Catholic Revival in English Literature, 1845–1961, The: Newman, Hopkins, Belloc, Chesterton, Greene, Waugh 9780268038809

Варианты приобретения

Цена: 3952.00р.
Кол-во:
о цене
Наличие: Отсутствует. Возможна поставка под заказ.

При оформлении заказа до: 2025-08-04
Ориентировочная дата поставки: Август-начало Сентября
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Ian Ker
Название: Catholic Revival in English Literature, 1845–1961, The: Newman, Hopkins, Belloc, Chesterton, Greene, Waugh
ISBN: 9780268038809
Издательство: Wiley EDC
Классификация:

Литературоведение: с 1800 до 1900 г.

Литературоведение: с 1900 г.

Римский католицизм, Римская Католическая церковь

ISBN-10: 0268038805
Обложка/Формат: Paperback
Страницы: 248
Вес: 0.38 кг.
Дата издания: 2003-10-03
Язык: English
Размер: 226 x 150 x 18
Читательская аудитория: Tertiary education (us: college)
Основная тема: Literature: history & criticism,Roman Catholicism, Roman Catholic Church, LITERARY CRITICISM / European / English, Irish, Scottish, Welsh,LITERARY CRITICISM / Subjects & Themes / Religion,RELIGION / Christianity / Catholic
Подзаголовок: Newman, hopkins, belloc, chesterton, greene, waugh
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Англии
Описание: The Catholic Revival in English Literature, 1845-1961 presents a thorough discussion of the six principal writers of the Catholic revival in English literature—Newman, Hopkins, Belloc, Chesterton, Greene, and Waugh. Beginning with Newman’s conversion in 1845 and ending with Waugh’s completion of the triology The Sword of Honor in 1961, this book explores how Catholicism shaped the work of these six prominent writers. John Henry Newman claimed in The Idea of a University that post-Reformation English literature was overwhelmingly Protestant and that there was no prospect of a Catholic body of literature. Describing this claim as “happily lacking in prescience,” Ian Ker persuasively argues that Newman, Hopkins, Belloc, Chesterton, Greene, and Waugh succeeded in producing a substantial body of literature written by Catholics who wrote as Catholics. These revivalists were not so much influenced by traditional themes of guilt, sin, and ceremony, as they were attracted to unexpected facets of Catholicism. The idea of a Catholic priest as a craftsman is a recurring motif, as is the celebration of the ordinariness and objectivity of Catholicism. Ker’s compelling and intelligent reading of these six major writers will appeal to anyone with an interest in nineteenth- and twentieth-century English literature, or the relation between literature and theology.

Catholic Revival in English Literature, 1845–1961, The: Newman, Hopkins, Belloc, Chesterton, Greene, Waugh, Ian Ker