Winner of the 2009 Society for Cinema and Media Studies Katherine Singer Kovacs Book Award The Midwest of popular imagination is a "Heartland" characterized by traditional cultural values and mass market dispositions. Whether cast positively —; as authentic, pastoral, populist, hardworking, and all-American—or negatively—as backward, narrow–minded, unsophisticated, conservative, and out-of-touch—the myth of the Heartland endures. Heartland TV examines the centrality of this myth to television's promotion and development, programming and marketing appeals, and public debates over the medium's and its audience's cultural worth. Victoria E. Johnson investigates how the "square" image of the heartland has been ritually recuperated on prime time television, from The Lawrence Welk Show in the 1950s, to documentary specials in the 1960s, to The Mary Tyler Moore Show in the 1970s, to Ellen in the 1990s. She also examines news specials on the Oklahoma City bombing to reveal how that city has been inscribed as the epitome of a timeless, pastoral heartland, and concludes with an analysis of network branding practices and appeals to an imagined "red state" audience. Johnson argues that non-white, queer, and urban culture is consistently erased from depictions of the Midwest in order to reinforce its "reassuring" image as white and straight. Through analyses of policy, industry discourse, and case studies of specific shows, Heartland TV exposes the cultural function of the Midwest as a site of national transference and disavowal with regard to race, sexuality, and citizenship ideals.
Описание: In 1962, an innovative documentary on a Berlin Wall tunnel escape brought condemnation from both sides of the Iron Curtain during one of the most volatile periods of the Cold War. The Tunnel, produced by NBC's Reuven Frank, clocked in at ninety minutes and prompted a range of strong reactions. While the television industry ultimately awarded the program three Emmys, the U.S. Department of State pressured NBC to cancel the program, and print journalists criticized the network for what they considered to be a blatant disregard of journalistic ethics. It was not just The Tunnel's Subject matter that sparked controversy, but the medium itself. The surprisingly fast ascendance of television news as the country's top choice for information threatened the self-defined supremacy of print journalism and the de facto cooperation of government officials and reporters on Cold War issues. In Contested Ground , Mike Conway argues that the Production and reception of television news and documentaries during this period reveals a major upheaval in American news communications.
Автор: Nadine Farghaly, Simon Bacon Название: To Boldly Go: Essays on Gender and Identity in the Star Trek Universe ISBN: 1476668531 ISBN-13(EAN): 9781476668536 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 5821.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 2016, Star Trek - arguably the most popular science fiction franchise of all time - turned 50. This collection of new essays provides a timely study of how well Star Trek has lived up to its own ideals of inclusivity and equality, and how well prepared it is to boldly go with everyone into the next half century.
Автор: Rachel Moseley-Wood Название: Show Us as We Are: Place, Nation and Identity in Jamaican Film ISBN: 9766407177 ISBN-13(EAN): 9789766407179 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Faced with the challenges that inevitably occur in small markets, feature film production in Jamaica has been sporadic and uneven, yet local filmmakers have succeeded in creating a small but exciting body of work that is receiving increasing attention. Organized as a series of discussions on a selection of the more well-known Jamaican films, this study employs close readings of these texts to reveal their complexity, sophistication and artistry. The focus on the politics of identity and representation, examined through the lens of place and nation, opens up a conversation on how these films have contributed to, and participate in, the discourse on Jamaican identity. Place is understood as both constituting and reflecting identity, and is explored within the context of the films' representation of the postcolonial city, the dancehall, the north coast hotel and the great house. The concern with nation is revealed as a persistent and underlying focus that more often than not, directs our attention to the grievous gap between rich and poor in Jamaican society. These films' often-criticized attention to marginalized communities plagued by problems of crime and violence can be understood, Moseley-Wood argues, as an expression of the postcolonial struggle to redefine place in ways that contest hegemonic discourses that define Jamaica as hedonistic paradise as well as challenge the unifying and homogenizing myths and narratives of nation.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Описание: This book is an exploration of the changes in Russian cultural identity in the twenty years after the fall of the Soviet state. Through close readings of a select number of contemporary Russian films and television series, Irina Souch investigates how a variety of popular cultural tropes ranging from the patriarchal family to the country idyll survived the demise of Communism and maintained their power to inform the Russian people’s self-image. She shows how these tropes continue to define attitudes towards political authority, economic disparity, ethnic and cultural difference, generational relations and gender. The author also introduces theories of identity developed in Russia at the same time, enabling these works to act as sites of productive dialogue with the more familiar discourses of Western scholarship.
Автор: Katrina Daly Thompson Название: Zimbabwe`s Cinematic Arts: Language, Power, Identity ISBN: 0253006511 ISBN-13(EAN): 9780253006516 Издательство: Wiley EDC Рейтинг: Цена: 1714.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This timely book reflects on discourses of identity that pervade local talk and texts in Zimbabwe, a nation beset by political and economic crisis. As she explores questions of culture that play out in broadly accessible local and foreign film and television, Katrina Daly Thompson shows how viewers interpret these media and how they impact everyday life, language use, and thinking about community. She offers a unique understanding of how media reflect and contribute to Zimbabwean culture, language, and ethnicity.
Автор: Lieve SPAAS Название: Francophone Film: A Struggle for Identity ISBN: 0719058619 ISBN-13(EAN): 9780719058615 Издательство: NBN International Рейтинг: Цена: 3799.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This work introduces the reader to the rich film production of the French-speaking countries outside France, commonly called Francophonia. The book brings together films that might otherwise be divided by questions of race, gender, genre, period or nation.
Автор: Alison Butler Название: Displacements ISBN: 3030304604 ISBN-13(EAN): 9783030304607 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book is about the aesthetics and politics of contemporary artists’ moving image installations, and the ways that they use temporal and spatial relationships in the gallery to connect with geopolitical issues. Displaced from the cinema, moving images increasingly address themes of movement and change in the world today. Digital technology has facilitated an explosion of work of this kind, and the expansion of contemporary art museums, biennales and large-scale exhibitions all over the world has created venues and audiences for it. Despite its 20th century precursors, this is a new and distinct artistic form, with an emerging body of thematic concerns and aesthetics strategies. Through detailed analysis of a range of important 21st century works, the book explores how this spatio-temporal form has been used to address major issues of our time, including post-colonialism, migration and conflict. Paying close attention to the ways in which moving images interact with the specific spaces and sites of exhibition, the book explores the mobile viewer’s experiences in these immersive and transitory works.
Описание: More than 400 films and 150 television series have featured time travel - stories of rewriting history, lovers separated by centuries, journeys to the past or the (often dystopian) future. This book examines some of the roles time travel plays on screen in science fiction and fantasy. Plot synopses and credits are listed for TV series from England, Canada, the UK and Japan, as well as for films from around the world. Tropes and plot elements are highlighted. The author discusses philosophical questions about time travel, such as the logic of timelines, causality (what's to keep time-travelers from jumping back and correcting every mistake?) and morality (if you correct a mistake, are you still guilty of it?).
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