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Reggaeton, Deborah Pacini Hernandez, Raquel Z. Rivera, Wayne


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Автор: Deborah Pacini Hernandez, Raquel Z. Rivera, Wayne
Название:  Reggaeton
ISBN: 9780822343837
Издательство: Wiley EDC
Классификация:

ISBN-10: 0822343835
Обложка/Формат: Paperback
Страницы: 392
Вес: 0.67 кг.
Дата издания: 2009-04-24
Серия: Refiguring american music
Язык: English
Иллюстрации: 36 illustrations
Размер: 235 x 155 x 30
Читательская аудитория: General (us: trade)
Основная тема: Music: styles & genres,Rap & Hip-Hop,World music, MUSIC / Genres & Styles / Latin,MUSIC / Genres & Styles / Rap & Hip Hop
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:
A hybrid of reggae and rap, reggaeton is a music with Spanish-language lyrics and Caribbean aesthetics that has taken Latin America, the United States, and the world by storm. Superstars—including Daddy Yankee, Don Omar, and Ivy Queen—garner international attention, while aspiring performers use digital technologies to create and circulate their own tracks. Reggaeton brings together critical assessments of this wildly popular genre. Journalists, scholars, and artists delve into reggaeton’s local roots and its transnational dissemination; they parse the genre’s aesthetics, particularly in relation to those of hip-hop; and they explore the debates about race, nation, gender, and sexuality generated by the music and its associated cultural practices, from dance to fashion.

The collection opens with an in-depth exploration of the social and sonic currents that coalesced into reggaeton in Puerto Rico during the 1990s. Contributors consider reggaeton in relation to that island, Panama, Jamaica, and New York; Cuban society, Miami’s hip-hop scene, and Dominican identity; and other genres including reggae en español, underground, and dancehall reggae. The reggaeton artist Tego Calderón provides a powerful indictment of racism in Latin America, while the hip-hop artist Welmo Romero Joseph discusses the development of reggaeton in Puerto Rico and his refusal to embrace the upstart genre. The collection features interviews with the DJ/rapper El General and the reggae performer Renato, as well as a translation of “Chamaco’s Corner,” the poem that served as the introduction to Daddy Yankee’s debut album. Among the volume’s striking images are photographs from Miguel Luciano’s series Pure Plantainum, a meditation on identity politics in the bling-bling era, and photos taken by the reggaeton videographer Kacho López during the making of the documentary Bling’d: Blood, Diamonds, and Hip-Hop.

Contributors. Geoff Baker, Tego Calderón, Carolina Caycedo, Jose Davila, Jan Fairley, Juan Flores, Gallego (José Raúl González), Félix Jiménez, Kacho López, Miguel Luciano, Wayne Marshall, Frances Negrón-Muntaner, Alfredo Nieves Moreno, Ifeoma C. K. Nwankwo, Deborah Pacini Hernandez, Raquel Z. Rivera, Welmo Romero Joseph, Christoph Twickel, Alexandra T. Vazquez


Дополнительное описание: List of Illustrations vii
Foreword: What's all the noise about? / Juan Flores ix
Acknowledgments xiii
Introduction: Reggaeton's Socio-Sonic Circuitry / Wayne Marshall, Raquel Z. Rivera, and Deborah Pacini Hernandez 1
Part I. Mapping Re




Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico

Автор: Rivera-Rideau Petra R.
Название: Remixing Reggaeton: The Cultural Politics of Race in Puerto Rico
ISBN: 0822359456 ISBN-13(EAN): 9780822359456
Издательство: Mare Nostrum (Eurospan)
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Цена: 16045.00 р.
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Описание:

Puerto Rico is often depicted as a "racial democracy" in which a history of race mixture has produced a racially harmonious society. In Remixing Reggaetón, Petra R. Rivera-Rideau shows how reggaetón musicians critique racial democracy's privileging of whiteness and concealment of racism by expressing identities that center blackness and African diasporic belonging. Stars such as Tego Calderón criticize the Puerto Rican mainstream's tendency to praise black culture but neglecting and marginalizing the island's black population, while Ivy Queen, the genre's most visible woman, disrupts the associations between whiteness and respectability that support official discourses of racial democracy. From censorship campaigns on the island that sought to devalue reggaetón, to its subsequent mass marketing to U.S. Latino listeners, Rivera-Rideau traces reggaetón's origins and its transformation from the music of San Juan's slums into a global pop phenomenon. Reggaetón, she demonstrates, provides a language to speak about the black presence in Puerto Rico and a way to build links between the island and the African diaspora.
 

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