Описание: This highly visual book will appeal to automotive history buffs, classic car enthusiasts, and anyone interested in midcentury fashion and design. It explores how glamour, fashion, design, and styling became the main focus of automotive marketing from the postwar 1940s through the 1970s. With the expansion of the suburbs after WWII, women suddenly needed cars of their own, and the automobile industry made a direct appeal to the rising sophistication and influence of women. By perfecting the fashion-centric concept of planned obsolescence, it became the dominant economic engine of postwar prosperity. The dramatic photography, elegant fashion, and use of color and materials in midcentury automotive marketing created a groundswell of desire for new cars. Much of the marketing imagery of the period hasn't been published since it first came out, and this book features some of the best, with more than 400 photos, illustrations, auto brochures, and advertisements.
How record albums and their covers delivered mood music, lifestyle advice, global sounds, and travel tips to midcentury Americans who longed to be modern.
The sleek hi-fi console in a well-appointed midcentury American living room might have had a stack of albums by musicians like Frank Sinatra, Elvis Presley, or Patti Page. It was just as likely to have had a selection of LPs from slightly different genres, with such titles as Cocktail Time, Music for a Chinese Dinner at Home, The Perfect Background Music for Your Home Movies, Honeymoon in Hawaii, Strings for a Space Age, or Cairo The Music of Modern Egypt. The brilliantly hued, full-color cover art might show an ideal listener, an ideal living room, an ideal tourist in an exotic landscape--or even an ideal space traveler. In Designed for Hi-Fi Living, Janet Borgerson and Jonathan Schroeder listen to and look at these vinyl LPs, scouring the cover art and the liner notes, and find that these albums offered a guide for aspirational Americans who yearned to be modern in postwar consumer culture.
Borgerson and Schroeder examine the representations of modern life in a selection of midcentury record albums, discussing nearly 150 vintage album covers, reproduced in color--some featuring modern art or the work of famous designers and photographers. Offering a fascinating glimpse into the postwar imagination, the first part, "Home," explores how the American home entered the frontlines of cold war debates and became an entertainment zone--a place to play music, mix drinks, and impress guests with displays of good taste. The second part, "Away," considers albums featuring music, pictures, and tourist information that prepared Americans for the jet age as well as the space race.
Автор: Millett Larry Название: Minnesota Modern: Architecture and Life at Midcentury ISBN: 0816683298 ISBN-13(EAN): 9780816683291 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 6264.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
From the genteel elegance of Christ Lutheran Church in Minneapolis to the lowbrow wonder of Porky's Drive-in in St. Paul, the Twin Cities and other Minnesota communities are nothing short of a living museum of midcentury modernism, the new style of architecture that swept through much of America from 1945 to the mid-1960s. Renowned Minnesota architecture critic and historian Larry Millett conducts an eye-opening, spectacularly illustrated tour of this rich and varied landscape.
A history lesson as entertaining as it is enlightening, Minnesota Modern provides a close-up view of a style that penetrated the social, political, and cultural machinery of the times. Extending from modest suburban ramblers and ranch houses to the grandest public and commercial structures, midcentury modernism expressed new ways of thinking about how to live, work, and play in communities that sprang up as thousands of military members returned from World War II. Millett describes the style's sources in the work of European masters like Ludwig Mies van der Rohe and Walter Gropius, as well as the midwestern innovations of Frank Lloyd Wright, and its refinement at the University of Minnesota under the guidance of Ralph Rapson and other modernists. He shows us its applications in twelve midcentury homes in Minnesota and takes us through its many permutations in sites as different as Barry Byrne's St. Columba Catholic Church in St. Paul and Eero Saarinen's sprawling IBM complex in Rochester. This is Minnesota modern at its historic best, a firsthand, in-depth history of a singularly American sensibility and aesthetic writ large on the midwestern region.
Автор: Steven Heller and Greg D`Onofrio Название: Moderns ISBN: 1419724010 ISBN-13(EAN): 9781419724015 Издательство: Abrams Рейтинг: Цена: 5940.00 р. Наличие на складе: Нет в наличии.
Описание: In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were emigres from Europe; others were homegrown - all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
Автор: Rich Marci Название: Looking Back at Elyria: A Midwest City at Midcentury ISBN: 1540241327 ISBN-13(EAN): 9781540241320 Издательство: Неизвестно Цена: 4551.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Stenggers Isabelle Название: Speculative Empiricism ISBN: 1474423051 ISBN-13(EAN): 9781474423052 Издательство: Bloomsbury Academic Рейтинг: Цена: 3958.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Didier Debaise focuses in on Whitehead s attempt to construct a metaphysical system of everything in the universe that exists whilst simultaneously claiming that it can account for every element of our experience, giving us a radically new way of conceiving the relations between experience and speculation.
Автор: Bello, Abiola Sami, Annabelle Dean, Benjamin Norry, E. L. Mcnicoll, Elle Stevens, Robin Williams, J.t. Chan, Maisie Farook, Nizrana Lawrence, Patrice Название: Your mess, god`s miracle - the process is temporary, the promise is permanent ISBN: 0865654190 ISBN-13(EAN): 9780865654198 Издательство: Thames & Hudson Рейтинг: Цена: от 7498.00 р. Наличие на складе: Есть
Описание: Presents the first in-depth, interdisciplinary, and integrated analysis by American and Haitian scholars of the creation and dissemination of Haiti`s Declaration of Independence, its content and reception, and its legacy. Throughout, the contributors use newly discovered archival materials and innovative research methods to reframe the importance of Haiti within the Age of Revolution.
The Problem of the Future World is a compelling reassessment of the later writings of the iconic African American activist and intellectual W. E. B. Du Bois. As Eric Porter points out, despite the outpouring of scholarship devoted to Du Bois, the broad range of writing he produced during the 1940s and early 1950s has not been thoroughly examined in its historical context, nor has sufficient attention been paid to the theoretical interventions he made during those years. Porter locates Du Bois’s later work in relation to what he calls “the first postracial moment.” He suggests that Du Bois’s midcentury writings are so distinctive and so relevant for contemporary scholarship because they were attuned to the shape-shifting character of modern racism, and in particular to the ways that discredited racial taxonomies remained embedded and in force in existing political-economic arrangements at both the local and global levels. Porter moves the conversation about Du Bois and race forward by building on existing work about the theorist, systematically examining his later writings, and looking at them from new perspectives, partly by drawing on recent scholarship on race, neoliberalism, and empire. The Problem of the Future World shows how Du Bois’s later writings help to address race and racism as protean, global phenomena in the present.
In the middle of the twentieth century, good cameras became smaller and lighter, enabling street photographers to roam alleyways, ride elevated trains and subways, and stroll beaches in summertime to capture daily life with urgency and intimacy.Walkers in the City showcases the distinctive urban vision that working-class Jewish photographers produced with these new cameras on New York City's streets and in public spaces.
Drawing on the experiences of and photographs by a generation of young Jewish photographers who belonged to the New York Photo League, Deborah Dash Moore offers a new perspective on New York as seen through their eyes—a cityscape of working-class people and democratizing public transit. With their cameras, they pictured Gotham's abrasive social milieu and its evanescent textures and light, creating an archive of vernacular images of city life and a distinctive tradition of street photography that would be widely imitated.
Walkers in the City documents how these roving, imaginative New Yorkers, entranced by the medium of photography, transformed everyday sights into rousing, joyous, and poignant moments of time, creating visual poetry out of the fabric of social life.
Автор: Robert Miklitsch Название: I Died a Million Times: Gangster Noir in Midcentury America ISBN: 0252043618 ISBN-13(EAN): 9780252043611 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 15675.00 р. Наличие на складе: Нет в наличии.
Описание: In the 1950s, the gangster movie and film noir crisscrossed to create gangster noir. Robert Miklitsch takes readers into this fascinating subgenre of films focused on crime syndicates, crooked cops, and capers.
With the Senate's organized crime hearings and the brighter-than-bright myth of the American Dream as a backdrop, Miklitsch examines the style and history, and the production and cultural politics, of classic pictures from The Big Heat and The Asphalt Jungle to lesser-known gems like 711 Ocean Drive and post-Fifties movies like Ocean’s Eleven. Miklitsch pays particular attention to trademark leitmotifs including the individual versus the collective, the family as a locus of dissension and rapport, the real-world roots of the heist picture, and the syndicate as an octopus with its tentacles deep into law enforcement, corporate America, and government. If the memes of gangster noir remain prototypically dark, the look of the films becomes lighter and flatter, reflecting the influence of television and the realization that, under the cover of respectability, crime had moved from the underworld into the mainstream of contemporary everyday life.
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