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Reality Fictions: Romance, History, and Governmental Authority, 1025–1180, Robert M. Stein


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Автор: Robert M. Stein
Название:  Reality Fictions: Romance, History, and Governmental Authority, 1025–1180
ISBN: 9780268041205
Издательство: Wiley EDC
Классификация:
ISBN-10: 0268041202
Обложка/Формат: Paperback
Страницы: 304
Вес: 0.41 кг.
Дата издания: 2006-04-30
Язык: English
Размер: 229 x 152 x 16
Читательская аудитория: Undergraduate
Основная тема: European history,Literary studies: classical, early & medieval,Medieval history,Philosophy: epistemology & theory of knowledge, HISTORY / Europe / Medieval,LITERARY CRITICISM / Medieval,PHILOSOPHY / Epistemology
Подзаголовок: Romance, history, and governmental authority, 1025-1180
Ссылка на Издательство: Link
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Поставляется из: Англии
Описание:

It has long been a commonplace of literary history that in the twelfth century, first in the French-speaking territories controlled by the Anglo-Norman and Capetian ruling families, and especially within the milieu of the English royal court, antique and chivalric romances appear simultaneously with a new kind of historical chronicle driven by contemporary affairs. In short order, historiography and romance, whether written in Latin or in the vernaculars, became culturally dominant kinds of narrative expression throughout the rest of Europe.

Why did this happen? Why did these two new kinds of writing appear simultaneously and spread so rapidly within the same cultural milieu? In Reality Fictions, Robert M. Stein argues that the emergence of historiography and romance was linked to large-scale transformations in the structure of power attendant on Capetian and Anglo-Norman state-making. He maintains that an understanding of the changes in the twelfth-century literary constellation requires us to consider the structure of literary production as a whole and in its relation to the world from which it emerges and to which it responds. Stein argues that romance and history writing grew out of the same cultural need and were intended to perform the same cultural tasks, thus determining their simultaneous appearance, rapid development, and formal affinities.

In the rearrangements of power that were part of the state-making designs of Capetian and Anglo-Norman ruling families, new imaginative and conceptual entities became matters demanding serious representation, often in new discursive configurations, and often for the first time—the boundaries between self and other, the experience of eros, the differentiation of public from private life all took on new contours. A brilliant study of literary innovation, Reality Fictions provides a new understanding of the large variety of overlapping institutional, epistemological, and practical structures of power that the European Middle Ages presents to us and the ways that dislocations and transformations of power are registered in the consciousness of those who live through them.




The Growth of the Medieval Icelandic Sagas (11801280)

Автор: Andersson Theodore M.
Название: The Growth of the Medieval Icelandic Sagas (11801280)
ISBN: 0801477824 ISBN-13(EAN): 9780801477829
Издательство: Wiley EDC
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Цена: 3430.00 р.
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Описание:

In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Nj?ls saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.

Revisiting the long-standing debate about the oral and literary components of the sagas, Andersson argues that there is a clear progression from the somewhat mechanical gathering of oral lore in the early sagas to an increasingly tight and authorially controlled composition in the later sagas. The early sagas—including The Legendary Saga of Saint Olaf and Odd Snorrason's Saga of Olaf Tryggvason—focus on conspicuous individuals and their memorable deeds; later works are more apt to formulate the abstract problems and ideas that preoccupied their authors. As the authors begin to impose their views on the inherited narratives, the sagas become more and more critical and self-conscious, to the point where Nj?ls saga may be considered not only to approximate a novel in our sense of the term but also to comment on the saga form.

Автор: Theodore M. Andersson
Название: Growth of the Medieval Icelandic Sagas (1180–1280)
ISBN: 080144408X ISBN-13(EAN): 9780801444081
Издательство: Wiley EDC
Рейтинг:
Цена: 11154.00 р.
Наличие на складе: Есть у поставщика Поставка под заказ.

Описание:

In this book, Theodore M. Andersson, a leading scholar of the Norse sagas, introduces readers to the development of the Icelandic sagas between 1180 and 1280, a crucial period that witnessed a gradual shift of emphasis from tales of adventure and personal distinction to the analysis of political and historical propositions. Beginning with the first full-length sagas and culminating in the acknowledged masterpiece Nj?ls saga, Andersson emphasizes a historical perspective, establishing a chronology for seventeen of the most important sagas and showing how they evolve thematically and stylistically over the century under study.

Revisiting the long-standing debate about the oral and literary components of the sagas, Andersson argues that there is a clear progression from the somewhat mechanical gathering of oral lore in the early sagas to an increasingly tight and authorially controlled composition in the later sagas. The early sagas—including The Legendary Saga of Saint Olaf and Odd Snorrason's Saga of Olaf Tryggvason—focus on conspicuous individuals and their memorable deeds; later works are more apt to formulate the abstract problems and ideas that preoccupied their authors. As the authors begin to impose their views on the inherited narratives, the sagas become more and more critical and self-conscious, to the point where Nj?ls saga may be considered not only to approximate a novel in our sense of the term but also to comment on the saga form.


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