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Straight Lick: The Cinema of Oscar Micheaux, J. Ronald Green


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Цена: 4975.00р.
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Автор: J. Ronald Green
Название:  Straight Lick: The Cinema of Oscar Micheaux
ISBN: 9780253337535
Издательство: Wiley EDC
Классификация:

ISBN-10: 0253337534
Обложка/Формат: Hardback
Страницы: 320
Вес: 0.69 кг.
Дата издания: 2000-09-22
Язык: English
Иллюстрации: 66 b&w photos,
Размер: 241 x 161 x 25
Читательская аудитория: Professional & vocational
Основная тема: Documentary films, PERFORMING ARTS / Film / General,SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
Подзаголовок: The cinema of oscar micheaux
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: A critical examination of the films of Oscar Micheaux.
One of the most original and successful filmmakers of all time, Oscar Micheaux was born into a rural, working-class, African-American family in mid-America in 1884, yet he created an impressive legacy in commercial cinema. Between 1913 and 1951 he wrote, directed, and distributed some forty-three feature films, more than any other black filmmaker in the world, a record of production that is likely to stand for a very long time.
Micheauxs work was founded upon the concern for class mobility, or uplift, for African Americans. Uplift provided the context for Micheauxs extensive commentary on racist cinema, such as D. W. Griffiths 1915 blockbuster, The Birth of a Nation, which Micheaux answered with his very early films Within Our Gates and Symbol of the Unconquered. Uplift explains Micheauxs use of negative images of African Americans as well as his multi-pronged campaign against stereotype and caricature in American culture. His campaign produced a body of films saturated with a nuanced intertexual signifying, boldly and repeatedly treating controversial topics that face white censorship time after time, topics ranging from white mob and Klan violence to light-skin-color fetish to white financing of black cultural productions.

Дополнительное описание: Contents
Acknowledgments
Introduction
1. Micheaux v. Griffith
2. Micheaux's Class Position
3. Twoness and Micheaux's Style
4. Negative Images
5. The Middle Path
6. Middle?Class Cinema
7. White Financing
8.




Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era

Автор: Charles Musser, Jane Marie Gaines, Pearl Bowser
Название: Oscar Micheaux and His Circle: African-American Filmmaking and Race Cinema of the Silent Era
ISBN: 0253021359 ISBN-13(EAN): 9780253021359
Издательство: Mare Nostrum (Eurospan)
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Цена: 3010.00 р.
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Описание: Oscar Micheaux—the most prolific African American filmmaker to date and a filmmaking giant of the silent period—has finally found his rightful place in film history. Both artist and showman, Micheaux stirred controversy in his time as he confronted issues such as lynching, miscegenation, peonage and white supremacy, passing, and corruption among black clergymen. In this important collection, prominent scholars examine Micheaux's surviving silent films, his fellow producers of race films who alternately challenged or emulated his methods, and the cultural activities that surrounded and sustained these achievements. The relationship between black film and both the stage (particularly the Lafayette Players) and the black press, issues of underdevelopment, and a genealogy of Micheaux scholarship, as well as extensive and more accurate filmographies, give a richly textured portrait of this era. The essays will fascinate the general public as well as scholars in the fields of film studies, cultural studies, and African American history. This thoroughly readable collection is a superb reference work lavishly illustrated with rare photographs.

With a Crooked Stick—The Films of Oscar Micheaux

Автор: J. Ronald Green
Название: With a Crooked Stick—The Films of Oscar Micheaux
ISBN: 0253217156 ISBN-13(EAN): 9780253217158
Издательство: Wiley EDC
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Цена: 4117.00 р.
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Описание: With a "crooked stick," filmmaker Oscar Micheaux (1884–1951) sought to hit a "straight lick" by stressing the strategic importance of class mobility, or "uplift," for African Americans. A theme in all of his more than 40 feature-length, black-produced, black-directed, black-cast, and black-audience films, uplift would allow for the better things in life: fast cars and fancy clothes, freedom of belief, financial security, and an unencumbered intellectual life. Although racism was an impediment to uplift for Micheaux and other African Americans, race as a category was of a secondary order for him in the larger game of class. In With a Crooked Stick, J. Ronald Green pursues this seeming contradiction in a detailed analysis of each of Micheaux's 15 surviving films. He presents critical commentary on each film's plot and action and its contribution to the overall theme of uplift. Readers will also find this an invaluable guide to the preoccupations and features of Micheaux's remarkable career and the insight it provides into the African American experience of the 1920s and 30s.


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