Big Ears: Listening for Gender in Jazz Studies, Nichole T. Rustin, Sherrie Tucker
Автор: John Valerio Название: Jazz Journey: A Guide For Listening ISBN: 1631890565 ISBN-13(EAN): 9781631890567 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 7083.00 р. 10118.00-30% Наличие на складе: Есть (1 шт.) Описание: Covers jazz from its 19th Century forerunners through the 20th century. This jazz journey takes the reader and listener on an historical audio and video tour of some of the great jazz performances of the last hundred years. All of the major styles of jazz, including the forerunners of jazz, Ragtime and Blues, are covered.
Автор: Hendrich, B?atrice Название: Female Fighters in Armed Conflict ISBN: 1032353171 ISBN-13(EAN): 9781032353173 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Heter T. Storm Название: The Sonic Gaze: Jazz, Whiteness, and Racialized Listening ISBN: 153816261X ISBN-13(EAN): 9781538162613 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 15418.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The latest book in Paul Hoses tour de force Drumset for Beginners series takes aim at the behemoth genre of Jazz. Combining historical context and stylistic awareness with progressive technical exercises and performance pieces a comprehensive, cross-genre foundation is achieved. This beautifully illustrated book includes access to extensive online material, including performance tracks and play-alongs as well as video demonstrations.This dynamic series of books is not only for the beginner who has never played before, they are for those wishing to explore new areas of their playing and genres of music for the first time. They are
Автор: John Valerio Название: Jazz Journey: A Guide For Listening ISBN: 179352016X ISBN-13(EAN): 9781793520166 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 12158.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Jazz Journey: A Guide for Listening explores jazz music from its 19th Century forerunners through today. The text takes readers on an historical audio and video tour of select jazz performances of the last hundred years.
All of the major styles of jazz—including the predecessors of jazz, Ragtime and Blues—are covered, including New Orleans style, Chicago style, Stride piano, Swing, Bebop, Cool, Hard Bop, modal, Free jazz, freer jazz, and Fusion.
Major performers include Louis Armstrong, Bix Beiderbecke, Fats Waller, Benny Goodman, Count Basie, Duke Ellington, Charlie Parker, Dizzy Gillespie, Gerry Mulligan Dave Brubeck, Miles Davis, Horace Silver, John Coltrane, Bill Evans, Ornette Coleman, Herbie Hancock, and Keith Jarrett, among others.
For easy access to the music described in the text, the revised first edition features an online, active learning component with links to audio and video recordings, as well as listening guides.
Jazz Journey is an ideal reading and listening experience for jazz appreciation courses for non-majors. It can also be used in jazz history classes for music and jazz studies majors.
Автор: Gillian Siddall, Ellen Waterman Название: Negotiated Moments: Improvisation, Sound, and Subjectivity ISBN: 0822360829 ISBN-13(EAN): 9780822360827 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 20058.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The contributors to Negotiated Moments explore how subjectivity is formed and expressed through musical improvisation, tracing the ways the transmission and reception of sound occur within and between bodies in real and virtual time and across memory, history, and space. They place the gendered, sexed, raced, classed, disabled, and technologized body at the center of critical improvisation studies and move beyond the field's tendency toward celebrating improvisation's utopian and democratic ideals by highlighting the improvisation of marginalized subjects. Rejecting a singular theory of improvisational agency, the contributors show how improvisation helps people gain hard-won and highly contingent agency. Essays include analyses of the role of the body and technology in performance, improvisation's ability to disrupt power relations, Pauline Oliveros's ideas about listening, flautist Nicole Mitchell's compositions based on Octavia Butler's science fiction, and an interview with Judith Butler about the relationship between her work and improvisation. The contributors' close attention to improvisation provides a touchstone for examining subjectivities and offers ways to hear the full spectrum of ideas that sound out from and resonate within and across bodies.
Contributors. George Blake, David Borgo, Judith Butler, Rebecca Caines, Louise Campbell, Illa Carrillo Rodríguez, Berenice Corti, Andrew Raffo Dewar, Nina Eidsheim, Tomie Hahn, Jaclyn Heyen, Christine Sun Kim, Catherine Lee, Andra McCartney, Tracy McMullen, Kevin McNeilly, Leaf Miller, Jovana Milovic, François Mouillot, Pauline Oliveros, Jason Robinson, Neil Rolnick, Simon Rose, Gillian Siddall, Julie Dawn Smith, Jesse Stewart, Clara Tomaz, Sherrie Tucker, Lindsay Vogt, Zachary Wallmark, Ellen Waterman, David Whalen, Pete Williams, Deborah Wong, Mandy-Suzanne Wong
Автор: Allwood, Rebecca Название: Routledge Companion to Jazz and Gender ISBN: 0367534142 ISBN-13(EAN): 9780367534141 Издательство: Taylor&Francis Рейтинг: Цена: 32921.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Routledge Companion to Jazz and Gender identifies, defines, and interrogates the construct of gender in all forms of jazz, jazz culture, and education, shaping and transforming the conversation in response to changing cultural and societal norms across the globe.
Описание: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
Описание: In 1957, Duke Ellington released the influential album A Drum Is a Woman. This musical allegory revealed the implicit truth about the role of women in jazz discourse—jilted by the musician and replaced by the drum. Further, the album’s cover displays an image of a woman sitting atop a drum, depicting the way in which the drum literally obscures the female body, turning the subject into an object. This objectification of women leads to a critical reading of the role of women in jazz music: If the drum can take the place of a woman, then a woman can also take the place of a drum.The Drum Is a Wild Woman: Jazz and Gender in African Diaspora Literature challenges that image but also defines a counter-tradition within women’s writing that involves the reinvention and reclamation of a modern jazz discourse. Despite their alienation from bebop, women have found jazz music empowering and have demonstrated this power in various ways. The Drum Is a Wild Woman explores the complex relationship between women and jazz music in recent African diasporic literature. The book examines how women writers from the African diaspora have challenged and revised major tropes and concerns of jazz literature since the bebop era in the mid-1940s. Black women writers create dissonant sounds that broaden our understanding of jazz literature. By underscoring the extent to which gender is already embedded in jazz discourse, author Patricia G. Lespinasse responds to and corrects narratives that tell the story of jazz through a male-centered lens. She concentrates on how the Wild Woman, the female vocalist in classic blues, used blues and jazz to push the boundaries of Black womanhood outside of the confines of respectability. In texts that refer to jazz in form or content, the Wild Woman constitutes a figure of resistance who uses language, image, and improvisation to refashion herself from object to subject.This book breaks new ground by comparing the politics of resistance alongside moments of improvisation by examining recurring literary motifs—cry-and-response, the Wild Woman, and the jazz moment—in jazz novels, short stories, and poetry, comparing works by Ann Petry, Gayl Jones, Toni Morrison, Paule Marshall, Edwidge Danticat, and Maya Angelou with pieces by Albert Murray, Ralph Ellison, James Baldwin, and Ellington. Within an interdisciplinary and transnational context, Lespinasse foregrounds the vexed negotiations around gender and jazz discourse.
Автор: Blackard Sandra R. Название: Say What You See for Parents and Teachers ISBN: 0980001528 ISBN-13(EAN): 9780980001525 Издательство: Неизвестно Цена: 2578.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: i-D began as a fanzine dedicated to the street style of punk-era London in 1980 and quickly earned its position at the vanguard of fashion and style, abiding by the premise of `originate-don`t imitate`. This anniversary volume is the ultimate tribute to the irreverent and forward-thinking magazine that revolutionized not only the world of fashion publishing but fashion itself.
Описание: Offers expansive and intersecting understandings of erotic subjectivity, intimacy, and trauma in performance, in ethnography, and in institutional and disciplinary settings.Focused on research within Africa and the African diaspora, contributors to this volume think through the painful iterations of trauma, systemic racism, and the vestiges of colonial oppression as well as the processes of healing and emancipation that emerge from wounded states. Their chapters explore an acoustemology of intimacy, woman-centered eroticism generated through musical performance, desire and longing in ethnographic knowledge production, and listening as intimacy. On the other end of the spectrum, authors engage with and question the fetishization of race in jazz; examine conceptions of vulgarity and profanity in movement and dance-ethnography; and address pain, trauma, and violation, whether physical, spiritual, intellectual, or political. Authors in this volume strive toward empathetic, ethical, and creative ethnographic engagements that summon vulnerability and healing. They propose pathways to aesthetic, discursive transformation by reorienting conceptions of knowledge as emergent, performative, and sonically enabled. The resulting book explores sensory knowledge that is frequently left unacknowledged in ethnographic work, advancing conversations about performed sonic and somatic modalities through which we navigate our entanglements as engaged scholars.
Описание: This book uses case studies of Argentina, Brazil, and Peru to examine the impact of gender quotas in Latin American politics. Through careful analysis of electoral data it sheds light on issues of interest to policymakers and scholars in the fields of comparative politics, electoral studies, Latin American politics, and women and politics.
Stuart Watson spent his first career earning a living by talking. His whole identity was wrapped up in being a Peabody-award-winning investigative reporter. Then he turned 55 and got fired. He began to doubt himself. He flirted with suicide.
To escape such dark thoughts, he began a five-year odyssey conducting dozens and dozens of interviews for a podcast, a book, and a film. Increasingly, those interview subjects were women. But all too often, Stuart interrupted or "mansplained" or flat-out argued. It didn't work.
So gradually he learned how to stop talking over women and really listen to them. The result is this book and a podcast called ManListening, in which Stuart elevates the stories of a diverse group of strong women who bounced back.
What She Said & What I Heard is a memoir told through a series of profound moments where a woman said something that Stuart actually heard. He shifted and changed because in a moment, he really listened.
This book is for broken people and the people who don't know how to hear them. If you're still reading, you're one of us.
ООО "Логосфера " Тел:+7(495) 980-12-10 www.logobook.ru
