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Staggering Revolution: A Cultural History of Thirties Photography, John Raeburn


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Автор: John Raeburn
Название:  Staggering Revolution: A Cultural History of Thirties Photography
ISBN: 9780252073229
Издательство: Wiley EDC
Классификация:

ISBN-10: 0252073223
Обложка/Формат: Paperback
Страницы: 424
Вес: 0.90 кг.
Дата издания: 2006-04-25
Язык: English
Иллюстрации: 24 black & white photographs
Размер: 181 x 254 x 32
Читательская аудитория: Professional & vocational
Основная тема: History of art & design styles: from c 1900 -,History of the Americas,Photography & photographs,Popular culture, HISTORY / United States / 20th Century,PHOTOGRAPHY / History,SOCIAL SCIENCE / Popular Culture
Подзаголовок: A cultural history of thirties photography
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: During the 1930s, the world of photography was unsettled, exciting, and boisterous. John Raeburns A Staggering Revolution recreates the energy of the era by surveying photographys rich variety of innovation, exploring the aesthetic and cultural achievements of its leading figures, and mapping the paths their pictures blazed publics imagination.

While other studies of thirties photography have concentrated on the documentary work of the Farm Security Administration (FSA), no previous book has considered it alongside so many of the decades other important photographic projects. A Staggering Revolution includes individual chapters on Edward Steichens celebrity portraiture; Berenice Abbotts Changing New York project; the Photo Leagues ethnography of Harlem; and Edward Westons western landscapes, made under the auspices of the first Guggenheim Fellowship awarded to a photographer. It also examines Margaret Bourke-Whites industrial and documentary pictures, the collective undertakings by Californias Group f.64, and the fashion magazine specialists, as well as the activities of the FSA and the Photo League.


Дополнительное описание: Preface   ix
Acknowledgments   xv
A Calendar of Thirties Photography   xvii

1. The Rebirth of Photography in the Thirties   1
2. Disestablishing Stieglitz   19
3. Group f.64 and the Problem of California Photography   3




America In The Thirties

Автор: Olszowka, Sullivan, Sheridan, Hi
Название: America In The Thirties
ISBN: 0815633785 ISBN-13(EAN): 9780815633785
Издательство: Mare Nostrum (Eurospan)
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Цена: 3326.00 р.
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Описание: As the newest addition to the America in the Twentieth Century series, this book explores the complexity of America in what is considered its darkest era of the century. The decade stood in stark contrast to the carefree, happy-go-lucky days of the Roaring Twenties when prosperity appeared endless.

America in the Thirties

Автор: Hickey Dennis
Название: America in the Thirties
ISBN: 0815633807 ISBN-13(EAN): 9780815633808
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 6653.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание: As the newest addition to the America in the Twentieth Century series, this book explores the complexity of America in what is considered its darkest era of the century. The decade stood in stark contrast to the carefree, happy-go-lucky days of the Roaring Twenties when prosperity appeared endless.

Thirties: A Reconsideration in the Light of the American Political Tradition

Автор: Martin Diamond, Morton Frisch
Название: Thirties: A Reconsideration in the Light of the American Political Tradition
ISBN: 0875806325 ISBN-13(EAN): 9780875806327
Издательство: Wiley EDC
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Цена: 3430.00 р.
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Описание:

We are pleased to bring back into print The Thirties, originally published in 1968 as NIU Press' third book. With contributions from some of the twentieth century's most notable political thinkers, historians, and cultural commentators, this remarkable volume has withstood the test of time. Original pieces from authors as varied as Irving Kristol, Howard Zinn, Upton Sinclair, and members of Roosevelt's brain trust offer a diversity of thought from across the political spectrum. With the country's current economic troubles, this volume's multifaceted take on the Great Depression and New Deal has never been timelier. This volume of essays—presented at Claremont Men's College in 1965—will appeal to any scholar trying to understand the parallels between today and another tumultuous decade in twentieth-century American history. Contributors: Martin Diamond, Irving Kristol, Howard Zinn, Leslie A. Fiedler, Morton J. Frisch, Frank Knight, Orme W. Phelps, Raymond Moley, Rexford G. Tugwell, Ernest K. Lindley, and Upton Sinclair.

The Dirty Thirties: A History of the Dust Bowl

Автор: Howard Brinkley
Название: The Dirty Thirties: A History of the Dust Bowl
ISBN: 1621074250 ISBN-13(EAN): 9781621074250
Издательство: Неизвестно
Цена: 1378.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Photographing the Mexican Revolution: Commitments, Testimonies, Icons

Автор: John Mraz
Название: Photographing the Mexican Revolution: Commitments, Testimonies, Icons
ISBN: 0292735804 ISBN-13(EAN): 9780292735804
Издательство: Wiley EDC
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Цена: 6178.00 р.
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Описание:

The Mexican Revolution of 1910–1920 is among the world’s most visually documented revolutions. Coinciding with the birth of filmmaking and the increased mobility offered by the reflex camera, it received extraordinary coverage by photographers and cineastes—commercial and amateur, national and international. Many images of the Revolution remain iconic to this day—Francisco Villa galloping toward the camera; Villa lolling in the presidential chair next to Emiliano Zapata; and Zapata standing stolidly in charro raiment with a carbine in one hand and the other hand on a sword, to mention only a few. But the identities of those who created the thousands of extant images of the Mexican Revolution, and what their purposes were, remain a huge puzzle because photographers constantly plagiarized each other’s images.

In this pathfinding book, acclaimed photography historian John Mraz carries out a monumental analysis of photographs produced during the Mexican Revolution, focusing primarily on those made by Mexicans, in order to discover who took the images and why, to what ends, with what intentions, and for whom. He explores how photographers expressed their commitments visually, what aesthetic strategies they employed, and which identifications and identities they forged. Mraz demonstrates that, contrary to the myth that Agustín Víctor Casasola was “the photographer of the Revolution,” there were many who covered the long civil war, including women. He shows that specific photographers can even be linked to the contending forces and reveals a pattern of commitment that has been little commented upon in previous studies (and completely unexplored in the photography of other revolutions).


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