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Shakespeare Remains: Theater to Film, Early Modern to Postmodern, Courtney Lehmann


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Автор: Courtney Lehmann
Название:  Shakespeare Remains: Theater to Film, Early Modern to Postmodern
ISBN: 9780801487675
Издательство: Wiley EDC
Классификация:

ISBN-10: 0801487676
Обложка/Формат: Paperback
Страницы: 288
Вес: 0.39 кг.
Дата издания: 2002-05-03
Язык: English
Размер: 229 x 152 x 16
Читательская аудитория: Undergraduate
Основная тема: Shakespeare studies & criticism, LITERARY CRITICISM / Shakespeare,PERFORMING ARTS / Film / History & Criticism,PERFORMING ARTS / Theater / History & Criticism
Подзаголовок: Theater to film, early modern to postmodern
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Поставляется из: Англии
Описание:

No literary figure has proved so elusive as Shakespeare. How, Courtney Lehmann asks, can the controversies surrounding the Bards authorship be resolved when his works precede the historical birth of that modern concept? And how is it that Shakespeare remains such a powerful presence today, years after poststructuralists hailed the death of the author? In her cogent book, Lehmann reexamines these issues through a new lens: film theory.An alternative to literary models that either minimize or exalt the writers creative role, film theory, in Lehmanns view, perceives authorship as a site of constitutive conflict, generating in the process the notion of the auteur. From this perspective, she offers close readings of Romeo and Juliet, A Midsummer Nights Dream, and Hamlet, of film adaptations by Kenneth Branagh, Baz Luhrmann, and Michael Almereyda, and of John Maddens Shakespeare in Love. In their respective historical contexts, these plays and films emerge as allegories of authorship, exploiting such strategies as appropriation, adaptation, projection, and montage. Lehmann explores the significance of this struggle for agency, both in Shakespeares time and in the present day, in the cultures of early and late capitalism.By projecting film theory from the postmodern to the early modern and back again, Lehmann demonstrates the ways in which Shakespeare emerges as a special effect—indeed, as an auteur—in two cultures wherein authors fear to tread.




Clowning and authorship in early modern theatre

Автор: Preiss, Richard (university Of Utah)
Название: Clowning and authorship in early modern theatre
ISBN: 1108438776 ISBN-13(EAN): 9781108438773
Издательство: Cambridge Academ
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Описание: Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.

Twelfth Night: A Critical Reader

Автор: Findlay Alison
Название: Twelfth Night: A Critical Reader
ISBN: 1472503295 ISBN-13(EAN): 9781472503299
Издательство: Bloomsbury Academic
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Twelfth Night is the most mature and fully developed of Shakespeare's comedies and, as well as being one of his most popular plays, represents a crucial moment in the development of his art. Assembled by leading scholars, this guide provides a comprehensive survey of major issues in the contemporary study of the play.
Throughout the book chapters explore such issues as the play's critical reception from John Manningham's account of one of its first performances to major current comentators like Stephen Greenblatt; the performance history of the play, from Shakespeare's day to the present and key themes in current scholarship, from issues of gender and sexuality to the study of comedy and song.
Twelfth Night: A Critical Guide also includes a complete guide to resources available on the play - including critical editions, online resources and an annotated bibliography - and how they might be used to aid both the teaching and study of Shakespeare's enduring comedy.

Eating Shakespeare: Cultural Anthropophagy as Global Methodology

Автор: Anne Sophie Refskou, Marcel Alvaro de Amorim, Vinicius Mariano de Carvalho
Название: Eating Shakespeare: Cultural Anthropophagy as Global Methodology
ISBN: 135003570X ISBN-13(EAN): 9781350035706
Издательство: Bloomsbury Academic
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Описание: Eating Shakespeare provides a constructive critical analysis of the issue of Shakespeare and globalization and revisits understandings of interculturalism, otherness, hybridity and cultural (in)authenticity. Featuring scholarly essays as well as interviews and conversation pieces with creatives - including Geraldo Carneiro, Fernando Yamamoto, Diana Henderson, Mark Thornton Burnett, Samir Bhamra, Tajpal Rathore, Samran Rathore and Paul Heritage - it offers a timely and fruitful discourse between global Shakespearean theory and practice.

The volume uniquely establishes and implements a conceptual model inspired by non-European thought, thereby confronting a central concern in the field of Global Shakespeare: the issue of Europe operating as a geographical and cultural 'centre' that still dominates the study of Shakespearean translations and adaptations from a 'periphery' of world-wide localities. With its origins in 20th-century Brazilian modernism, the concept of 'Cultural Anthropophagy' is advanced by the authors as an original methodology within the field currently understood as 'Global Shakespeare'. Through a broad range of examples drawn from theatre, film and education, and from both within Brazil and beyond, the volume offers illuminating perspectives on what Global Shakespeare may mean today.

How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright`s Works with Their Students

Автор: Sidney Homan
Название: How and Why We Teach Shakespeare: College Teachers and Directors Share How They Explore the Playwright`s Works with Their Students
ISBN: 0367245671 ISBN-13(EAN): 9780367245672
Издательство: Taylor&Francis
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Цена: 5664.00 р.
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Описание: In How and Why We Teach Shakespeare, nineteen distinguished college teachers and directors draw from their personal experiences and share their methods and the reasons why they teach Shakespeare.

Shakespeare and Commemoration

Автор: Calvo Clara, Hoenselaars Ton
Название: Shakespeare and Commemoration
ISBN: 1789202477 ISBN-13(EAN): 9781789202472
Издательство: Berghahn
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Memory and commemoration play a vital role not only in the work of Shakespeare, but also in the process that has made him a world author. As the contributors of this collection demonstrate, the phenomenon of commemoration has no single approach, as it occurs on many levels, has a long history, and is highly unpredictable in its manifestations. With an international focus and a comparative scope that explores the afterlives also of other artists, this volume shows the diverse modes of commemorative practices involving Shakespeare. Delving into these “cultures of commemoration,” it presents keen insights into the dynamics of authorship, literary fame, and afterlives in its broader socio-historical contexts.

Performing Shakespeare Unrehearsed

Автор: Kincaid
Название: Performing Shakespeare Unrehearsed
ISBN: 0815352093 ISBN-13(EAN): 9780815352099
Издательство: Taylor&Francis
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Цена: 22202.00 р.
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Performing Shakespeare Unrehearsed: A Practical Guide to Acting and Producing Spontaneous Shakespeare outlines how Shakespeare's plays can be performed effectively without rehearsal, if all the actors understand a set of performance guidelines and put them into practice.

Each chapter is devoted to a specific guideline, demonstrating through examples how it can be applied to pieces of text from Shakespeare's First Folio, how it creates blocking and stage business, and how it enhances story clarity. Once the guidelines have been established, practical means of production are discussed, providing the reader with sufficient step-by-step instruction to prepare for Unrehearsed performances.

This book is written for the actor and performer.

Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response

Автор: Lauren Robertson
Название: Entertaining Uncertainty in the Early Modern Theater: Stage Spectacle and Audience Response
ISBN: 1009225154 ISBN-13(EAN): 9781009225151
Издательство: Cambridge Academ
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Описание: Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.

Shakespeare and the Theater of Religious Conviction in Early Modern England

Автор: Lim
Название: Shakespeare and the Theater of Religious Conviction in Early Modern England
ISBN: 3031400054 ISBN-13(EAN): 9783031400056
Издательство: Springer
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Цена: 16769.00 р.
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Описание: This book analyzes Shakespeare’s use of biblical allusions and evocation of doctrinal topics in Hamlet, Measure for Measure, The Winter’s Tale, Richard II, and The Merchant of Venice. It identifies references to theological and doctrinal commonplaces such as sin, grace, confession, damnation, and the Fall in these plays, affirming that Shakespeare’s literary imagination is very much influenced by his familiarity with the Bible and also with matters of church doctrine. This theological and doctrinal subject matter also derives its significance from genres as diverse as travel narratives, sermons, political treatises, and royal proclamations. This study looks at how Shakespeare’s deployment of religious topics interacts with ideas circulating via other cultural texts and genres in society. It also analyzes how religion enables Shakespeare’s engagement with cultural debates and political developments in England: absolutism and law; radical political theory; morality and law; and conceptions of nationhood.

Childhood in Contemporary Performance of Shakespeare

Автор: Gemma Miller
Название: Childhood in Contemporary Performance of Shakespeare
ISBN: 1350133140 ISBN-13(EAN): 9781350133143
Издательство: Bloomsbury Academic
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Цена: 14256.00 р.
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Child characters feature more numerously and prominently in the Shakespearean canon than in that of any other early modern playwright. Focusing on stage and film productions from the past four decades, this study addresses how Shakespeare's child characters are reflected, refracted and reinterpreted in performance. By adopting an interdisciplinary approach that incorporates close reading, semiotics, childhood studies, queer theory and performance studies, Gemma Miller explores how a close analysis of Shakespeare's child characters, both in the text and in performance, can reveal often uncomfortable truths about contemporary ideas of childhood, as well as offer fresh insights into the plays.

Among the works and productions analysed are stage productions of Richard III by Sean Holmes and Thomas Ostermeier; Jamie Lloyd's and Michael Boyd's stage productions of Macbeth and the films of Roman Polanski and Justin Kurzel; Deborah Warner's stage production of Titus Andronicus and filmed adaptations by Jane Howell and Julie Taymor; and stage productions of The Winter's Tale by Nicholas Hytner, and by Kenneth Branagh and Rob Ashford, and the ballet adaptation by Christopher Wheeldon.

Childhood in Contemporary Performance of Shakespeare

Автор: Gemma Miller
Название: Childhood in Contemporary Performance of Shakespeare
ISBN: 135023947X ISBN-13(EAN): 9781350239470
Издательство: Bloomsbury Academic
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Цена: 4750.00 р.
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Описание: Child characters feature more numerously and prominently in the Shakespearean canon than in that of any other early modern playwright. Focusing on stage and film productions from the past four decades, this study addresses how Shakespeare's child characters are reflected, refracted and reinterpreted in performance. By adopting an interdisciplinary approach that incorporates close reading, semiotics, childhood studies, queer theory and performance studies, Gemma Miller explores how a close analysis of Shakespeare’s child characters, both in the text and in performance, can reveal often uncomfortable truths about contemporary ideas of childhood, as well as offer fresh insights into the plays. Among the works and productions analysed are stage productions of Richard III by Sean Holmes and Thomas Ostermeier; Jamie Lloyd’s and Michael Boyd’s stage productions of Macbeth and the films of Roman Polanski and Justin Kurzel; Deborah Warner’s stage production of Titus Andronicus and filmed adaptations by Jane Howell and Julie Taymor; and stage productions of The Winter's Tale by Nicholas Hytner, and by Kenneth Branagh and Rob Ashford, and the ballet adaptation by Christopher Wheeldon.

Women and Indian Shakespeares

Автор: Mark Thornton Burnett, Rosa Garcia-Periago, Sangeeta Datta, Thea Buckley
Название: Women and Indian Shakespeares
ISBN: 135023432X ISBN-13(EAN): 9781350234321
Издательство: Bloomsbury Academic
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Описание: Women and Indian Shakespeares explores the multiple ways in which women are, and have been, engaged with Shakespeare in India. Women’s engagements encompass the full range of media, from translation to cinematic adaptation and from early colonial performance to contemporary theatrical experiment. Simultaneously, Women and Indian Shakespeares makes visible the ways in which women are figured in various representational registers as resistant agents, martial seductresses, redemptive daughters, victims of caste discrimination, conflicted spaces and global citizens. In so doing, the collection reorients existing lines of investigation, extends the disciplinary field, brings into visibility still occluded subjects and opens up radical readings. More broadly, the collection identifies how, in Indian Shakespeares on page, stage and screen, women increasingly possess the ability to shape alternative futures across patriarchal and societal barriers of race, caste, religion and class. In repeated iterations, the collection turns our attention to localized modes of adaptation that enable opportunities for women while celebrating Shakespeare’s gendered interactions in India’s rapidly changing, and increasingly globalized, cultural, economic and political environment. In the contributions, we see a transformed Shakespeare, a playwright who appears differently when seen through the gendered eyes of a new Indian, diasporic and global generation of critics, historians, archivists, practitioners and directors. Radically imagining Indian Shakespeares with women at the centre, Women and Indian Shakespeares interweaves history, regional geography/regionality, language and the present day to establish a record of women as creators and adapters of Shakespeare in Indian contexts.

Collaborations with the Past: Reshaping Shakespeare across Time and Media

Автор: Diana E. Henderson
Название: Collaborations with the Past: Reshaping Shakespeare across Time and Media
ISBN: 0801444195 ISBN-13(EAN): 9780801444197
Издательство: Wiley EDC
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Цена: 11154.00 р.
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Описание:

"Like the artists studied here, we pick and choose our Shakespeares, and through that labor another story emerges. Frozen in time on the page or screen, some of those collaborations continue to speak, but denuded of their immediate moment and surroundings; we are left to supplement the traces. In recovering that past, the present takes on greater clarity and contrast. But the proof must be in the telling. A writer lifts a pen. Enter the multiple forces—political and economic, psychological, formal, and technical—that serendipitously transform imagination into memory. Let the collaborative play begin."—from the IntroductionFocusing on key writers, actors, theater directors, and filmmakers who have kept Shakespeare at the center of their endeavors over the past two hundred years, Collaborations with the Past illuminates not only the playwright's work but also the choices and responsibilities involved in re-creating culture, and the ingenuity and peril of the artistic process. By concentrating on rich yet problematic instances of Shakespeare's reanimation in such quintessentially modern forms as the novel and film, from Sir Walter Scott's Kenilworth to Kenneth Branagh's Henry V, Diana E. Henderson sketches a complex history of the pleasures and difficulties that ensue when Shakespeare and modern artists collaborate.Working with texts across the entire range of Shakespeare's career, Henderson demonstrates—through detailed analyses of novels including Jane Eyre and Mrs. Dalloway as well as filmed, televised, and staged performances—that art (even in the newest media) cannot avoid collaborating with the past. Only by studying that collaborative process can we comprehend Shakespeare and Anglo-American culture.


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