Описание: This 1999 book is a comprehensive introduction to Beethoven`s most popular piano sonata, together with the four other sonatas in Opp. 27 and 31. Aimed at pianists, students and music-lovers, it gives an account of the sonatas` historical background, their changing performance styles, and offers an accessible critical introduction to the music.
Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Автор: Ludwig van Beethoven Название: Beethovens Letters 1790-1826 ISBN: 1536168106 ISBN-13(EAN): 9781536168105 Издательство: Nova Science Рейтинг: Цена: 32312.00 р. Наличие на складе: Невозможна поставка.
Описание: The love of Beethovens music is now become so universal, that his Letters will receive a hearty welcome from all those whose spirits have been elevated and soothed by the genius of this illustrious man.
Автор: Cooper Barry Название: Creation of Beethoven`s 35 Piano Sonatas ISBN: 1472414322 ISBN-13(EAN): 9781472414328 Издательство: Taylor&Francis Рейтинг: Цена: 6123.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Beethoven’s piano sonatas are a cornerstone of the piano repertoire and favourites of both the concert hall and recording studio. The sonatas have been the subject of much scholarship, but no single study gives an adequate account of the processes by which these sonatas were composed and published. With source materials such as sketches and correspondence increasingly available, the time is ripe for a close study of the history of these works. Barry Cooper, who in 2007 produced a new edition of all 35 sonatas, including three that are often overlooked, examines each sonata in turn, addressing questions such as: Why were they written? Why did they turn out as they did? How did they come into being and how did they reach their final form? Drawing on the composer’s sketches, autograph scores and early printed editions, as well as contextual material such as correspondence, Cooper explores the links between the notes and symbols found in the musical texts of the sonatas, and the environment that brought them about. The result is a biography not of the composer, but of the works themselves.
Автор: Gordon Stewart Название: Beethoven`s 32 Piano Sonatas ISBN: 0190629185 ISBN-13(EAN): 9780190629182 Издательство: Oxford Academ Рейтинг: Цена: 5780.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In Beethoven`s 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven`s pianos, performance practices, composer`s indications, and the composer`s development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.
Описание: Translation of: Schenker, Heinrich. Die letzen f`unf Sonaten von Beethoven: Kritische Ausgabe mit Einf`uhrung und Erl`auterung. Wien: Universal Edition, 1913-1921. 4 vols.
Автор: Gordon, Stewart (professor Of Keyboard Studies, Professor Of Keyboard Studies, University Of Southern California) Название: Beethoven`s 32 piano sonatas ISBN: 0190629177 ISBN-13(EAN): 9780190629175 Издательство: Oxford Academ Рейтинг: Цена: 15048.00 р. Наличие на складе: Поставка под заказ.
Описание: In Beethoven`s 32 Piano Sonatas, renowned performer and pedagogue Stewart Gordon addresses textual issues, Beethoven`s pianos, performance practices, composer`s indications, and the composer`s development, pointing to patterns of structure, sonority, keyboard technique, and emotional meaning. In addition, each sonata appears in a helpful outline-chart format for easy-access reference.
Автор: Martin Nedbal Название: Morality and Viennese Opera in the Age of Mozart and Beethoven ISBN: 0367229552 ISBN-13(EAN): 9780367229559 Издательство: Taylor&Francis Рейтинг: Цена: 7195.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries.
Автор: Bonds Mark Evan Название: The Beethoven Syndrome: Hearing Music as Autobiography ISBN: 0190068477 ISBN-13(EAN): 9780190068479 Издательство: Oxford Academ Рейтинг: Цена: 5780.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Beethoven Syndrome: Hearing Music as Autobiography traces the rise, fall, and persistence of a radical new mode of listening from the middle of the eighteenth century to the present.
Автор: Waddell, Nathan (senior Lecturer In Early Twentieth-century And Modernist Literature, Department Of English Literature, University Of Birmingham) Название: Moonlighting ISBN: 0198816707 ISBN-13(EAN): 9780198816706 Издательство: Oxford Academ Рейтинг: Цена: 14414.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Moonlighting offers a new and original account of how early twentieth-century Anglo-American modernist writers were influenced by the life and music of one of modernity`s most important and most celebrated figures: the German composer Ludwig van Beethoven.
This book explores how the Enlightenment aesthetics of theater as a moral institution influenced cultural politics and operatic developments in Vienna between the mid-eighteenth and early nineteenth centuries. Moralistic viewpoints were particularly important in eighteenth-century debates about German national theater. In Vienna, the idea that vernacular theater should cultivate the moral sensibilities of its German-speaking audiences became prominent during the reign of Empress Maria Theresa, when advocates of German plays and operas attempted to deflect the imperial government from supporting exclusively French and Italian theatrical performances. Morality continued to be a dominant aspect of Viennese operatic culture in the following decades, as critics, state officials, librettists, and composers (including Gluck, Mozart, and Beethoven) attempted to establish and define German national opera. Viennese concepts of operatic didacticism and national identity in theater further transformed in response to the crisis of Emperor Joseph II's reform movement, the revolutionary ideas spreading from France, and the war efforts in facing Napoleonic aggression. The imperial government promoted good morals in theatrical performances through the institution of theater censorship, and German-opera authors cultivated intensely didactic works (such as Die Zauberfl te and Fidelio) that eventually became the cornerstones for later developments of German culture.
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