Everynight Life: Culture and Dance in Latin/o America, Celeste Fraser Delgado, Jos? Esteban Mu?oz
Автор: Celeste Fraser Delgado, Jos? Esteban Mu?oz Название: Everynight Life: Culture and Dance in Latin/o America ISBN: 0822319195 ISBN-13(EAN): 9780822319191 Издательство: Wiley EDC Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The function of dance in Latin/o American culture is the focus of the essays collected in Everynight Life. The contributors interpret how Latin/o culture expresses itself through dance, approaching the material from the varying perspectives of literary, cultural, dance, performance, queer, and feminist studies. Viewing dance as privileged sites of identity formation and cultural resistance in Latin/o America, Everynight Life translates the motion of bodies into speech, and the gestures of dance into a provocative socio-political grammar. This anthology looks at many modes of dance—including salsa, merengue, cumbia, rumba, mambo, tango, samba, and norteño—as models for the interplay of cultural memory and regional conflict. Barbara Browning’s essay on capoeira, for instance, demonstrates how dance has been used as a literal form of resistance, while José Piedra explores the meanings conveyed by women of color dancing the rumba. Pieces such as Gustavo Perez Fírmat’s "I Came, I Saw, I Conga’d" and Jorge Salessi’s "Medics, Crooks, and Tango Queens" illustrate the lively scope of this volume’s subject matter.
Contributors. Barbara Browning, Celeste Fraser Delgado, Jane C. Desmond, Mayra Santos Febres, Juan Carlos Quintero Herencia, Josh Kun, Ana M. López, José Esteban Muñoz, José Piedra, Gustavo Perez Fírmat, Augusto C. Puleo, David Román, Jorge Salessi, Alberto Sandoval
Автор: Sydney Hutchinson Название: Salsa World: A Global Dance in Local Contexts ISBN: 1439910065 ISBN-13(EAN): 9781439910061 Издательство: Wiley EDC Рейтинг: Цена: 13042.00 р. Наличие на складе: Поставка под заказ.
Описание:
Since its emergence in the 1960s, salsa has transformed from a symbol of Nuyorican pride into an emblem of pan-Latinism and finally a form of global popular culture. While Latinos all over the world have developed and even exported their own “dance accents,” local dance scenes have arisen in increasingly far-flung locations, each with their own flavor and unique features. Salsa Worldexamines the ways in which bodies relate to culture in specific places. The contributors, a notable group of scholars and practitioners, analyze dance practices in the U.S., Japan, Spain, France, Colombia, Cuba, Puerto Rico, and the Dominican Republic. Writing from the disciplines of ethnomusicology, anthropology, sociology, and performance studies, the contributors explore salsa’s kinetopias - places defined by movement, or vice versa- as they have arisen through the dance’s interaction with local histories, identities, and musical forms.
Taken together, the essays in this book examine contemporary salsa dancing in all its complexity, taking special note of how it is localized and how issues of geography, race and ethnicity, and identity interact with the global salsa industry.
Contributors include Bárbara Balbuena Gutiérrez,Katherine Borland, Joanna Bosse, Rossy Díaz, Saúl Escalona, Kengo Iwanaga, Isabel Llano, Jonathan S. Marion, Priscilla Renta, Alejandro Ulloa Sanmiguel, and the editor.
In the series Studies in Latin American and Caribbean Music, edited by Peter Manuel
Автор: Katya Wesolowski Название: Capoeira Connections: A Memoir in Motion ISBN: 1683402731 ISBN-13(EAN): 9781683402732 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11913.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is freely available in an open access edition thanks to TOME
(Toward an Open Monograph Ecosystem)—a collaboration of the Association of
American Universities, the Association of University Presses, and the Association
of Research Libraries—and the generous support of Duke University. A portrait
of the game of capoeira and its practice across borders.
Originating in the Black Atlantic world as a fusion of dance and martial
art, capoeira was a marginalized practice for much of its history.
Today it is globally popular. This ethnographic memoir weaves together the history of capoeira,
recent transformations in the practice, and personal insights from author Katya
Wesolowski’s thirty years of experience as a capoeirista.
Capoeira Connections
follows Wesolowski’s journey from novice to instructor while drawing on her decades of research as an anthropologist in
Brazil, Angola, Europe, and the United States. In a story of local practice and
global flow, Wesolowski offers an intimate portrait of the game and what it
means in people’s lives. She reveals camaraderie and conviviality in the
capoeira ring as well as tensions and ruptures involving race, gender, and
competing claims over how this artful play should be practiced. Capoeira brings
people together and yet is never free of histories of struggle, and these too
play out in the game’s encounters.
In her at once clear-sighted and
hopeful analysis, Wesolowski ultimately argues that capoeira offers
opportunities for connection, dialogue, and collaboration in a world that is
increasingly fractured. In doing so, capoeira can transform lives, create
social spheres, and shape mobile futures.
Publication of this work made possible
by a Sustaining the Humanities through the American Rescue Plan grant from the
National Endowment for the Humanities.
Автор: Wesolowski, Katya Название: Capoeira connections ISBN: 1683403207 ISBN-13(EAN): 9781683403203 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is freely available in an open access edition thanks to TOME
(Toward an Open Monograph Ecosystem)—a collaboration of the Association of
American Universities, the Association of University Presses, and the Association
of Research Libraries—and the generous support of Duke University. A portrait
of the game of capoeira and its practice across borders.
Originating in the Black Atlantic world as a fusion of dance and martial
art, capoeira was a marginalized practice for much of its history.
Today it is globally popular. This ethnographic memoir weaves together the history of capoeira,
recent transformations in the practice, and personal insights from author Katya
Wesolowski’s thirty years of experience as a capoeirista.
Capoeira Connections
follows Wesolowski’s journey from novice to instructor while drawing on her decades of research as an anthropologist in
Brazil, Angola, Europe, and the United States. In a story of local practice and
global flow, Wesolowski offers an intimate portrait of the game and what it
means in people’s lives. She reveals camaraderie and conviviality in the
capoeira ring as well as tensions and ruptures involving race, gender, and
competing claims over how this artful play should be practiced. Capoeira brings
people together and yet is never free of histories of struggle, and these too
play out in the game’s encounters.
In her at once clear-sighted and
hopeful analysis, Wesolowski ultimately argues that capoeira offers
opportunities for connection, dialogue, and collaboration in a world that is
increasingly fractured. In doing so, capoeira can transform lives, create
social spheres, and shape mobile futures.
Publication of this work made possible
by a Sustaining the Humanities through the American Rescue Plan grant from the
National Endowment for the Humanities.
Автор: Snow, K. Mitchell Название: Revolution in movement ISBN: 081308007X ISBN-13(EAN): 9780813080079 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3511.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Honorable Mention, Latin American Studies Association Mexico Section Best Book in the HumanitiesA Revolution in Movement is the first book to illuminate how collaborations between dancers and painters shaped Mexico’s postrevolutionary cultural identity. K. Mitchell Snow traces this relationship throughout nearly half a century of developments in Mexican dance—the emulation of Diaghilev’s Ballets Russes in the 1920s, the adoption of U.S.-style modern dance in the 1940s, and the creation of ballet-inspired folk dance in the 1960s.Snow describes the appearances in Mexico by Russian ballerina Anna Pavlova and Spanish concert dancer Tort?la Valencia, who helped motivate Mexico to express its own national identity through dance. He discusses the work of muralists and other visual artists in tandem with Mexico’s theatrical dance world, including Diego Rivera’s collaborations with ballet composer Carlos Ch?vez; Carlos M?rida’s leadership of the National School of Dance; Jos? Clemente Orozco’s involvement in the creation of the Ballet de la Ciudad de M?xico; and Miguel Covarrubias, who led the “golden age” of Mexican modern dance. Snow draws from a rich trove of historical newspaper accounts and other contemporary documents to show how these collaborations produced an image of modern Mexico that would prove popular both locally and internationally and continues to endure today.
The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.
Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.
Описание: This book analyzes tango, specifically queer tango, and the role of musical practices and bodily expressions in social and cultural transformations in Buenos Aires.
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries.
Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
From its earliest manifestations on the street corners of nineteenth-century Buenos Aires to its ascendancy as a global cultural form, tango has continually exceeded the confines of the dance floor or the music hall. In Tango Lessons, scholars from Latin America and the United States explore tango's enduring vitality. The interdisciplinary group of contributors—including specialists in dance, music, anthropology, linguistics, literature, film, and fine art—take up a broad range of topics. Among these are the productive tensions between tradition and experimentation in tango nuevo, representations of tango in film and contemporary art, and the role of tango in the imagination of Jorge Luis Borges. Taken together, the essays show that tango provides a kaleidoscopic perspective on Argentina's social, cultural, and intellectual history from the late nineteenth to the early twenty-first centuries.
Contributors. Esteban Buch, Oscar Conde, Antonio Gómez, Morgan James Luker, Carolyn Merritt, Marilyn G. Miller, Fernando Rosenberg, Alejandro Susti
Автор: Garcia Cindy Название: Salsa Crossings: Dancing Latinidad in Los Angeles ISBN: 0822354810 ISBN-13(EAN): 9780822354819 Издательство: Wiley EDC Рейтинг: Цена: 14243.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy García describes how local salseras/os gain social status by performing an exoticized L.A.–style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants, poor, working-class, Mexican, or undocumented. In L.A. salsa clubs, social belonging and mobility depend on subtleties of technique and movement. With a well-timed dance-floor exit or the lift of a properly tweezed eyebrow, a dancer signals affiliation not only with a distinctive salsa style but also with a particular conceptualization of latinidad.
Автор: Garcia Cindy Название: Salsa Crossings: Dancing Latinidad in Los Angeles ISBN: 0822354977 ISBN-13(EAN): 9780822354970 Издательство: Wiley EDC Рейтинг: Цена: 3430.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In Los Angeles, night after night, the city's salsa clubs become social arenas where hierarchies of gender, race, and class, and of nationality, citizenship, and belonging are enacted on and off the dance floor. In an ethnography filled with dramatic narratives, Cindy García describes how local salseras/os gain social status by performing an exoticized L.A.–style salsa that distances them from club practices associated with Mexicanness. Many Latinos in Los Angeles try to avoid "dancing like a Mexican," attempting to rid their dancing of techniques that might suggest that they are migrants, poor, working-class, Mexican, or undocumented. In L.A. salsa clubs, social belonging and mobility depend on subtleties of technique and movement. With a well-timed dance-floor exit or the lift of a properly tweezed eyebrow, a dancer signals affiliation not only with a distinctive salsa style but also with a particular conceptualization of latinidad.
Автор: Brenda M. Romero, Norma E. Cantu, Olga N?jera-Ram? Название: Dancing across Borders: Danzas y Bailes Mexicanos ISBN: 0252076095 ISBN-13(EAN): 9780252076091 Издательство: Wiley EDC Рейтинг: Цена: 4460.00 р. Наличие на складе: Поставка под заказ.
Описание: Dancing across Borders: Danzas y Bailes Mexicanos focuses specifically on Mexican dance practices on both sides of the U.S.-Mexico border. The essays explore various types of Mexican popular and traditional dances and address questions of authenticity, aesthetics, identity, interpretation, and research methodologies in dance performance. Contributors include not only noted scholars from a variety of disciplines but also several dance practitioners who reflect on their engagement with dance and reveal subtexts of dance culture. Capturing dance as a living expression, the volume's ethnographic approach highlights the importance of the cultural and social contexts in which dances are practiced.
Contributors are Norma E. Cantú, Susan Cashion, María Teresa Ceseña, Xóchitl C. Chávez, Adriana Cruz-Manjarrez, Renée de la Torre Castellanos, Peter J. García, Rudy F. García, Chris Goertzen, Martha González, Elisa Diana Huerta, Sydney Hutchinson, Marie "Keta" Miranda, Olga Nájera-Ramírez, Shakina Nayfack, Russell Rodríguez, Brenda M. Romero, Nancy Lee Chalfa Ruyter, José Sánchez Jiménez, and Alberto Zárate Rosales.
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