Автор: Riviere, Jacques Название: Ideal reader ISBN: 1412810337 ISBN-13(EAN): 9781412810333 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Jacques Riviere knew how to accept art emotionally
Автор: Watt Название: Marcel Proust in Context ISBN: 1316626245 ISBN-13(EAN): 9781316626245 Издательство: Cambridge Academ Рейтинг: Цена: 3960.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Written by the leading experts in the field, the essays in this volume will appeal to scholars, students and interested readers alike. Encompassing biographical, historical, cultural and literary-critical approaches, this book offers a fresh, lively and accessible presentation of a great many of the facets of Proust`s life and work.
Автор: Tribout-Joseph, Sarah Название: Proust and Joyce in Dialogue ISBN: 0367603047 ISBN-13(EAN): 9780367603045 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Нет в наличии.
Описание: The Incarnation of Language investigates how the notion of incarnation has been employed in phenomenology and how this has influenced literary criticism. It then examines the interest that Joyce and Proust share in the concept of incarnation. By examining the themes of synthesis and embodiment that incarnation connotes for these writers, it offers a new reading of their work departing from critical readings that have privileged notions of radical alterity and difference.
Автор: McDonald Название: Proust and the Arts ISBN: 1107103363 ISBN-13(EAN): 9781107103368 Издательство: Cambridge Academ Рейтинг: Цена: 14890.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Proust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist`s complex relation to the arts. It examines many of Proust`s key models in painting and music, and explores his engagement with modern artistic fields from fashion to photography.
Автор: Beugnet, Martine Название: Proust at the Movies ISBN: 0754635414 ISBN-13(EAN): 9780754635413 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Нет в наличии.
Автор: McDonald Christie Название: Proust and the Arts ISBN: 1107501911 ISBN-13(EAN): 9781107501911 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Proust and the Arts brings together expert Proustians and renowned interdisciplinary scholars in a major reconsideration of the novelist`s complex relation to the arts. It examines many of Proust`s key models in painting and music, and explores his engagement with modern artistic fields from fashion to photography.
Автор: Joseph Acquisto Название: Proust, Music, and Meaning ISBN: 3319476408 ISBN-13(EAN): 9783319476407 Издательство: Springer Рейтинг: Цена: 12577.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book is about reading Proust`s novel via philosophical and musicological approaches to "modern" listening.
Описание: This book explores the relationship between ekphrasis and memory in the novel. Drawing on A la recherche du temps perdu, Leonid Bilmes considers how Vladimir Nabokov, W. G. Sebald, Ben Lerner, Ali Smith and Lydia Davis have employed and reshaped Proust’s way of depicting the recollected past. In Ada, Austerlitz, 10:04, How to Be Both and The End of the Story, memory images are variously transposed into intermedial descriptions that inform the narrator’s story, just as they serve to shape the reader’s own remembrance of each of these narratives. Ekphrasis in the novel after Proust, Bilmes argues, acts as a distinct site within the text where past and present, self and other, image and text, seeing and hearing, are ever on the brink of reconciliation. The book surveys a wide field of critical inquiry, encompassing classical theorizations of ekphrasis, philosophical explorations of memory and visuality, as well as seminal studies of image-text relations by, among others, W. J. T. Mitchell, Jean-Luc Nancy and Liliane Louvel. Bilmes’s compelling dialogue with theory and literature evinces the underexplored bond between ekphrasis and memory in the contemporary novel.
Автор: de Beistegui, Miguel Название: Proust as Philosopher ISBN: 0415584329 ISBN-13(EAN): 9780415584326 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Gray Margaret E. Название: Postmodern Proust ISBN: 081223149X ISBN-13(EAN): 9780812231496 Издательство: Marston Book Services Цена: 13959.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Never Say I reveals the centrality of representations of sexuality, and particularly same-sex sexual relations, to the evolution of literary prose forms in twentieth-century France. Rethinking the social and literary innovation of works by Marcel Proust, André Gide, and Colette, Michael Lucey considers these writers’ production of a first-person voice in which matters related to same-sex sexuality could be spoken of. He shows how their writings and careers took on political and social import in part through the contribution they made to the representation of social groups that were only slowly coming to be publicly recognized. Proust, Gide, and Colette helped create persons and characters, points of view, and narrative practices from which to speak and write about, for, or as people attracted to those of the same sex.
Considering novels along with journalism, theatrical performances, correspondences, and face-to-face encounters, Lucey focuses on the interlocking social and formal dimensions of using the first person. He argues for understanding the first person not just as a grammatical category but also as a collectively produced social artifact, demonstrating that Proust’s, Gide’s, and Colette’s use of the first person involved a social process of assuming the authority to speak about certain issues, or on behalf of certain people. Lucey reveals these three writers as both practitioners and theorists of the first person; he traces how, when they figured themselves or other first persons in certain statements regarding same-sex identity, they self-consciously called attention to the creative effort involved in doing so.
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