Picturing Indians: Native Americans in Film, 1941–1960, Liza Black
Автор: Peacock, John (independent Scholar, Uk) Название: Picturing courtiers and nobles from castiglione to van dyck ISBN: 0367534932 ISBN-13(EAN): 9780367534936 Издательство: Taylor&Francis Рейтинг: Цена: 6583.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture. Beginning with Castiglione’s Book of the Courtier (1528), the most influential early modern account of the formation of elite identity, the argument traces a path across the ensuing century towards the images of courtiers and nobles by the most persuasive of European portrait painters, Van Dyck, especially those produced in London during the 1630s. It investigates two related kinds of texts: those which, following Castiglione, model the conduct of the ideal courtier or elite social conduct more generally; and those belonging to the established tradition of debates about the condition of nobility –how far it is genetically inherited and how far a function of excelling moral and social behaviour. Van Dyck is seen as contributing to these discussions through the language of pictorial art.The book will be of interest to scholars working in art history, cultural history, early modern history and Renaissance studies.
Автор: Moseley, Rachel Название: Picturing cornwall ISBN: 0859890775 ISBN-13(EAN): 9780859890779 Издательство: Неизвестно Рейтинг: Цена: 4552.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the history of Cornwall`s portrayal on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham`s Poldark books. Innovative new research looking at amateur film and newsreels, avant-garde and documentary works alongside mainstream popular film and television. 7 b&w and 13 col. illus.
Автор: Liza Black Название: Picturing Indians: Native Americans in Film, 1941–1960 ISBN: 149623264X ISBN-13(EAN): 9781496232649 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3762.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Standing at the intersection of Native history, labor, and representation, Picturing Indians presents a vivid portrait of the complicated experiences of Native actors on the sets of midcentury Hollywood Westerns. This behind-the-scenes look at costuming, makeup, contract negotiations, and union disparities uncovers an all-too-familiar narrative of racism and further complicates filmmakers’ choices to follow mainstream representations of “Indianness.”
Liza Black offers a rare and overlooked perspective on American cinema history by giving voice to creators of movie Indians—the stylists, public relations workers, and the actors themselves. In exploring the inherent racism in sensationalizing Native culture for profit, Black also chronicles the little-known attempts of studios to generate cultural authenticity and historical accuracy in their films. She discusses the studios’ need for actual Indians to participate in, legitimate, and populate such filmic narratives. But studios also told stories that made Indians sound less than Indian because of their skin color, clothing, and inability to do functions and tasks non-Indians considered authentically Indian. In the ongoing territorial dispossession of Native America, Native people worked in film as an economic strategy toward survival.
Consulting new primary sources, including pay records and unpublished publicity photographs, Black has crafted an interdisciplinary experience showcasing what it meant to “play Indian” in post–World War II Hollywood.
Автор: John Fullerton Название: Picturing Mexico: From the Camera Lucida to Film ISBN: 0861967011 ISBN-13(EAN): 9780861967018 Издательство: Wiley EDC Рейтинг: Цена: 7379.00 р. Наличие на складе: Поставка под заказ.
Описание: Film entered a heterogeneous media environment at the turn of the 20th century, drawing on diverse media forms and practices. Picturing Mexico: From the Camera Lucida to Film considers the 18th-century topographical view, the early-19th-century painted panorama, and the pictorial organisation of lithographs and photographs of Mexico made by nineteenth-century visitors to the country from Europe and North America. The introduction of the private photographic album and the illustrated press towards the end of the century transformed the space of the printed page, heralding the convergence of a variety of practices for reading and viewing still and moving images. Picturing Mexico: From the Camera Lucida to Film re-conceptualises our understanding of the development of film as a medium embedded in 19th-century popular visual culture, stimulating the role of the imagination for readers who engaged with the printed word alongside engraved and, later, photographic and filmic images. The book offers new insights into the relation of film to the tradition of 19th-century optical transcription, highlighting practices that help characterise "cinema" before the advent of cinema.
In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories.
Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.
In Picturing American Modernity, Kristen Whissel investigates the relationship between early American cinema and the experience of technological modernity. She demonstrates how between the late 1890s and the eve of the First World War moving pictures helped the U.S. public understand the possibilities and perils of new forms of “traffic” produced by industrialization and urbanization. As more efficient ways to move people, goods, and information transformed work and leisure at home and contributed to the expansion of the U.S. empire abroad, silent films presented compelling visual representations of the spaces, bodies, machines, and forms of mobility that increasingly defined modern life in the United States and its new territories.
Whissel shows that by portraying key events, achievements, and anxieties, the cinema invited American audiences to participate in the rapidly changing world around them. Moving pictures provided astonishing visual dispatches from military camps prior to the outbreak of fighting in the Spanish-American War. They allowed audiences to delight in images of the Pan-American Exposition, and also to mourn the assassination of President McKinley there. One early film genre, the reenactment, presented spectators with renditions of bloody battles fought overseas during the Philippine-American War. Early features offered sensational dramatizations of the scandalous “white slave trade,” which was often linked to immigration and new forms of urban work and leisure. By bringing these frequently distant events and anxieties “near” to audiences in cities and towns across the country, the cinema helped construct an American national identity for the machine age.
Picturing Pity is the first full length monograph on missionary photography. Empirically, it is based on an in-depth analysis of the published photographs taken by Norwegian evangelical missionaries in Northern Cameroon from the early nineteen twenties, at the beginning of their activities in this region, and until today. Being part of a large international movement, Norway sent out more missionaries per capita than any other country in Europe.
Marianne Gullestad's main contention is that the need to continuously justify their activities to donors in Europe has led to the creation and maintenance of specific ways of portraying Africans. The missionary visual rhetoric is both based on earlier visualizations and has over time established its own conventions which can now also be traced within secular fields of activity such as international development agencies, foreign policy, human relief organizations and the mass media.
Picturing Pity takes part in the present "pictorial turn" in academic teaching and research, constituting visual images as an exciting site of conversation across disciplinary lines.
Описание: This interdisciplinary study examines painted portraiture as a defining metaphor of elite self-representation in early modern culture.
Автор: Nichols, Tom Название: Others and Outcasts in Early Modern Europe ISBN: 0754655571 ISBN-13(EAN): 9780754655572 Издательство: Taylor&Francis Рейтинг: Цена: 22968.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Moseley, Rachel Название: Picturing cornwall ISBN: 0859893588 ISBN-13(EAN): 9780859893589 Издательство: Неизвестно Рейтинг: Цена: 15449.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the history of Cornwall`s portrayal on screen, from the earliest days of the moving image to the recent BBC adaptation of Winston Graham`s Poldark books. Innovative new research looking at amateur film and newsreels, avant-garde and documentary works alongside mainstream popular film and television. 7 b&w and 13 col. illus.
Автор: Janes, Dominic Название: Picturing the Closet ISBN: 0190205636 ISBN-13(EAN): 9780190205638 Издательство: Oxford Academ Рейтинг: Цена: 8712.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Picturing the Closet takes a pioneering approach to visual culture and by so doing builds on Eve Kosofsky Sedgwick's Epistemology of the Closet in order to present a compelling new approach to the British experience of queer culture since the eighteenth century.
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