General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume III thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman's daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman’s Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume I thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America's most important poets. Daybooks and Notebooks is an invaluable source for reference on Whitman’s daily activities. This sixteen-year record supplements the biographical information provided in the six volumes of Whitman's Correspondence, functioning as an account book, diary, journal, commonplace book, and notebook all in one. When Whitman began to keep them, the Daybooks were a personal record of predominantly business matters. As William White wrote in the introduction, “He was not only the author but the publisher of his works: he was likewise his own business manager, ship, and promoter. Whatever records he kept, of his sales and distribution, of printing and binding figures, of poetry and prose he sent to newspapers and magazines . . . he entered on the right-hand pages.” Volume II thus offers a rare look at Whitman as a businessman, tending as much to practical matters as to art.
General Series Editors: Gay Wilson Allen and Sculley Bradley Originally published between 1961 and 1984, and now available in paperback for the first time, the critically acclaimed Collected Writings of Walt Whitman captures every facet of one of America’s most important poets. Notebooks and Unpublished Prose Manuscripts gathers Whitman’s autobiographical notes, his views on contemporary politics, and the writings he made as he educated himself in ancient history, religion and mythology, health (including phrenology), and word-study. Included is material on his Civil War experiences, his love of Abraham Lincoln, his descriptions of various trips to the West and South and of the cities in which he resided, his generally pessimistic view of America’s prospects in the Reconstruction and the Gilded Age, and his reminiscences during his final years and his preoccupation with the increasing ailments that came with old age. Many of these notes served as sources for his poetry—first drafts of some of the poems are included as they appear in the notes—and as the basis for his lectures.
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