Описание: Nannie Helen Burroughs (1879–1961) is just one of the many African American intellectuals whose work has been long excluded from the literary canon. In her time, Burroughs was a celebrated African American (or, in her era, a "race woman") female activist, educator, and intellectual. This book represents a landmark contribution to the African American intellectual historical project by allowing readers to experience Burroughs in her own words. This anthology of her works written between 1900 and 1959 encapsulates Burroughs' work as a theologian, philosopher, activist, educator, intellectual, and evangelist, as well as the myriad of ways that her career resisted definition. Burroughs rubbed elbows with such African American historical icons as W. E. B. DuBois, Booker T. Washington, Anna Julia Cooper, Mary Church Terrell, and Mary McLeod Bethune, and these interactions represent much of the existing, easily available literature on Burroughs' life. This book aims to spark a conversation surrounding Burroughs' life and work by making available her own tracts on God, sin, the intersections of church and society, black womanhood, education, and social justice. Moreover, the volume is an important piece of the growing movement toward excavating African American intellectual and philosophical thought and reformulating the literary canon to bring a diverse array of voices to the table.
Black Communists Speak on Scottsboro, an account of a neglected chapter in the story of the Scottsboro saga, gives voice to a segment of the African American community that has often been ignored or distorted: black Communists.
Автор: Matthew L Harris, Newell G. Bringhurst Название: Mormon Church and Blacks: A Documentary History ISBN: 0252081218 ISBN-13(EAN): 9780252081217 Издательство: Wiley EDC Рейтинг: Цена: 3430.00 р. Наличие на складе: Поставка под заказ.
Описание:
The year 1978 marked a watershed year in the history of The Church of Jesus Christ of Latter-day Saints as it lifted a 126-year ban on ordaining black males for the priesthood. This departure from past practice focused new attention on Brigham Young's decision to abandon Joseph Smith's more inclusive original teachings. The Mormon Church and Blacks presents thirty official or authoritative Church statements on the status of African Americans in the Mormon Church. Matthew L. Harris and Newell G. Bringhurst comment on the individual documents, analyzing how they reflected uniquely Mormon characteristics and contextualizing each within the larger scope of the history of race and religion in the United States. Their analyses consider how lifting the ban shifted the status of African Americans within Mormonism, including the fact that African Americans, once denied access to certain temple rituals considered essential for Mormon salvation, could finally be considered full-fledged Latter-day Saints in both this world and the next. Throughout, Harris and Bringhurst offer an informed view of behind-the-scenes Church politicking before and after the ban. The result is an essential resource for experts and laymen alike on a much-misunderstood aspect of Mormon history and belief.
Автор: Roy Armes Название: Postcolonial Images: Studies in North African Film ISBN: 025321744X ISBN-13(EAN): 9780253217448 Издательство: Wiley EDC Рейтинг: Цена: 3773.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Postcolonial Images is a comprehensive introduction to and resource for cinema of the Maghreb. In clear and accessible prose, Roy Armes examines the political and cultural context of the films and the film industry in the post-independence era. Since the birth of cinema, North Africa has been the site of countless European and U.S. film productions. This book, however, focuses on the postcolonial period, when indigenous filmmaking in each of the three Maghreb countries—Algeria, Morocco, and Tunisia—arose with the newly independent nations. Comparative analyses of each country's filmmaking in the decades following independence provide a historical portrait of the conditions and environment for the development of a postcolonial cinema. Armes then turns his attention to an in-depth examination of 10 key films produced between the 1970s and the 1990s, including Omar Gatlato, La Nouba, Halfaouine, Silences of the Palace, and Ali Zaoua. The book includes a dictionary of more than 135 North African filmmakers and a chronological filmography.
This volume brings together the writings of Nannie Helen Burroughs, an educator, civil rights activist, and leading voice in the African American community during the first half of the twentieth century.
Nannie Helen Burroughs (1879–1961) is just one of the many African American intellectuals whose work has long been excluded from the literary canon. In her time, Burroughs was a celebrated African American (or, in her era, a "race woman") female activist, educator, and intellectual. This book represents a landmark contribution to the African American intellectual historical project by allowing readers to experience Burroughs in her own words. This anthology of her works written between 1900 and 1959 encapsulates Burroughs's work as a theologian, philosopher, activist, educator, intellectual, and evangelist, as well as the myriad of ways that her career resisted definition. Burroughs rubbed elbows with such African American historical icons as W. E. B. DuBois, Booker T. Washington, Anna Julia Cooper, Mary Church Terrell, and Mary McLeod Bethune, and these interactions represent much of the existing, easily available literature on Burroughs's life. This book aims to spark a conversation surrounding Burroughs's life and work by making available her own tracts on God, sin, the intersections of church and society, black womanhood, education, and social justice. Moreover, the volume is an important piece of the growing movement toward excavating African American intellectual and philosophical thought and reformulating the literary canon to bring a diverse array of voices to the table.
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