Автор: Europa Publications Название: International Who`s Who Classical/Popular Music set 2008 ISBN: 185743482X ISBN-13(EAN): 9781857434828 Издательство: Taylor&Francis Рейтинг: Цена: 80388.00 р. Наличие на складе: Поставка под заказ.
Автор: Mccormick, Lisa Название: Performing civility ISBN: 1107498295 ISBN-13(EAN): 9781107498297 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Lisa McCormick considers the history of classical music competitions and their role in society by examining their highlights and ongoing controversies. She explains why, despite a widespread belief that performances cannot be ranked, aspiring musicians still enter them, professionals still judge them, and audiences still invest emotionally in the results.
Описание: Combining the International Who's Who in Classical Music and the International Who's Who in Popular Music, this two-volume biographical reference set provides a complete view of the music world.
Описание: The double bass - the preferred bass instrument in popular music during the 1960s - was challenged and subsequently superseded by the advent of a new electric bass instrument. From the mid-1960s and throughout the 1970s, a melismatic and inconsistent approach towards the bass role ensued, which contributed to a major change in how the electric bass was used in performance and perceived in the sonic landscape of mainstream popular music. Investigating the performance practice of the new, melodic role of the electric bass as it appeared (and disappeared) in the 1960s and 1970s, the book turns to the number one songs of the American Billboard Hot 100 charts between 1951 and 1982 as a prime source. Through interviews with players from this era, numerous transcriptions - elaborations of twenty bass related features - are presented. These are juxtaposed with a critical study of four key players, who provide the case-studies for examining the performance practice of the melodic electric bass. This highly original book will be of interest not only to bass players, but also to popular musicologists looking for a way to instigate methodological and theoretical discussions on how to develop popular music analysis.
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