Concentrating on the sacrament of the altar, poverty, and conflicting versions of sanctity, Sanctifying Signs presents a critical study of Christian literature, theology, and culture in late medieval England. In this notable book, David Aers considers the diverse ways in which certain late medieval Christians and their Church engaged the immense resources of the Christian tradition in their own historical moment. Using a wide range of texts, Aers explores the complex theological, institutional, and political processes that shape and preserve tradition during changing circumstances. He is particularly interested in why some texts were judged by the late medieval Church to be orthodox and others heretical, and the effect of these judgments on the conversations and debates of the fourteenth and fifteenth centuries.
Sanctifying Signs begins with accounts of the sacrament of the altar that were deemed orthodox in the late medieval Church. Aers then shifts his focus to the relationship between sanctification and the sign of poverty. Finally, he reflects on the relationship between some versions of domesticity and sanctification. Texts of William Langland, John Wyclif, Walter Brut, William Thorpe, and others are examined within the context of a broad range of earlier and contemporary writings and events. Through these modes of exploration Aers seeks to understand and reinvigorate a theological, ethical, ecclesiological, and political conversation that has been pursued through a variety of rhetorical forms since the late Middle Ages.
Mark Amodio’s book focuses on the influence of the oral tradition on written vernacular verse produced in England from the fifth to the fifteenth century. His primary aim is to explore how a living tradition articulated only through the public, performance voices of pre-literate singers came to find expression through the pens of private, literate authors. Amodio argues that the expressive economy of oral poetics survives in written texts because, throughout the Middle Ages, literacy and orality were interdependent, not competing, cultural forces.
After delving into the background of the medieval oral-literate matrix, Writing the Oral Tradition develops a model of non-performative oral poetics that is a central, perhaps defining, component of Old English vernacular verse. Following the Norman Conquest, oral poetics lost its central position and became one of many ways to articulate poetry. Contrary to many scholars, Amodio argues that oral poetics did not disappear but survived well into the post-Conquest period. It influenced the composition of Middle English verse texts produced from the twelfth to the fourteenth century because it offered poets an affectively powerful and economical way to articulate traditional meanings. Indeed, fragments of oral poetics are discoverable in contemporary prose, poetics, and film as they continue to faithfully emit their traditional meanings.
Writing the Oral Tradition will appeal to specialists and students interested in medieval literature, medieval cultural studies, and oral theory.
Автор: Cooper Название: Artisans and Narrative Craft in Late Medieval England ISBN: 1107631394 ISBN-13(EAN): 9781107631397 Издательство: Cambridge Academ Рейтинг: Цена: 5069.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the representation of artisans - masons, carpenters, blacksmiths, and more - in medieval English literature from c.1000-1483. It reveals that craft labor plays a central role in texts as varied as school-books, comic poems, spiritual literature, and works of political advice.
Автор: Connolly, Margaret Mooney, Linne R. Название: Design and distribution of late medieval manuscripts in england ISBN: 1903153247 ISBN-13(EAN): 9781903153246 Издательство: Неизвестно Рейтинг: Цена: 28393.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: New essays on late medieval manuscripts highlight the complicated network of their production and dissemination.
Описание: Nicholas Love`s Mirror has received suprisingly little scholarly attention and is often contextualized in terms of its role in the Wycliffite controversy. David Falls investigates new possibilities for understanding the composition, circulation, function and use of Love`s Mirror by examining textual modification and additions, presenting a nuanced
This monograph examines Anglo-Saxon prayer outside of the communal liturgy. With a particular emphasis on its practical aspects, it considers how small groups of prayers were elaborated into complex programs for personal devotion, resulting in the forerunners of the Special Offices.
With examples being taken chiefly from major eleventh-century collections of prayers, liturgy and medical remedies, the methodologies of Anglo-Saxon compilers are examined, followed by five chapters on specialist kinds of prayer: to the Trinity and saints, for liturgical feasts and the canonical hours, to the Holy Cross, for protection and healing, and confessions. Analyzing prayer in a wide range of different situations, this book argues that Anglo-Saxon manuscripts may have included far more private offices than have so far been recognized, if we see them for what they were.
Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry.
The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems: on the one hand, the classical poetic models and, on the other, the various genres and sub-genres of Christian prose. Keeping in mind the different settings of the Greek-speaking East and the Latin-speaking West, the contributions seek to understand the impact of historical setting on genre, the influence of the paideia shared by authors and audiences, and the continued relevance of traditional categories of literary genre. While our immediate focus is genre, most of the contributions also engage with the ideological ramifications of the transposition of Christian themes into classicizing literature.
This volume offers important and original case studies on the reception and appropriation of the classical past and its literary forms by Christian poetry.
Автор: Valliere Paul, Poole Randall Название: Law and the Christian Tradition in Modern Russia ISBN: 0367861313 ISBN-13(EAN): 9780367861315 Издательство: Taylor&Francis Рейтинг: Цена: 22202.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book focuses on a vibrant central current within the history of Russian legal thought: how Christianity, and theistic belief generally, has inspired the aspiration to the rule of law in Russia, informed Russian philosophies of law, and shaped legal practices.
Автор: Stillman, Robert E. Название: Christian identity, piety, and politics in early modern england ISBN: 0268200416 ISBN-13(EAN): 9780268200411 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 11913.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This book challenges the adequacy of identifying religious identity with confessional identity.
The Reformation complicated the issue of religious identity, especially among Christians for whom confessional violence at home and religious wars on the continent had made the darkness of confessionalization visible. Robert E. Stillman explores the identity of “Christians without names,” as well as their agency as cultural actors in order to recover their consequence for early modern religious, political, and poetic history.
Stillman argues that questions of religious identity have dominated historical and literary studies of the early modern period for over a decade. But his aim is not to resolve the controversies about early modern religious identity by negotiating new definitions of English Protestants, Catholics, or “moderate” and “radical” Puritans. Instead, he provides an understanding of the culture that produced such a heterogeneous range of believers by attending to particular figures, such as Antonio del Corro, John Harington, Henry Constable, and Aemilia Lanyer, who defined their pious identity by refusing to assume a partisan label for themselves. All of the figures in this study attempted as Christians to situate themselves beyond, between, or against particular confessions for reasons that both foreground pious motivations and inspire critical scrutiny. The desire to move beyond confessions enabled the birth of new political rhetorics promising inclusivity for the full range of England’s Christians and gained special prominence in the pursuit of a still-imaginary Great Britain. Christian Identity, Piety, and Politics in Early Modern England is a book that early modern literary scholars need to read. It will also interest students and scholars of history and religion.
Описание: A probing inquiry into medieval court struggles, this book shows the relationship between intellectual conflict and the geopolitics of empire.
The book presents Henry Totting of Oyta (d. 1397), a late medieval intellectual who was active in Erfurt, Prague, Paris, and Vienna. In spite of the fact that he is a well-known figure, the majority of his works remain unedited in manuscripts. The authors analyse and provide the first editions of three of his sermons: On the Passion, On the Assumption of the Blessed Virgin Mary, and On the Nativity of John the Baptist. Totting wrote each of them at a different point in his career, for a different audience and in a different style. They contribute to our knowledge about late medieval devotion and illustrate the transformation of late medieval intellectual life in Central Europe.
This is a truly paradigm-shifting study that reads a key text in Latin Humanist studies as the culmination, rather than an early example, of a tradition in university drama. It persuasively argues against the common assumption that there was no "drama" in the medieval universities until the syllabus was influenced by humanist ideas, and posits a new way of reading the performative dimensions of fourteenth and fifteenth-century university education in, for example, Ciceronian tuition on epistolary delivery. David Bevington calls it "an impressively learned discussion" and commends the sophistication of its use of performativity theory.
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