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Theatricality as Medium, Samuel Weber


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Автор: Samuel Weber
Название:  Theatricality as Medium
ISBN: 9780823224159
Издательство: Wiley EDC
Классификация:

ISBN-10: 0823224155
Обложка/Формат: Hardback
Страницы: 414
Вес: 0.68 кг.
Дата издания: 2004-12-01
Язык: English
Размер: 235 x 162 x 29
Читательская аудитория: General (us: trade)
Основная тема: Literary studies: plays & playwrights,Literary theory, DRAMA / General,LITERARY CRITICISM / Drama,LITERARY CRITICISM / Semiotics & Theory
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:

Ever since Aristotles Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the mythos, or the plot. This conception of theater has subordinated characteristics related to the theatrical medium, such as the process and place of staging, to the demands of a unified narrative.
This readable, thought-provoking, and multidisciplinary study explores theatrical writings that question this aesthetical-generic conception and seek instead to work with the medium of theatricality itself. Beginning with Plato, Samuel Weber tracks the uneasy relationships among theater, ethics, and philosophy through Aristotle, the major Greek tragedians, Shakespeare, Kierkegaard, Kafka, Freud, Benjamin, Artaud, and many others who develop alternatives to dominant narrative-aesthetic assumptions about the theatrical medium.
His readings also interrogate the relation of theatricality to the introduction of
electronic media. The result is to show that, far from breaking with the characteristics of live staged performance, the new media intensify ambivalences about place and identity already at work in theater since the Greeks.
Praise for Samuel Weber: “What kind of questioning is primarily after something other than an answer that can be measured . . . in cognitive terms? Those interested in the links between modern philosophy nd media culture will be impressed by the unusual intellectual clarity and depth with which Weber formulates the . . . questions that constiture the true challenge to cultural studies today. . . . one of our most important cultural critics and thinkers”—MLN




Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum " to Shakespeare

Автор: Laura Levine
Название: Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum " to Shakespeare
ISBN: 150177218X ISBN-13(EAN): 9781501772184
Издательство: Mare Nostrum (Eurospan)
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Цена: 3380.00 р.
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Описание:

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum " to Shakespeare

Автор: Laura Levine
Название: Afterlives of Endor: Witchcraft, Theatricality, and Uncertainty from the "Malleus Maleficarum " to Shakespeare
ISBN: 1501772082 ISBN-13(EAN): 9781501772085
Издательство: Mare Nostrum (Eurospan)
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Цена: 16302.00 р.
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Описание:

Afterlives of Endor offers an analysis of the way early modern English literature addressed the period's anxieties about witchcraft and theatricality. What determined whether or not a demonologist imagined a trial as a spectacle? What underlying epistemological constraints governed such choices and what conceptions of witchcraft did these choices reveal? Pairing readings of demonological texts with canonical plays and poetry, Laura Levine examines such questions. Through analyses of manuals and pamphlets about the prosecution of witches—including Reginald Scot's skeptical The Discoverie of Witchcraft (1584), King James VI/I's Daemonologie (1597), and Jean Bodin's De la Demonomanie des Sorciers (1580)—Afterlives of Endor examines the way literary texts such as Shakespeare's The Winter's Tale and The Tempest, Spenser's The Faerie Queene, and Marlowe's Tragicall History of Doctor Faustus address anxieties about witchcraft, illusion, and theatricality. Afterlives of Endor attends to the rhetorical tactics, argumentative investments, and underlying tensions of demonological texts with the scrutiny ordinarily reserved for literary texts.

Theatricality as medium

Автор: Weber, Samuel
Название: Theatricality as medium
ISBN: 0823224163 ISBN-13(EAN): 9780823224166
Издательство: Wiley EDC
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Цена: 6006.00 р.
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Описание:

Ever since Aristotle's Poetics, both the theory and the practice of theater have been governed by the assumption that it is a form of representation dominated by what Aristotle calls the "mythos," or the "plot." This conception of theater has subordinated characteristics related to the theatrical medium, such as the process and place of staging, to the demands of a unified narrative.
This readable, thought-provoking, and multidisciplinary study explores theatrical writings that question this aesthetical-generic conception and seek instead to work with the medium of theatricality itself. Beginning with Plato, Samuel Weber tracks the uneasy relationships among theater, ethics, and philosophy through Aristotle, the major Greek tragedians, Shakespeare, Kierkegaard, Kafka, Freud, Benjamin, Artaud, and many others who develop alternatives to dominant narrative-aesthetic assumptions about the theatrical medium.
His readings also interrogate the relation of theatricality to the introduction of
electronic media. The result is to show that, far from breaking with the characteristics of live staged performance, the new media intensify ambivalences about place and identity already at work in theater since the Greeks.
Praise for Samuel Weber: “What kind of questioning is primarily after something other than an answer that can be measured . . . in cognitive terms? Those interested in the links between modern philosophy nd media culture will be impressed by the unusual intellectual clarity and depth with which Weber formulates the . . . questions that constiture the true challenge to cultural studies today. . . . one of our most important cultural critics and thinkers”—MLN

Absorption and theatricality

Автор: Carville, Conor (university Of Reading)
Название: Absorption and theatricality
ISBN: 1009001175 ISBN-13(EAN): 9781009001175
Издательство: Cambridge Academ
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Цена: 2693.00 р.
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Описание: Samuel Beckett`s 1976 Television play Ghost Trio is one of his most beautiful and mysterious works. It demonstrates Beckett`s exploration of the relationship between theatricality, absorption and objecthood, and shows how his work anticipates the development of video and installation art.

Beckett`s Breath: Anti-Theatricality and the Visual Arts

Автор: Sozita Goudouna
Название: Beckett`s Breath: Anti-Theatricality and the Visual Arts
ISBN: 1474452701 ISBN-13(EAN): 9781474452700
Издательство: Bloomsbury Academic
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Цена: 3958.00 р.
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Описание: This book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett`s Breath within the intermedial and high-modernist discourse.

Alienation and Theatricality

Автор: Held, Phoebe von
Название: Alienation and Theatricality
ISBN: 0367602148 ISBN-13(EAN): 9780367602147
Издательство: Taylor&Francis
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Цена: 6583.00 р.
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The Politics of Romantic Theatricality, 1787-1832

Автор: Worrall
Название: The Politics of Romantic Theatricality, 1787-1832
ISBN: 0230518028 ISBN-13(EAN): 9780230518025
Издательство: Springer
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Цена: 12577.00 р.
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Описание: This book sets out the political and cultural conditions regulating dramatic writing during an era of censorship and monopolistic royal theatres. Using a range of plays and manuscripts, it argues for the centrality of burletta, the theatrical locus of the attacks on the Cockney school of poetry and the vitality of the metropolitan dramatic scene.

Drama on Drama

Автор: Nicole Boireau
Название: Drama on Drama
ISBN: 0312165412 ISBN-13(EAN): 9780312165413
Издательство: Springer
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Цена: 18167.00 р.
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Описание: This book gives an in-depth and invigorating analysis of reflexivity in recent British drama - the way drama comments on drama. When drama takes itself as its own object of study it paradoxically highlights the most vital issues of its time.

Theatricality, playtexts and society

Автор: Barnett, David (university Of York)
Название: Theatricality, playtexts and society
ISBN: 1009506285 ISBN-13(EAN): 9781009506281
Издательство: Cambridge Academ
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Цена: 2693.00 р.
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Drama on Drama

Автор: Nicole Boireau
Название: Drama on Drama
ISBN: 1349254452 ISBN-13(EAN): 9781349254453
Издательство: Springer
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Цена: 15372.00 р.
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Описание: This book gives an in-depth and invigorating analysis of reflexivity in recent British drama - the way drama comments on drama. When drama takes itself as its own object of study it paradoxically highlights the most vital issues of its time.

Greek Tragedy and Modernist Performance: Hellenism as Theatricality

Автор: Olga Taxidou
Название: Greek Tragedy and Modernist Performance: Hellenism as Theatricality
ISBN: 1399511092 ISBN-13(EAN): 9781399511094
Издательство: Bloomsbury Academic
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Цена: 3483.00 р.
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Описание:

This book examines the ways the encounters between modernist theatre makers and Greek tragedy were constitutive in the modernist experiments in performance. Through a series of events / instances / poses that engage visual, literary and performing arts, the modernist love/hate relationship with classical Greek tragedy is read as contributing to a modernist notion of theatricality, one that follows a double motion, revising both our understanding of Greek tragedy and of modernism itself. Isadora Duncan, Edward Gordon Craig, T.S. Eliot, Ezra Pound, W. B. Yeats, H. D, and Bertolt Brecht and their various, sometimes successful sometimes failed experiments in creating a modernist aesthetic in performing, dancing, translating, designing Greek tragedies, sometimes for the stage and sometimes for the page, are presented as radical experiments in and gestures towards the autonomy of performance. In the process the artists of the theatre themselves – the actor, the designer, the director, the playwright – are reconfigured and given a lineage and genealogy, through this modernist revision of tragedy and the tragic not as as a philosophical or philological tradition, but as a performance practice.

Beckett`s breath

Автор: Goudouna, Sozita
Название: Beckett`s breath
ISBN: 1474421644 ISBN-13(EAN): 9781474421645
Издательство: Bloomsbury Academic
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Цена: 15048.00 р.
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Описание: This book attends to fifty breath-related artworks (including sculpture, painting, new media, sound art, performance art) and contextualises Beckett`s `Breath` within the intermedial and high-modernist discourse.


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