While scholars have long associated the group of nineteenth-century French and English writers and artists known as the decadents with alienation, escapism, and withdrawal from the social and political world, Matthew Potolsky offers an alternative reading of the movement. In The Decadent Republic of Letters, he treats the decadents as fundamentally international, defined by a radically cosmopolitan ideal of literary sociability rather than an inward turn toward private aesthetics and exotic sensation. The Decadent Republic of Letters looks at the way Charles Baudelaire, Théophile Gautier, and Algernon Charles Swinburne used the language of classical republican political theory to define beauty as a form of civic virtue. The libertines, an international underground united by subversive erudition, gave decadents a model of countercultural affiliation and a vocabulary for criticizing national canon formation and the increasing state control of education. Decadent figures such as Joris-Karl Huysmans, Walter Pater, Vernon Lee, Aubrey Beardsley, and Oscar Wilde envisioned communities formed through the circulation of art. Decadents lavishly praised their counterparts from other traditions, translated and imitated their works, and imagined the possibility of new associations forged through shared tastes and texts. Defined by artistic values rather than language, geography, or ethnic identity, these groups anticipated forms of attachment that are now familiar in youth countercultures and on social networking sites. Bold and sophisticated, The Decadent Republic of Letters unearths a pervasive decadent critique of nineteenth-century notions of political community and reveals the collective effort by the major figures of the movement to find alternatives to liberalism and nationalism.
Автор: Hadeh, Maya Название: La mythologie dans l`г…вђњuvre poetique de charles baudelaire ISBN: 1433127253 ISBN-13(EAN): 9781433127250 Издательство: Peter Lang Рейтинг: Цена: 13731.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Ce premier ouvrage monographique oriente sur la palingenesie et la creation d’un systeme mythique dans l’?uvre poetique de Charles Baudelaire vise a etudier le parcours mythologique qui structure sa poesie en examinant ses manifestations les plus significatives. Cette etude a pour but d’analyser cette ?uvre ou imagerie biblique et mythes antiques se melent et se completent, dans un interessant syncretisme. Par cette analyse mythocritique, ce travail offre une nouvelle approche qui permettra de deceler des archetypes majeurs sous-jacents a l’ecriture baudelairienne et d’observer l’ambiguite d’un langage complexifie mais en meme temps structure par ces schemes archetypaux. Il s’agira donc dans cette etude d’observer comment ce corpus mythologique fonctionne dans le texte baudelairien et comment le poete procede a une reecriture singuliere pour elaborer sa propre mythologie. Cette derniere prenant forme et sens dans une ecriture poetique dont elle souligne les enjeux essentiels. Ce livre ne s’adresse pas uniquement aux specialistes et amateurs de Baudelaire mais appelle un large public academique interesse par la litterature du XIXeme siecle, par ailleurs, riche en efflorescences mythiques.
Автор: Leakey Название: Baudelaire: Les Fleurs du mal ISBN: 0521369371 ISBN-13(EAN): 9780521369374 Издательство: Cambridge Academ Рейтинг: Цена: 3802.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Les Fleurs du mal owes its `landmark` status to the sheer aesthetic quality of its verses. Professor Leakey provides a comprehensive guide to understanding the poems and their context and a detailed account of Le Cygne.
Автор: Morisi Eve Название: Capital Letters: Hugo, Baudelaire, Camus, and the Death Penalty ISBN: 0810141515 ISBN-13(EAN): 9780810141513 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5016.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Capital Letters sheds new light on how literature has dealt with society’s most violent legal institution, the death penalty. It investigates this question through the works of three major French authors with markedly distinct political convictions and literary styles: Victor Hugo, Charles Baudelaire, and Albert Camus. Working at the intersection of poetics, ethics, and law, Ève Morisi uncovers an unexpected transhistorical dialogue on both the modern death penalty and the ends and means of literature after the French Revolution. Through close textual analysis, careful contextualization, and the critique of violence forged by Giorgio Agamben, Michel Foucault, and RenÉ Girard, Morisi reveals that, despite their differences, Hugo, Baudelaire, and Camus converge in questioning France’s humanitarian redefinition of capital punishment dating from the late eighteenth century. Conversely, capital justice leads all three writers to interrogate the functions, tools, and limits of their art. Capital Letters shows that the key modern debate on the political and moral responsibility, or autonomy, of literature crystallizes around the death penalty. Inflecting traditional modes of representation and writing self-reflexively or self-critically, Hugo, Baudelaire, and Camus unsettle the commonly accepted divide between strictly aesthetic and politically committed writing. Form, rather than overtly political argument, at once conveys an ethical critique of justice and reflects on the possibilities, and duties, of literature.
Автор: Abbott Helen Название: Baudelaire in Song: 1880-1930 ISBN: 019879469X ISBN-13(EAN): 9780198794691 Издательство: Oxford Academ Рейтинг: Цена: 10296.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book looks at a key 50-year period (1880-1930) in France and Europe, to see how and why Baudelaire`s poetry has been set to music in classical music, how composers have completely manipulated the texts, which poems they have chosen and why.
Автор: Evans Margery A. Название: Baudelaire and Intertextuality ISBN: 0521365082 ISBN-13(EAN): 9780521365086 Издательство: Cambridge Academ Цена: 15048.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In this 1993 reading of Baudelaire`s Le Spleen de Paris Margery Evans proposes that Baudelaire`s text serves to question the conventions of prose forms such as the novel and the moral fable. She shows how the text probes the fundamental tension between individuality and conformity, powerfully symbolized by the giant metropolis.
Автор: Burton Название: Baudelaire in 1859 ISBN: 0521114144 ISBN-13(EAN): 9780521114141 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is an intensive study of what was by far the most productive year in Baudelaire`s literary career. It combines biographical investigation with detailed textual analysis in order to locate the sources of the extraordinary `explosion` (Baudelaires` own word) of poetic creativity that he experienced during that year.
Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body.
Although much has been written on autobiography, the same cannot be said of autothanatography, the writing of one's death. This study starts from the deconstructive premise that autobiography is aporetic, not or not only a matter of a subject strategizing with language to produce an exemplary identity but a matter also of its responding to an exorbitant call to write its death. The I-dominated representations of particular others and of the privileged other to whom a work is addressed, must therefore be set against an alterity plaguing the I from within or shadowing it from without. This alterity makes itself known in writing as the potential of the text to carry messages that remain secret to the confessing subject. Anticipation of the potential for the confessional text to say what Augustine calls "the secret I do not know," the secret of death, engages the autothanatographical subject in a dynamic, inventive, and open-ended process of identification. The subject presented in these texts is not one that has already evolved an interior life that it seeks to reveal to others, but one that speaks to us as still in process. Through its exorbitant response, it gives intimations of an interiority and an ethical existence to come. Baudelaire emerges as a central figure for this understanding of autobiography as autothanatography through his critique of the narcissism of a certain Rousseau, his translation of De Quincey's confessions, with their vertiginously ungrounded subject-in-construction, his artistic practice of self-conscious, thorough-going doubleness, and his service to Wilde as model for an aporetic secrecy. The author discusses the interruption of narrative that must be central to the writing of one's death and addresses the I's dealings with the aporias of such structuring principles as secrecy, Levinasian hospitality, or interiorization as translation. The book makes a strong intervention in the debate over one of the most-read genres of our time.
Although much has been written on autobiography, the same cannot be said of autothanatography, the writing of one's death. This study starts from the deconstructive premise that autobiography is aporetic, not or not only a matter of a subject strategizing with language to produce an exemplary identity but a matter also of its responding to an exorbitant call to write its death. The I-dominated representations of particular others and of the privileged other to whom a work is addressed, must therefore be set against an alterity plaguing the I from within or shadowing it from without. This alterity makes itself known in writing as the potential of the text to carry messages that remain secret to the confessing subject. Anticipation of the potential for the confessional text to say what Augustine calls "the secret I do not know," the secret of death, engages the autothanatographical subject in a dynamic, inventive, and open-ended process of identification. The subject presented in these texts is not one that has already evolved an interior life that it seeks to reveal to others, but one that speaks to us as still in process. Through its exorbitant response, it gives intimations of an interiority and an ethical existence to come. Baudelaire emerges as a central figure for this understanding of autobiography as autothanatography through his critique of the narcissism of a certain Rousseau, his translation of De Quincey's confessions, with their vertiginously ungrounded subject-in-construction, his artistic practice of self-conscious, thorough-going doubleness, and his service to Wilde as model for an aporetic secrecy. The author discusses the interruption of narrative that must be central to the writing of one's death and addresses the I's dealings with the aporias of such structuring principles as secrecy, Levinasian hospitality, or interiorization as translation. The book makes a strong intervention in the debate over one of the most-read genres of our time.
Описание: This book establishes the role of French writer Charles Baudelaire in the formation of paradigms of modernity in Italian poetry between 1857, the year of publication of Baudelaire`s highly influential collection Les Fleurs du Mal, and 1912, when the first anthology of Futurist poetry, I poeti futuristi, was published in Milan.
Barbara Spackman here examines the ways in which decadent writers adopted the language of physiological illness and alteration as a figure for psychic otherness. By means of an ideological and rhetorical analysis of scientific as well as literary texts, she shows how the rhetoric of sickness provided the male decadent writer with an alibi for the occupation and appropriation of the female body.
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