Maid`s Daughter: Living Inside and Outside the American Dream, Mary Romero
Автор: Romero Mary Название: Maid`s Daughter ISBN: 1479814660 ISBN-13(EAN): 9781479814664 Издательство: Wiley EDC Рейтинг: Цена: 4117.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
2012 Americo Paredes Book Award Winner for Non-Fiction presented by the Center for Mexican American Studies at South Texas College Selected as a 2012 Outstanding Title by AAUP University Press Books for Public and Secondary School Libraries A complex rendering of the upbringing of Olivia--the daughter of a live-in maid to a wealthy family This is Olivia’s story. Born in Los Angeles, she is taken to Mexico to live with her extended family until the age of three. Olivia then returns to L.A. to live with her mother, Carmen, the live-in maid to a wealthy family. Mother and daughter sleep in the maid’s room, just off the kitchen. Olivia is raised alongside the other children of the family. She goes to school with them, eats meals with them, and is taken shopping for clothes with them. She is like a member of the family. Except she is not. Based on over twenty years of research, noted scholar Mary Romero brings Olivia’s remarkable story to life. We watch as she grows up among the children of privilege, struggles through adolescence, declares her independence and eventually goes off to college and becomes a successful professional. Much of this extraordinary story is told in Olivia’s voice and we hear of both her triumphs and setbacks. We come to understand the painful realization of wanting to claim a Mexican heritage that is in many ways not her own and of her constant struggle to come to terms with the great contradictions in her life. In The Maid’s Daughter, Mary Romero explores this complex story about belonging, identity, and resistance, illustrating Olivia’s challenge to establish her sense of identity, and the patterns of inclusion and exclusion in her life. Romero points to the hidden costs of paid domestic labor that are transferred to the families of private household workers and nannies, and shows how everyday routines are important in maintaining and assuring that various forms of privilege are passed on from one generation to another. Through Olivia’s story, Romero shows how mythologies of meritocracy, the land of opportunity, and the American dream remain firmly in place while simultaneously erasing injustices and the struggles of the working poor.
From the 1850s to the 1920s, women were 30 to 40 percent of all immigrants to the United States and their migration experiences were shaped by similar social, economic, demographic, and cultural forces. In Peasant Maids, City Women, a truly intercultural project, a team of historians follows several groups of women from rural Europe to the bustling streets of Chicago. Focusing on Germans, Irish, Swedes, and Poles—the four largest foreign-born ethnic groups in the city around 1900—the authors analyze the origins of the immigrants and chart how their lives changed, and explore how immigrant women shaped the urbanization process, creating vibrant public spheres for ethnic expression.In concise social histories of four European rural cultures, the authors emphasize the crucial effects of gender. They explore the contrast between each regional culture of origin and the urban experience of ethnic communities in Chicago. The concept of assimilation, they suggest, involves two different dynamics. In the initial phase, adaptation, the new environment demands major changes of incoming immigrants to meet basic needs. The second dynamic, acculturation, involves changes for immigrants and also for the new culture with which they interact.
From the 1850s to the 1920s, women were 30 to 40 percent of all immigrants to the United States and their migration experiences were shaped by similar social, economic, demographic, and cultural forces. In Peasant Maids, City Women, a truly intercultural project, a team of historians follows several groups of women from rural Europe to the bustling streets of Chicago. Focusing on Germans, Irish, Swedes, and Poles—the four largest foreign-born ethnic groups in the city around 1900—the authors analyze the origins of the immigrants and chart how their lives changed, and explore how immigrant women shaped the urbanization process, creating vibrant public spheres for ethnic expression.
In concise social histories of four European rural cultures, the authors emphasize the crucial effects of gender. They explore the contrast between each regional culture of origin and the urban experience of ethnic communities in Chicago. The concept of assimilation, they suggest, involves two different dynamics. In the initial phase, adaptation, the new environment demands major changes of incoming immigrants to meet basic needs. The second dynamic, acculturation, involves changes for immigrants and also for the new culture with which they interact.
Автор: Harman, Vicki Название: Feeding Children Inside and Outside the Home ISBN: 0367665042 ISBN-13(EAN): 9780367665043 Издательство: Taylor&Francis Рейтинг: Цена: 6430.00 р. Наличие на складе: Нет в наличии.
Автор: Reva Marin Название: Outside and Inside: Race and Identity in White Jazz Autobiography ISBN: 1496829972 ISBN-13(EAN): 9781496829979 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans-style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
Автор: Marin, Reva Название: Outside and inside ISBN: 1496829980 ISBN-13(EAN): 9781496829986 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 4389.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Outside and Inside: Representations of Race and Identity in White Jazz Autobiography is the first full-length study of key autobiographies of white jazz musicians. White musicians from a wide range of musical, social, and economic backgrounds looked to black music and culture as the model on which to form their personal identities and their identities as professional musicians. Their accounts illustrate the triumphs and failures of jazz interracialism. As they describe their relationships with black musicians who are their teachers and peers, white jazz autobiographers display the contradictory attitudes of reverence and entitlement, and deference and insensitivity that remain part of the white response to black culture to the present day. Outside and Inside features insights into the development of jazz styles and culture in the urban meccas of twentieth-century jazz in New Orleans, Chicago, New York, and Los Angeles. Reva Marin considers the autobiographies of sixteen white male jazz instrumentalists, including renowned swing-era bandleaders Benny Goodman, Artie Shaw, and Charlie Barnet; reed instrumentalists Mezz Mezzrow, Bob Wilber, and Bud Freeman; trumpeters Max Kaminsky and Wingy Manone; guitarist Steve Jordan; pianists Art Hodes and Don Asher; saxophonist Art Pepper; guitarist and bandleader Eddie Condon; and New Orleans-style clarinetist Tom Sancton. While critical race theory informs this work, Marin argues that viewing these texts simply through the lens of white privilege does not do justice to the kind of sustained relationships with black music and culture described in the accounts of white jazz autobiographers. She both insists upon the value of insider perspectives and holds the texts to rigorous scrutiny, while embracing an expansive interpretation of white involvement in black culture. Marin opens new paths for study of race relations and racial, ethnic, and gender identity formation in jazz studies.
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