Описание: Takes the recent wave of German autobiographical writing on illness and disability seriously as literature, demonstrating the value of a literary disability studies approach.
Автор: Veronica Marie Gregg Название: Caribbean Women: An Anthology of Non-Fiction Writing, 1890-1981 ISBN: 0268029598 ISBN-13(EAN): 9780268029593 Издательство: Wiley EDC Рейтинг: Цена: 17160.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
In this volume, the first in a two-part anthology of non-fiction writings by Caribbean women, Veronica Marie Gregg has collected works written from the turn of the nineteenth century to 1980. Her selections are guided by a search for answers to the questions: What have West Indian women contributed to the creation of Anglophone Caribbean society, politics, cultures, and intellectual traditions? How is Caribbean womanhood defined and articulated? Beginning with the writings of generations of women born after slavery ended, the anthology builds on existing bodies of knowledge and forms of inquiry into Caribbean women’s lives through its presentation of some of their many important contributions to the creation and development of Caribbean intellectual history.
This volume is divided into two sections that are broadly shaped by major historical flashpoints: the postemancipation and decolonization struggles (1890–1945), and the postwar period marked by a movement toward nation building, constitutional independence, and cultural nationalism (1945–1980). The volume begins with some of the (so far) earliest known writing by native born West Indian women on political and social issues and ends at the point where sustained Caribbean feminist scholarship begins. Writings in the first section are drawn primarily from newspapers, pamphlets, and occasional publications. They address key issues such as voting rights, political equality, colonialism, race, work, and social welfare. The second section includes the work of some of the women who were part of the first and second generations of professional academic women at the University of the West Indies, established in 1948. Their selections challenge many of the prevailing intellectual models used to define Caribbean societies and identities.
This distinctive collection is an excellent resource for students and professors in the fields of Caribbean Studies, African American Studies, and women’s studies.
Автор: Opoku-Gyimah Phyll Название: Sista! ISBN: 0995516243 ISBN-13(EAN): 9780995516243 Издательство: Неизвестно Рейтинг: Цена: 3308.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
A joyous and groundbreaking UK-based anthology of writings by and about Same Gender Loving Women of African/Caribbean descent, including bi, queer, non-binary and mixed race women, Sista showcases 31 contributors, offering a mix of biography/memoir, essays/think-pieces, fiction and poetry, and is the companion volume to Team Angelica's 2015 anthology, Black & Gay in the UK.
Editors are Black Pride founder Phyll Opoku-Gyimah, Rikki Beadle-Blair and John R Gordon
Автор: Gleadle Название: Radical Writing on Women, 1800-1850 ISBN: 0333726138 ISBN-13(EAN): 9780333726136 Издательство: Springer Рейтинг: Цена: 6986.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This collection brings together the many diverse political extents of early 19th-century British feminism, as well as representing the works of literary figures such as Shelley, Tennyson and the Brontes.
Автор: Maria Encarnacion Lopez, Stephen M Hart Название: Gender Violence in Twenty-First-Century Latin American Women`s Writing ISBN: 1855663163 ISBN-13(EAN): 9781855663169 Издательство: Boydell & Brewer Рейтинг: Цена: 12672.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: How do contemporary female authors in Latin America tackle gender violence in their writings?
Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked—and relocated—to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon—as represented by C. L. R. James and V. S. Naipaul, among others—and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson’s search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women’s studies, and Caribbean literature.
Название: Dead Woman Pickney: A Memoir of Childhood in Jamaica ISBN: 1771125470 ISBN-13(EAN): 9781771125475 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 3134.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Dead Woman Pickney chronicles Yvonne Shorter Brown's life growing up in Jamaica between 1943 and 1965 and teaching in Canada from 1969. Told with stridency and humour, the stories include both personal experience and history.Taking up the haunting memories of childhood, along with persistent racial marginalization of Black people, both globally and in Canada, the author sets out to construct a narrative that at once explains her own origins in the former slave society of Jamaica and traces the outsider status of Africa and its peoples. The author's quest to understand the absence of her mother and her mother's people from her life is at the heart of the narrative. The author struggles through life to discover the identity of her mother in the face of silence from her father's brutal family. In this updated edition she adds a coda, 'finding mother', constructed from archives, genealogy, letters, and journals.Initially published in 2010, this second edition includes expanded text and a foreword by Sonja Boon, author of What the Oceans Remember.
What is the relationship between history and fiction in a place with a contentious past? And of what concern is gender in the telling of stories about that past?
Writing Women in Central America explores these questions as it considers key Central American texts. This study analyzes how authors appropriate history to confront the rhetoric of the state, global economic powers, and even dissident groups within their own cultures. Laura Barbas-Rhoden winds a common thread in the literary imaginations of Claribel Alegr?a, Rosario Aguilar, Gioconda Belli, and Tatiana Lobo and shows how these writers offer provocative supplements to the historical record.
Writing Women in Central America considers more than a dozen narratives in which the authors craft their own interpretations of history to make room for women, indigenous peoples, and Afro-Latin Americans. Some of the texts reveal silences in the narratives of empire- and nation-building. Others reinterpret events to highlight the struggle of marginalized peoples for dignity and humanity in the face of oppression. All confront the ways in which stories have been told about the past.
Yet ultimately, Professor Barbas-Rhoden asserts, all concern the present and the future. As seen in Writing Women in Central America, though their fictions are historical, the writers direct their readers beyond the present toward a more just future for all who live in Central America.
Colonialism left an indelible mark on writers from the Caribbean. Many of the mid-century male writers, on the eve of independence, looked to England for their models. The current generation of authors, many of whom are women, have increasingly looked—and relocated—to the United States. Incorporating postcolonial theory, West Indian literature, feminist theory, and African American literary criticism, Making Men carves out a particular relationship between the Caribbean canon—as represented by C. L. R. James and V. S. Naipaul, among others—and contemporary Caribbean women writers such as Jean Rhys, and Jamaica Kincaid, Paule Marshall, and Michelle Cliff, who now live in the United States.
Discussing the canonical Caribbean narrative as it reflects national identity under the domination of English cultural authority, Belinda Edmondson focuses particularly on the pervasive influence of Victorian sensibilities in the structuring of twentieth-century national identity. She shows that issues of race and English constructions of masculinity not only are central to West Indian identity but also connect Caribbean authorship to the English literary tradition. This perspective on the origins of West Indian literary nationalism then informs Edmondson’s search for female subjectivity in current literature by West Indian women immigrants in America. Making Men compares the intellectual exile of men with the economic migration of women, linking the canonical male tradition to the writing of modern West Indian women and exploring how the latter write within and against the historical male paradigm in the continuing process of national definition. With theoretical claims that invite new discourse on English, Caribbean, and American ideas of exile, migration, race, gender identity, and literary authority, Making Men will be informative reading for those involved with postcolonial theory, African American and women’s studies, and Caribbean literature.
Описание: The stories, prose and poems in this anthology offer readers a unique and generous array of women`s experiences in China. In a world that is rapidly modernizing, these writings attempt to reconcile with the ever-changing people, plants, beasts and environment.
Автор: Spinner Jenny Название: Of Women and the Essay: An Anthology from 1655 to 2000 ISBN: 0820354244 ISBN-13(EAN): 9780820354248 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13167.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Of Women and the Essay brings together forty-six American and British women essayists whose work spans nearly four centuries. The contributions of these essayists prove that women have been significant participants in the essay tradition since the genre’s modern beginnings in the sixteenth century. Many of these essayists, such as Eliza Haywood, Fanny Fern, Gertrude Bustill Mossell, Agnes Repplier, and Alice Meynell, achieved significant success as writers within whatever essay form ruled the day; others bent the rules, though often imperceptibly, to make room for themselves. Collectively they represent a missing piece in the larger history of the essay.In Of Women and the Essay Jenny Spinner contextualizes the broad range of literary essays included within the chronological development of the genre. She makes a compelling argument that women have constructed their own tradition in the essay genre, often utilizing periodic traits of the essay to their own advantage. At the same time, she suggests that the personal essay’s demands on the essayist required both a public and personal authorization that proved challenging for women essayists in general and for women of color in particular. The appendix catalogs the works of nearly 200 female essayists and should inspire further reading. As a whole, the volume lifts women writers from the cutting-room floor of essay scholarship and returns them to their rightful place in the essay canon.
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