Postcolonial African Cinema: From Political Engagement to Postmodernism 9780253219145

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Автор: Kenneth W. Harrow
Название: Postcolonial African Cinema: From Political Engagement to Postmodernism
ISBN: 9780253219145
Издательство: Wiley EDC
Классификация:

Кино, кинематография

ISBN-10: 0253219140
Обложка/Формат: Paperback
Страницы: 296
Вес: 0.45 кг.
Дата издания: 2007-07-20
Язык: English
Иллюстрации: 34 b&w photos
Размер: 157 x 234 x 16
Читательская аудитория: Professional & vocational
Основная тема: Social discrimination & inequality,Video photography, PHOTOGRAPHY / Techniques / Cinematography & Videography,SOCIAL SCIENCE / Discrimination,SOCIAL SCIENCE / Ethnic Studies / American / African American & Black Studies
Подзаголовок: From political engagement to postmodernism
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание: Kenneth W. Harrow offers a new critical approach to African cinema—one that requires that we revisit the beginnings of African filmmaking and the critical responses to which they gave rise, and that we ask what limitations they might have contained, what price was paid for the approaches then taken, and whether we are still caught in those limitations today.
Using ?i?ek, Badiou, and a range of Lacanian and postmodern-based approaches, Harrow attempts to redefine the possibilities of an African cinematic practice—one in which fantasy and desire are placed within a more expansive reading of the political and the ideological. The major works of Semb?ne Ousmane, Djibril Diop Mamb?ty, Souleymane Cisse, Jean-Pierre Bekolo, Jean-Marie Teno, Bassak ba Kohbio, and Fanta Nacro are explored, while at the same time the project of current postmodern theory, especially that of Jameson, is called into question in order that an African postmodernist cultural enterprise might be envisioned.
Дополнительное описание: Contents
Preface: Out with the Authentic, In with the Wazimamoto
Acknowledgments
Introduction: The Creation of a Cinema Engag?
1. Did We Get Off to the Wrong Start? Toward an Aesthetic of Surface versus Depth
2. Semb?ne's Xala, th

Postcolonial African Cinema: From Political Engagement to Postmodernism, Kenneth W. Harrow