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Black Skins, Black Masks, Tate, Shirley Anne


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Автор: Tate, Shirley Anne
Название:  Black Skins, Black Masks
ISBN: 9780754636410
Издательство: Taylor&Francis
Классификация:
ISBN-10: 0754636410
Обложка/Формат: Hardback
Страницы: 188
Вес: 0.45 кг.
Дата издания: 28.01.2005
Язык: English
Размер: 234 x 156
Подзаголовок: Hybridity, dialogism, performativity
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Поставляется из: Европейский союз


Exporting Japanese Aesthetics: Evolution from Tradition to Cool Japan

Автор: Jennifer Harris, Tets Kimura
Название: Exporting Japanese Aesthetics: Evolution from Tradition to Cool Japan
ISBN: 1789762022 ISBN-13(EAN): 9781789762020
Издательство: Wiley
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Цена: 7393.00 р.
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Описание: Exporting Japanese Aesthetics brings together historical and contemporary case studies addressing the evolution of international impacts and influences of Japanese culture and aesthetics. The volume draws on a wide range of examples from a multidisciplinary team of scholars exploring transnational, regional and global contexts. Studies include the impact of traditional Japanese theatre and art through to the global popularity of contemporary anime and manga. Under the banner of soft power or Cool Japan, cultural commodities that originate in Japan have manifested new meanings outside Japan. By (re)mapping meanings of selected Japanese cultural forms, this volume offers an in-depth examination of how various aspects of Japanese aesthetics have evolved as exportable commodities, the motivations behind this diffusion, and the extent to which the process of diffusion has been the result of strategic planning. Each chapter presents a case study that explores perspectives that situate Japanese aesthetics within a wide-ranging field of inquiry including performance, tourism, and visual arts, as well as providing historical contexts. The importance of interrogating the export of Japanese aesthetics is validated at the highest levels of government, which formed the Office of Cool Japan in 2010, and which perhaps originated in the 19th century at governmentally endorsed cultural courts at world fairs. Increased international consumption of contemporary Japanese culture provides a much needed boost to Japans weakening economy. The case studies are timely and topical. As host of the 2020/2021 Tokyo Olympic Games and the 2025 Osaka Expo, Cool Japan will be under special scrutiny.

The Ku Klux Klan in 1920s Arkansas: How Protestant White Nationalism Came to Rule a State

Автор: Barnes Kenneth C.
Название: The Ku Klux Klan in 1920s Arkansas: How Protestant White Nationalism Came to Rule a State
ISBN: 168226159X ISBN-13(EAN): 9781682261590
Издательство: Mare Nostrum (Eurospan)
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Цена: 5010.00 р.
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Описание: The Ku Klux Klan established a significant foothold in Arkansas in the 1920s, boasting more than 150 state chapters and tens of thousands of members at its zenith. Propelled by the prominence of state leaders such as Grand Dragon James Comer and head of Women of the KKK Robbie Gill Comer, the Klan established Little Rock as a seat of power second only to Atlanta. In The Ku Klux Klan in 1920s Arkansas, Kenneth C. Barnes traces this explosion of white nationalism and its impact on the state's development.Barnes shows that the Klan seemed to wield power everywhere in 1920s Arkansas. Klansmen led businesses and held elected offices and prominent roles in legal, medical, and religious institutions, while the women of the Klan supported rallies and charitable activities and planned social gatherings where cross burnings were regular occurrences. Inside their organization, Klan members bonded during picnic barbeques and parades and over shared religious traditions. Outside of it, they united to direct armed threats, merciless physical brutality, and torrents of hateful rhetoric against individuals who did not conform to their exclusionary vision.By the mid-1920s, internal divisions, scandals, and an overzealous attempt to dominate local and state elections caused Arkansas's Klan to fall apart nearly as quickly as it had risen. Yet as the organization dissolved and the formal trappings of its flamboyant presence receded, the attitudes the Klan embraced never fully disappeared. In documenting this history, Barnes shows how the Klan's early success still casts a long shadow on the state to this day.

Ain`t I a Woman: Black Women and Feminism

Автор: Hooks Bell
Название: Ain`t I a Woman: Black Women and Feminism
ISBN: 1138821519 ISBN-13(EAN): 9781138821514
Издательство: Taylor&Francis
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Цена: 8495.00 р.
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Описание: A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.

Ontological Terror: Blackness, Nihilism, and Emancipation

Автор: Warren Calvin L.
Название: Ontological Terror: Blackness, Nihilism, and Emancipation
ISBN: 0822370875 ISBN-13(EAN): 9780822370871
Издательство: Mare Nostrum (Eurospan)
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Цена: 3380.00 р.
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Описание:

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.
Autobiographical Voices: Race, Gender, Self-Portraiture

Автор: Francoise Lionnet
Название: Autobiographical Voices: Race, Gender, Self-Portraiture
ISBN: 1501728040 ISBN-13(EAN): 9781501728044
Издательство: Mare Nostrum (Eurospan)
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Цена: 2502.00 р.
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Описание:

Adopting a boldly innovative approach to women’s autobiographical writing, Fran?oise Lionnet here examines the rhetoric of self-portraiture in works by authors who are bilingual or multilingual or of mixed races or cultures. Autobiographical Voices offers incisive readings of texts by Zora Neale Hurston, Maya Angelou, Marie Cardinal, Maryse Cond?, Marie-Th?r?se Humbert, Augustine, and Nietzsche.

Ontological Terror: Blackness, Nihilism, and Emancipation

Автор: Calvin L. Warren
Название: Ontological Terror: Blackness, Nihilism, and Emancipation
ISBN: 0822370727 ISBN-13(EAN): 9780822370727
Издательство: Mare Nostrum (Eurospan)
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Цена: 12910.00 р.
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Описание:

In Ontological Terror Calvin L. Warren intervenes in Afro-pessimism, Heideggerian metaphysics, and black humanist philosophy by positing that the "Negro question" is intimately imbricated with questions of Being. Warren uses the figure of the antebellum free black as a philosophical paradigm for thinking through the tensions between blackness and Being. He illustrates how blacks embody a metaphysical nothing. This nothingness serves as a destabilizing presence and force as well as that which whiteness defines itself against. Thus, the function of blackness as giving form to nothing presents a terrifying problem for whites: they need blacks to affirm their existence, even as they despise the nothingness they represent. By pointing out how all humanism is based on investing blackness with nonbeing—a logic which reproduces antiblack violence and precludes any realization of equality, justice, and recognition for blacks—Warren urges the removal of the human from its metaphysical pedestal and the exploration of ways of existing that are not predicated on a grounding in being.
Lift Every Voice and Swing: Black Musicians and Religious Culture in the Jazz Century

Название: Lift Every Voice and Swing: Black Musicians and Religious Culture in the Jazz Century
ISBN: 1479890804 ISBN-13(EAN): 9781479890804
Издательство: Mare Nostrum (Eurospan)
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Цена: 4389.00 р.
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Описание:

Winner of the 2022 Gustave O. Arlt Award in the Humanities, award by by the Council of Graduate Schools
Explores the role of jazz celebrities like Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams as representatives of African American religion in the twentieth century
Beginning in the 1920s, the Jazz Age propelled Black swing artists into national celebrity. Many took on the role of race representatives, and were able to leverage their popularity toward achieving social progress for other African Americans.
In Lift Every Voice and Swing, Vaughn A. Booker argues that with the emergence of these popular jazz figures, who came from a culture shaped by Black Protestantism, religious authority for African Americans found a place and spokespeople outside of traditional Afro-Protestant institutions and religious life. Popular Black jazz professionals—such as Ella Fitzgerald, Cab Calloway, Duke Ellington, and Mary Lou Williams—inherited religious authority though they were not official religious leaders. Some of these artists put forward a religious culture in the mid-twentieth century by releasing religious recordings and putting on religious concerts, and their work came to be seen as integral to the Black religious ethos.
Booker documents this transformative era in religious expression, in which jazz musicians embodied religious beliefs and practices that echoed and diverged from the predominant African American religious culture. He draws on the heretofore unexamined private religious writings of Duke Ellington and Mary Lou Williams, and showcases the careers of female jazz artists alongside those of men, expanding our understanding of African American religious expression and decentering the Black church as the sole concept for understanding Black Protestant religiosity.
Featuring gorgeous prose and insightful research, Lift Every Voice and Swing will change the way we understand the connections between jazz music and faith.

Asian capitalism and the regulation of competition

Название: Asian capitalism and the regulation of competition
ISBN: 1108738222 ISBN-13(EAN): 9781108738224
Издательство: Cambridge Academ
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Цена: 6019.00 р.
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Описание: Asian Capitalism and the Regulation of Competition explores the implications of Asian forms of capitalism and their regulation of competition for the emerging global competition law regime. It will be of interest to those working in competition law, comparative law, East-Asian law, international political economics and economic geography.

Black Skins, Black Masks

Автор: Tate, Shirley Anne
Название: Black Skins, Black Masks
ISBN: 036760440X ISBN-13(EAN): 9780367604400
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Black Skins, French Voices

Автор: Beriss, David
Название: Black Skins, French Voices
ISBN: 0813342546 ISBN-13(EAN): 9780813342542
Издательство: Taylor&Francis
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Цена: 5358.00 р.
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Frantz Fanon`s `Black Skin, White Masks`

Автор: Silverman Max
Название: Frantz Fanon`s `Black Skin, White Masks`
ISBN: 071906449X ISBN-13(EAN): 9780719064494
Издательство: NBN International
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Цена: 4222.00 р.
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Описание: The first collection of essays on Frantz Fanon`s classic anti-colonial text, `Black Skin, White Masks`. It offers a range of interpretations of the text by leading scholars across various disciplines. -- .

Misrepresenting Black Africa in U.S. Museums

Автор: Mullins, P.A. (Radford University, USA)
Название: Misrepresenting Black Africa in U.S. Museums
ISBN: 1032083719 ISBN-13(EAN): 9781032083711
Издательство: Taylor&Francis
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Цена: 6430.00 р.
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Описание: This book is an examination of race, Black African objects, identity, museums at the turn of the 19th century in the U.S. via the history of the earliest collectors of Black African objects in the U.S.


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