Автор: Stefan Huygebaert; Georges Martyn; Vanessa Paumen; Название: The Art of Law ISBN: 3030081001 ISBN-13(EAN): 9783030081003 Издательство: Springer Рейтинг: Цена: 13974.00 р. Наличие на складе: Поставка под заказ.
Описание: The contributions to this volume were written by historians, legal historians and art historians, each using his or her own methods and sources, but all concentrating on topics from the broad subject of historical legal iconography. How have the concepts of law and justice been represented in (public) art from the Late Middle Ages onwards? Justices and rulers had their courtrooms, but also churches, decorated with inspiring images. At first, the religious influence was enormous, but starting with the Early Modern Era, new symbols and allegories began appearing. Throughout history, art has been used to legitimise the act of judging, but artists have also satirised the law and the lawyers; architects and artisans have engaged in juridical and judicial projects and, in some criminal cases, convicts have even been sentenced to produce works of art. The book illustrates and contextualises the various interactions between law and justice on the one hand, and their artistic representations in paintings, statues, drawings, tapestries, prints and books on the other.
Описание: This is the first study of monstrosity in Jewish history from the Middle Ages to modernity. Drawing on Jewish history, literary studies, folklore, art history and the history of science, it examines both the historical depiction of Jews as monsters and the creative use of monstrous beings in Jewish culture.Jews have occupied a liminal position within European society and culture, being deeply immersed yet outsiders to it. For this reason, they were perceived in terms of otherness and were often represented as monstrous beings. However, at the same time, European Jews invoked, with tantalizing ubiquity, images of magical, terrifying and hybrid beings in their texts, art and folktales. These images were used by Jewish authors and artists to push back against their own identification as monstrous or diabolical and to tackle concerns about religious persecution, assimilation and acculturation, gender and sexuality, science and technology and the rise of antisemitism. Bringing together an impressive cast of contributors from around the world, this fascinating volume is an invaluable resource for academics, postgraduates and advanced undergraduates interested in Jewish studies, as well as the history of monsters.
It is often assumed that those outside of academia know very little about the Middle Ages. But the truth is not so simple. Non-specialists in fact learn a great deal from the myriad medievalisms - post-medieval imaginings of the medieval world - that pervade our everyday culture. These, like Lord of the Rings or Game of Thrones, offer compelling, if not necessarily accurate, visions of the medieval world. And more, they have an impact on the popular imagination, particularly since there are new medievalisms constantly being developed, synthesised and remade. But what does the public really know? How do the conflicting medievalisms they consume contribute to their knowledge? And why is this important? In this book, the first evidence-based exploration of the wider public's understanding of the Middle Ages, Paul B. Sturtevant adapts sociological methods to answer these important questions. Based on extensive focus groups, the book details the ways - both formal and informal - that people learn about the medieval past and the many other ways that this informs, and even distorts, our present. In the process, Sturtevant also sheds light, in more general terms, onto the ways non-specialists learn about the past, and why understanding this is so important. The Middle Ages in Popular Imagination will be of interest to anyone working on medieval studies, medievalism, memory studies, medieval film studies, informal learning or public history.
Автор: S. Verderber Название: The Medieval Fold ISBN: 1349433497 ISBN-13(EAN): 9781349433490 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Introduction 1. The Gregorian Reform, Pastoral Power, and Subjection 2. The Courtly Fold: The Subjectivation of Pastoral Power and the Invention of Modern Eroticism 3. Chrйtien de Troyes' Diagram of Power: Perceval Conclusion
As with dance, so with juggling--the moment that the performer finishes the routine, their act ceases to exist beyond the memory of the audience. There is no permanent record of what transpired, so studying the ancient roots of juggling is fraught with difficulty. Using the records that do exist, juggling appears to have emerged around the world in cultures independent of one another in the ancient past. Paintings in Egypt from 2000 BCE show jugglers engaged in performance. Stories from the island nation of Tonga place juggling's creation with their goddess of the underworld--a figure who has guarded a cave since time immemorial. Juggling games and rituals are pervasive in isolated Inuit cultures in northern Canada and Greenland. Though the earliest representation of juggling is 4,000 years old, the practice is surely much older--in the same way that humans were doubtlessly singing and dancing long before the first bone flute was created. This book is an attempt to catalogue this tangible history of juggling in human culture. It is the story of juggling, represented in art and writing from around the world, across time. Although much has been written about modern jugglers-specific performers, their props, and their routines-little has been said about those who first developed the craft. As juggling enters a golden age in the internet era, Juggling: From Antiquity to the Middle Ages offers a look into the past--to the origins of our art form.
Описание: Examines the lure of mountains in German literature, philosophy, film, music, and culture from the Middle Ages to the twenty-first century.
Автор: Mcdonie, R. Jacob Название: Friendship and rhetoric in the middle ages ISBN: 0367275007 ISBN-13(EAN): 9780367275006 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Поставка под заказ.
Описание: Friendship and Rhetoric in the Middle Ages: The Linguistic Performance of Intimacy from Cicero to Aelred covers approximately 1,200 years of literature. This is a book on "medieval literature" that foregrounds language as the agent for cultivating medieval friendship in oratorical, ecclesiastical, monastic, and erotic contexts.
Описание: The twenty-eight essays in this collection showcase cutting-edge research in manuscript studies, encompassing material from late antiquity to the Renaissance. The volume celebrates the exceptional contribution of John Lowden to the study of medieval books. The authors explore some of the themes and questions raised in John’s work, tackling issues of meaning, making, patronage, the book as an object, relationships between text and image, and the transmission of ideas. They combine John’s commitment to the close scrutiny of manuscripts with an interrogation of what the books meant in their own time and what they mean to us now.
Описание: This book argues that the image of medieval England created by writers of the seventeenth to nineteenth centuries was deeply informed by medieval and modern Scandinavia. Protestant and monarchical, the Scandinavian region became an image of Britain`s noble past and an affirmation of its current global status. -- .
Описание: Studies in Medievalism is the only journal entirely devoted to modern re-creations of the middle ages: a field of central importance not only to scholarship but to the whole contemporary cultural world.
Описание: A survey of the motif of the revenant, showing how medieval themes and motifs persist today.
Автор: Grane Leif Название: Peter Abelard: Philosophy and Christianity in the Middle Ages ISBN: 0367623161 ISBN-13(EAN): 9780367623166 Издательство: Taylor&Francis Рейтинг: Цена: 14545.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Originally published in 1970, Peter Abelard provides an exploration into the social and religious background to the story of Abelard and Heloise. In doing so, the book offers an insight into this age of enlightenment in which dialects flourished and religious thought began to break away from the bonds of traditionalism.
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