(EAN): 9780198159247 Издательство: Oxford Academ Рейтинг: Цена: 7522.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Public broadcasting is the single most important social, cultural, and journalistic institution of the twentieth century. In the past 15 years it has been assaulted politically, ideologically, technologically, and is everywhere in retreat. This book considers the `idea` of public service broadcasting and examines in detail the assault made upon it.
Автор: Banihashemi, Saeed (University of Canberra, Australia) Sohi, Sepideh Zarepour (University of Tehran, Iran) Название: Sport Broadcasting for Managers ISBN: 0367690225 ISBN-13(EAN): 9780367690229 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first book to focus on sport broadcasting as a core aspect of contemporary sport business and management. It explains how sport business professionals can manage sport broadcasting as an essential component of their work.
Автор: Matthew Feldman, Henry Mead, Erik Tonning Название: Broadcasting in the Modernist Era ISBN: 1474275583 ISBN-13(EAN): 9781474275583 Издательство: Bloomsbury Academic Рейтинг: Цена: 6018.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The era of literary modernism coincided with a dramatic expansion of broadcast media throughout Europe, which challenged avant-garde writers with new modes of writing and provided them with a global audience for their work. Historicizing these developments and drawing on new sources for research – including the BBC archives and other important collections - Broadcasting in the Modernist Era explores the ways in which canonical writers engaged with the new media of radio and television. Considering the interlinked areas of broadcasting ‘culture’ and politics’ in this period, the book engages the radio writing and broadcasts of such writers as Virginia Woolf, W. B. Yeats, Ezra Pound, T. S. Eliot, James Joyce, George Orwell, E. M. Forster, J. B. Priestley, Dorothy L. Sayers, David Jones and Jean-Paul Sartre. With chapters by leading international scholars, the volume’s empirical-based approach aims to open up new avenues for understandings of radiogenic writing in the mass-media age.
Автор: Ridge-Newman Название: The Tories and Television, 1951-1964 ISBN: 1137562536 ISBN-13(EAN): 9781137562531 Издательство: Springer Рейтинг: Цена: 7685.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the role of television in the 1950s and early 1960s, with a focus on the relationship between Tories and TV. The early 1950s were characterized by recovery from war and high politics. Television was a new medium that eventually came to dominate mass media and political culture. But what impact did this transition have on political organization and elite power structures? Winston Churchill avoided it; Anthony Eden wanted to control it; Harold Macmillan tried to master it; and Alec Douglas-Home was not Prime Minister long enough to fully utilize it. The Conservative Party’s relationship with the new medium of television is a topic rich with scholarly questions and interesting quirks that were characteristic of the period. This exploration examines the changing dynamics between politics and the media, at grassroots and elite levels. Through analysing rich and diverse source materials from the Conservative Party Archive, Anthony Ridge-Newman takes a case study approach to comparing the impact of television at different points in the party’s history. In mapping changes across a thirteen year period of continual Conservative governance, this book argues that the advent of television contributed to the party’s transition from a membership-focused party to a television-centric professionalized elite.
Автор: Scherer Jay, Rowe David Название: Sport, Public Broadcasting, and Cultural Citizenship: Signal Lost? ISBN: 1138952850 ISBN-13(EAN): 9781138952850 Издательство: Taylor&Francis Рейтинг: Цена: 7042.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book examines the political debates over the access to live telecasts of sport in the digital broadcasting era. It outlines the broad theoretical debates, political positions and policy calculations over the provision of live, free-to-air telecasts of sport as a right of cultural citizenship. In so doing, the book provides a number of comparative case studies that explore these debates and issues in various global spaces.
Автор: Simon Dawes Название: British Broadcasting and the Public-Private Dichotomy ISBN: 3319500961 ISBN-13(EAN): 9783319500966 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point.
Название: Sport broadcasting for managers ISBN: 0367690187 ISBN-13(EAN): 9780367690182 Издательство: Taylor&Francis Рейтинг: Цена: 5511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This is the first book to focus on sport broadcasting as a core aspect of contemporary sport business and management. It explains how sport business professionals can manage sport broadcasting as an essential component of their work.
Описание: Broadcasting Hollywood: The Struggle Over Feature Films on Early Television uses extensive archival research into the files of studios, networks, advertising agencies, unions and guilds, theatre associations, the FCC, and key legal cases to analyze the tensions and synergies between the film and television industries in the early years of television. This analysis of the case study of the struggle over Hollywood's feature films appearing on television in the 1940s and 1950s illustrates that the notion of an industry misunderstands the complex array of stakeholders who work in and profit from a media sector, and models a variegated examination of the history of media industries. Ultimately, it draws a parallel to the contemporary period and the introduction of digital media to highlight the fact that history repeats itself and can therefore play a key role in helping media industry scholars and practitioners to understand and navigate contemporary industrial phenomena.
In Network Nations, Michele Hilmes reveals and re-conceptualizes the roots of media globalization through a historical look at the productive transnational cultural relationship between British and American broadcasting. Though frequently painted as opposites--the British public service tradition contrasting with the American commercial system--in fact they represent two sides of the same coin. Neither could have developed without the constant presence of the other, in terms not only of industry and policy but of aesthetics, culture, and creativity, despite a long history of oppositional rhetoric.
Based on primary research in British and American archives, Network Nations argues for a new transnational approach to media history, looking across the traditional national boundaries within which media is studied to encourage an awareness that media globalization has a long and fruitful history. Placing media history in the framework of theories of nationalism and national identity, Hilmes examines critical episodes of transnational interaction between the US and Britain, from radio's amateurs to the relationship between early network heads; from the development of radio features and drama to television spy shows and miniseries; as each other's largest suppliers of programming and as competitors on the world stage; and as a network of creative, business, and personal relationships that has rarely been examined, but that shapes television around the world. As the global circuits of television grow and as global regions, particularly Europe, attempt to define a common culture, the historical role played by the British/US media dialogue takes on new significance.
Описание: The Synchronized Society traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate today. Broadcasting grew out of the latent desire by nineteenth-century industrialists, political thinkers, and social reformers to tame an unruly society by controlling how people used their time. The idea manifested itself in the form of the broadcast schedule, a managed flow of information and entertainment that required audiences to be in a particular place – usually the home – at a particular time and helped to create "water cooler" moments, as audiences reflected on their shared media texts. Audiences began disconnecting from the broadcast schedule at the end of the twentieth century, but promoters of social media and television services still kept audiences under control, replacing the schedule with surveillance of media use. Author Randall Patnode offers compelling new insights into the intermingled roles of broadcasting and industrial/post-industrial work and how Americans spend their time.
Автор: K. Somerville Название: Radio Propaganda and the Broadcasting of Hatred ISBN: 1349326097 ISBN-13(EAN): 9781349326099 Издательство: Springer Рейтинг: Цена: 10760.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An exposition and analysis of the development of propaganda, focusing on how the development of radio transformed the delivery and impact of propaganda and led to the use of radio to incite hatred and violence.
Автор: Simon Dawes Название: British Broadcasting and the Public-Private Dichotomy ISBN: 3319843176 ISBN-13(EAN): 9783319843179 Издательство: Springer Рейтинг: Цена: 9083.00 р. Наличие на складе: Поставка под заказ.
Описание: This text offers a theoretical engagement with the ways in which private and public interests - and how those interests have been understood - have framed the changing rationale for broadcasting regulation, using the first century of UK broadcasting as a starting point.
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