Описание: Between 1959 and 1968, New England saw a folk revival emerge in more than fifty clubs and coffeehouses, a revolution led by college dropouts, young bohemians, and lovers of traditional music that renewed the work of the region's intellectuals and reformers. From Club 47 in Harvard Square to candlelit venues in Ipswich, Martha's Vineyard, and Amherst, budding musicians and hopeful audiences alike embraced folk music, progressive ideals, and community as alternatives to an increasingly toxic consumer culture. While the Boston-Cambridge Folk Revival was short-lived, the youthful attention that it spurred played a crucial role in the civil rights, world peace, and back-to-the-land movements emerging across the country. Fueled by interviews with key players from the folk music scene, I Believe I'll Go Back Home traces a direct line from Yankee revolutionaries, up-country dancers, and nineteenth-century pacifists to the emergence of blues and rock 'n' roll, ultimately landing at the period of the folk revival. Thomas S. Curren presents the richness and diversity of the New England folk tradition, which continues to provide perspective, inspiration, and healing in the present day.
Описание: Between 1959 and 1968, New England saw a folk revival emerge in more than fifty clubs and coffeehouses, a revolution led by college dropouts, young bohemians, and lovers of traditional music that renewed the work of the region's intellectuals and reformers. From Club 47 in Harvard Square to candlelit venues in Ipswich, Martha's Vineyard, and Amherst, budding musicians and hopeful audiences alike embraced folk music, progressive ideals, and community as alternatives to an increasingly toxic consumer culture. While the Boston-Cambridge Folk Revival was short-lived, the youthful attention that it spurred played a crucial role in the civil rights, world peace, and back-to-the-land movements emerging across the country. Fueled by interviews with key players from the folk music scene, I Believe I'll Go Back Home traces a direct line from Yankee revolutionaries, up-country dancers, and nineteenth-century pacifists to the emergence of blues and rock 'n' roll, ultimately landing at the period of the folk revival. Thomas S. Curren presents the richness and diversity of the New England folk tradition, which continues to provide perspective, inspiration, and healing in the present day.
Автор: Candace Bailey, Linda Phyllis Austern Название: Beyond Boundaries: Rethinking Music Circulation in Early Modern England ISBN: 025302479X ISBN-13(EAN): 9780253024794 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 10032.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: English music studies often apply rigid classifications to musical materials, their uses, their consumers, and performers. The contributors to this volume argue that some performers and manuscripts from the early modern era defy conventional categorization as "amateur" or "professional," "native" or "foreign." These leading scholars explore the circulation of music and performers in early modern England, reconsidering previously held ideas about the boundaries between locations of musical performance and practice.
Название: Rethinking difference in music scholarship ISBN: 1108733239 ISBN-13(EAN): 9781108733236 Издательство: Cambridge Academ Рейтинг: Цена: 6019.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished international contributors is a major contribution to the field. It explores and re-evaluates the key issues, and includes individual case studies and methodologies.
Автор: Bloechl Название: Rethinking Difference in Music Scholarship ISBN: 1107026679 ISBN-13(EAN): 9781107026674 Издательство: Cambridge Academ Рейтинг: Цена: 17266.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Two decades after the publication of several landmark scholarly collections on music and difference, musicology has largely accepted difference-based scholarship. This collection of essays by distinguished international contributors is a major contribution to the field. It explores and re-evaluates the key issues, and includes individual case studies and methodologies.
Описание: Making the Scene in the Garden State explores New Jersey’s rich musical heritage through stories about the musicians, listeners and fans who came together to create sounds from across the American popular music spectrum. The book includes chapters on the beginnings of musical recording in Thomas Edison’s factories in West Orange; early recording and the invention of the Victrola at Victor Records’ Camden complex; Rudy Van Gelder’s recording studios (for Blue Note, Prestige, and other jazz labels) in Hackensack and Englewood Cliffs; Zacherley and the afterschool dance television show Disc-o-Teen, broadcast from Newark in the 1960s; Bruce Springsteen’s early years on the Jersey Shore at the Upstage Club in Asbury Park; and, the 1980s indie rock scene centered at Maxwell’s in Hoboken. Concluding with a foray into the thriving local music scenes of today, the book examines the sounds, sights and textures of the locales where New Jerseyans have gathered to rock, bop, and boogie.
Автор: Nicole Grimes, Siobh?n Donovan, Wolfgang Marx Название: Rethinking Hanslick – Music, Formalism, and Expression ISBN: 1580465226 ISBN-13(EAN): 9781580465229 Издательство: Wiley Рейтинг: Цена: 6336.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: An innovative and incisive reassessment of a seminal figure in nineteenth-century musical life, through a fresh consideration of his aesthetic, critical, and autobiographical writings.
Автор: Carlson Gretchen L. Название: Improvising the Score: Rethinking Modern Film Music Through Jazz ISBN: 1496840720 ISBN-13(EAN): 9781496840721 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: On December 4, 1957, Miles Davis?revolutionized film soundtrack production, improvising the score for Louis?Malle’s Ascenseur?pour?l’?chafaud. A cinematic harbinger of the French New Wave,?Ascenseur?challenged mainstream filmmaking conventions, emphasizing experimentation?and creative collaboration.?It was in this?environment?during the late 1950s to 1960s, a brief "golden age" for jazz in film, that many independent filmmakers?valued improvisational techniques,?featuring soundtracks from such seminal figures as John Lewis, Thelonious Monk,?and Duke Ellington. But what of jazz in film today??Improvising the Score: Rethinking Modern Film Music through Jazz provides an original,?vivid?investigation of?innovative?collaborations between renowned contemporary jazz artists and prominent independent filmmakers. The book explores how?these?integrative jazz-film productions challenge us to rethink the possibilities of?cinematic music production.?In-depth case studies?include collaborations between Terence Blanchard and Spike Lee (Malcolm X,?When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sanchez and Alejandro Gonz?lez I??rritu (Birdman), and Mark?Isham?and Alan Rudolph (Afterglow).?The first book of its kind, this study examines jazz artists’ work in film from a sociological perspective, offering rich, behind-the-scenes analyses of their unique collaborative relationships with filmmakers. It investigates how jazz artists negotiate their own "creative labor," examining the tensions between improvisation and the conventionally highly regulated structures, hierarchies, and expectations of filmmaking. Grounded in personal interviews and detailed film production analysis,?Improvising the Score?illustrates the dynamic possibilities of integrative artistic collaborations between jazz, film, and other contemporary media, exemplifying its?ripeness for?shaping and invigorating twenty-first-century arts, media, and culture.
How can we better understand the past, present and future of Social Action through Music (SATM)?
This ground-breaking book examines the development of the Red de Escuelas de Mъsica de Medellнn (the Network of Music Schools of Medellнn), a network of 27 schools founded in Colombia's second city in 1996 as a response to its reputation as the most dangerous city on Earth. Inspired by El Sistema, the foundational Venezuelan music education program, the Red is nonetheless markedly different: its history is one of multiple reinventions and a continual search to improve its educational offering and better realise its social goals. Its internal reflections and attempts at transformation shed valuable light on the past, present, and future of SATM.
Based on a year of intensive fieldwork in Colombia and written by Geoffrey Baker, the author of El Sistema: Orchestrating Venezuela's Youth (2014), this important volume offers fresh insights on SATM and its evolution both in scholarship and in practice. It will be of interest to a very varied readership: employees and leaders of SATM programs; music educators; funders and policy-makers; and students and scholars of SATM, music education, ethnomusicology, and other related fields.
How can we better understand the past, present and future of Social Action through Music (SATM)?
This ground-breaking book examines the development of the Red de Escuelas de Mъsica de Medellнn (the Network of Music Schools of Medellнn), a network of 27 schools founded in Colombia's second city in 1996 as a response to its reputation as the most dangerous city on Earth. Inspired by El Sistema, the foundational Venezuelan music education program, the Red is nonetheless markedly different: its history is one of multiple reinventions and a continual search to improve its educational offering and better realise its social goals. Its internal reflections and attempts at transformation shed valuable light on the past, present, and future of SATM.
Based on a year of intensive fieldwork in Colombia and written by Geoffrey Baker, the author of El Sistema: Orchestrating Venezuela's Youth (2014), this important volume offers fresh insights on SATM and its evolution both in scholarship and in practice. It will be of interest to a very varied readership: employees and leaders of SATM programs; music educators; funders and policy-makers; and students and scholars of SATM, music education, ethnomusicology, and other related fields.
Автор: Carlson Gretchen L. Название: Improvising the Score: Rethinking Modern Film Music Through Jazz ISBN: 1496840844 ISBN-13(EAN): 9781496840844 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: On December 4, 1957, Miles Davis?revolutionized film soundtrack production, improvising the score for Louis?Malle’s Ascenseur?pour?l’?chafaud. A cinematic harbinger of the French New Wave,?Ascenseur?challenged mainstream filmmaking conventions, emphasizing experimentation?and creative collaboration.?It was in this?environment?during the late 1950s to 1960s, a brief "golden age" for jazz in film, that many independent filmmakers?valued improvisational techniques,?featuring soundtracks from such seminal figures as John Lewis, Thelonious Monk,?and Duke Ellington. But what of jazz in film today??Improvising the Score: Rethinking Modern Film Music through Jazz provides an original,?vivid?investigation of?innovative?collaborations between renowned contemporary jazz artists and prominent independent filmmakers. The book explores how?these?integrative jazz-film productions challenge us to rethink the possibilities of?cinematic music production.?In-depth case studies?include collaborations between Terence Blanchard and Spike Lee (Malcolm X,?When the Levees Broke), Dick Hyman and Woody Allen (Hannah and Her Sisters), Antonio Sanchez and Alejandro Gonz?lez I??rritu (Birdman), and Mark?Isham?and Alan Rudolph (Afterglow).?The first book of its kind, this study examines jazz artists’ work in film from a sociological perspective, offering rich, behind-the-scenes analyses of their unique collaborative relationships with filmmakers. It investigates how jazz artists negotiate their own "creative labor," examining the tensions between improvisation and the conventionally highly regulated structures, hierarchies, and expectations of filmmaking. Grounded in personal interviews and detailed film production analysis,?Improvising the Score?illustrates the dynamic possibilities of integrative artistic collaborations between jazz, film, and other contemporary media, exemplifying its?ripeness for?shaping and invigorating twenty-first-century arts, media, and culture.
Автор: Hueffer Название: Half a Century of Music in England, 1837–1887 ISBN: 1108004725 ISBN-13(EAN): 9781108004725 Издательство: Cambridge Academ Рейтинг: Цена: 3325.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A Victorian critic`s account of the influence of foreign composers on British music during his lifetime.
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