Описание: Expanding the scope of American borderland and frontier literary scholarship, West of the Border examines the writings of nineteenth- and turn-of-the-century Native, African, Asian, and Anglo American frontier writers.
Автор: Stephen H. Sumida Название: And the View from the Shore: Literary Traditions of Hawai`i ISBN: 0295998709 ISBN-13(EAN): 9780295998701 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
This groundbreaking study of a little-explored branch of American literature both chronicles and reinterprets the variety of patterns found within Hawaii's pastoral and heroic literary traditions, and is unprecedented in its scope and theme. As a literary history, it covers two centuries of Hawaii's culture since the arrival of Captain James Cookin 1778. Its approach is multicultural, representing the spectrum of native Hawaiian, colonial, tourist, and polyethnic local literatures. Explicit historical, social, political, and linguistic context of Hawaii, as well as literary theory, inform Stephen Sumida's analyses and explications of texts, which in turn reinterpret the nonfictional contexts themselves. These "texts" include poems, song lyrics, novels and short fiction, drama and oral traditions that epitomize cultural milieus and sensibilities.
Hawaii's rich literary tradition begins with ancient Polynesian chant and encompasses the compelling novels of O.A. Bushnell, Shelley Ota, Kazuo Miyamoto, Milton Marayama, and John Dominis Holt; the stories of Patsy Saiki and Darrell Lum; the dramas of Aldyth Morris; the poetry of Cathy Song, Erick Chock, Jody Manabe, Wing Tek Lum, and others of the contemporary "Bamboo Ridge" group; Hawaiian songs and poetry, or mele; and works written by visitors from outside the islands, such as the journals of Captain Cook and the prose fiction of Herman Melville, James Fenimore Cooper, Mark Twain, and James Michener. Sumida discusses the renewed enthusiasm for native Hawaiian culture and the controversies over Hawaii's vernacular pidgins and creoles. His achievement in developing a functional and accessible critical and intellectual framework for analyzing this diverse material is remarkable, and his engaging and perceptive analysis of these works invites the reader to explore further in the literature itself and to reconsider the present and future direction of Hawaii's writers.
Автор: Kollin Название: A History of Western American Literature ISBN: 1107083850 ISBN-13(EAN): 9781107083851 Издательство: Cambridge Academ Рейтинг: Цена: 13464.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This History encompasses the complexity of Western American literature by exploring myriad genres and cultural movements, from ecocriticism to race and ethnic studies. Written by leading historians and literary critics, this book offers readers insight into the West as a site that sustains canonical and emerging authors alike.
Spaces of the Mind reveals how both immigrant European and modern Native communities and individuals use oral and written narratives to define and center themselves in time and space. Elaine A. Jahner skillfully weaves together years of fieldwork among the Standing Rock Sioux in North Dakota, her own memories of growing up in a German-Russian town across the Missouri River from the Standing Rock Sioux, and an illuminating set of narrative concepts.
Spaces of the Mind proposes a theory of cognitive style that emphasizes the ways in which distinct cultural identities are expressed through the structure of a narrative and the unfolding of its performance, telling, or reading. Themes of creativity and survival amid loss pervade the stories told by Natives about themselves and their past when discussing the inundation of the original Standing Rock Sioux village during the Oahe Dam construction in the 1950s. Immigrant Germans and Alsatians struggled to reconcile the hardships of the northern Plains with what they left behind in the Old World, and the narratives of a German-Russian community reflect and encourage survival in the face of transition. Jahner also studies how two prominent novelists—James Welch, a member of the Blackfeet community, and Mildred Walker, who left her native New England for the West— perceive a single landscape, the state of Montana, and how it has influenced their thought and narratives.
Spaces of the Mind provides a fresh understanding of Western literature and culture, encourages a reconsideration of the formation and modern character of the American West, and contributes to a fuller appreciation of the significance of narrative.
At the core of postmodern thought, especially in literary theory, is the belief that such ideals as truth, reason, and objectivity are social constructs that have no universal or trans-historical validity. In exploring this constructivist view, Satya P. Mohanty examines its underlying epistemological claims and their social and political implications. His book points the way toward a critical alternative to the epistemological and cultural relativisms.
Mohanty grounds his critique in readings of some of the major figures of postmodernism, including Paul de Man, Louis Althusser, Fredric Jameson, and Jacques Derrida and analyzes the views of Mikhail Bakhtin, C. S. Peirce, Hilary Putnam, and Richard Rorty, particularly their notions of language and referentiality. Mohanty defends a post-positivist realist conception of objectivity as a legitimate ideal of all inquiry. He outlines a realist theory of social identity and multicultural politics which sees radical moral universalism and cultural diversity as complementary—not competing—ideals.
Spaces of the Mind reveals how both immigrant European and modern Native communities and individuals use oral and written narratives to define and center themselves in time and space. Elaine A. Jahner skillfully weaves together years of fieldwork among the Standing Rock Sioux in North Dakota, her own memories of growing up in a German-Russian town across the Missouri River from the Standing Rock Sioux, and an illuminating set of narrative concepts.
Spaces of the Mind proposes a theory of cognitive style that emphasizes the ways in which distinct cultural identities are expressed through the structure of a narrative and the unfolding of its performance, telling, or reading. Themes of creativity and survival amid loss pervade the stories told by Natives about themselves and their past when discussing the inundation of the original Standing Rock Sioux village during the Oahe Dam construction in the 1950s. Immigrant Germans and Alsatians struggled to reconcile the hardships of the northern Plains with what they left behind in the Old World, and the narratives of a German-Russian community reflect and encourage survival in the face of transition. Jahner also studies how two prominent novelists—James Welch, a member of the Blackfeet community, and Mildred Walker, who left her native New England for the West— perceive a single landscape, the state of Montana, and how it has influenced their thought and narratives.
Spaces of the Mind provides a fresh understanding of Western literature and culture, encourages a reconsideration of the formation and modern character of the American West, and contributes to a fuller appreciation of the significance of narrative.
Описание: This long view of the Jewish cultural influence on Iran`s social, economic, and political development makes this book a unique contribution to the field of Judeo-Iranian studies and to the study of Iranian history.
Автор: Ramu Nagappan Название: Speaking Havoc: Social Suffering and South Asian Narratives ISBN: 0295996153 ISBN-13(EAN): 9780295996158 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 13794.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Who has the right to speak about trauma? As cultural products, narratives of social suffering paradoxically release us from responsibility while demanding that we examine our own connectedness to the circumstances that produce suffering. As a result, the text's act of "speaking havoc" rebounds in unsettling ways.
Speaking Havoc investigates how literary and cinematic fictions intervene in the politics and reception of social suffering. Amitav Ghosh's modernist novel The Shadow Lines (1988), A Fine Balance (1995) by Rohinton Mistry, the short stories of Saadat Hasan Manto, Salman Rushdie's postmodernist novel Shame (1983), and the "spectacular" films of Maniratnam: each bears witness to social violence in South Asia. These works confront squarely a number of ethical dilemmas in representations of social suffering--the catastrophes and innumerable minor tragedies that arise from clashes among religious and ethnic communities.
Focusing on central events such as the Partition of 1947, the assassination of Indira Gandhi in 1984, and more recent religious conflicts between India and Pakistan, Nagappan demonstrates the differing ways that narratives engage--often in ambiguous and problematic ways--the political violence that has marked the last fifty years of South Asian history. Is it possible to tell fully the stories of those who have died and those who have survived? Can writing really act as a counter to silence? In his compassionate engagement with these concerns, Nagappan demonstrates the relevance of literature and literary studies to fundamental sociological, anthropological, and political issues.
With its interdisciplinary scope, historical perspective, and lucid style, Speaking Havoc is destined to become a foundational text for scholars of South Asian studies and postcolonial and cultural studies, and for readers interested in trauma and social suffering as well as in the literature, films, and histories that take this field as their topic.
Автор: Vitkus Название: Turning Turk ISBN: 0230602398 ISBN-13(EAN): 9780230602397 Издательство: Springer Рейтинг: Цена: 8384.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Vitkus`s book demonstrates that the English encounter with exotic alterity, and the theatrical representations inspired by that encounter, helped to form the emergent identity of an English nation that was eagerly fantasizing about having an empire, but was still in the preliminary phase of its colonizing drive.
Описание: This volume foments exploration of how Spanish cities, big and small, are experiencing transformation in architecture, popular customs and festivals, economics, family dynamics, and social and political agency through the arrival of new residents from around the globe.
Автор: Tian Xiaofei Название: Tao Yuanming and Manuscript Culture ISBN: 0295991348 ISBN-13(EAN): 9780295991344 Издательство: Wiley EDC Рейтинг: Цена: 4803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Winner of a 2006 Choice Magazine Outstanding Academic Title Award
As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature.
Considered emblematic of the national character, Tao Yuanming (also known as Tao Qian, 365?-427 c.e.) is admired for having turned his back on active government service and city life to live a simple rural life of voluntary poverty. The artlessness of his poetic style is held as the highest literary and moral ideal, and literary critics have taken great pains to demonstrate perfect consistency between Tao Yuanming's life and poetry. Earlier work on Tao Yuanming has tended to accept this image, interpreting the poems to confirm the image.
Tao Yuanming and Manuscript Culture is a study of how this cultural icon was produced and of the elusive traces of another, historical Tao Yuanming behind the icon. By comparing four early biographies of the poet, Tian shows how these are in large measure constructed out of Tao Yuanming's self-image as projected in his poetry and prose. Drawing on work in European medieval literature, she demonstrates the fluidity of the Chinese medieval textual world and how its materials were historically reconfigured for later purposes.
Tian finds in Tao's poetic corpus not one essentialized Tao Yuanming, but multiple texts continuously produced long after the author's physical demise. Her provocative look at the influence of manuscript culture on literary perceptions transcends its immediate subject and has special resonance today, when the transition from print to electronic media is shaking the literary world in a way not unlike the transition from handwritten to print media in medieval China.
Living continuously in Iran for over 2700 years, Jews have played an integral role in the history of the country. Frequently understood as a passive minority group, and often marginalized by the Zoroastrian and succeeding Muslim hegemony, the Jews of Iran are instead portrayed in this book as having had an active role in the development of Iranian history, society, and culture. Examining ancient texts, objects, and art from a wide range of times and places throughout Iranian history, as well as the medieval trade routes along which these would have travelled, The Jews of Iran offers in-depth analysis of the material and visual culture of this community. Additionally, an exploration of modern novels and accounts of Jewish-Iranian women's experiences sheds light on the social history and transformations of the Jews of Iran from the rule of Cyrus the Great (c. 600-530 BCE) to the Iranian Revolution of 1978/9 and onto the present day. By using the examples of women writers such as Gina Barkhordar Nahai and Dalia Sofer, the implications of fictional representation of the history of the Jews of Iran and the vital importance of communal memory and tradition to this community are drawn out. By examining the representation of identity construction through lenses of religion, gender, and ethnicity, the analysis of these writers' work highlights how the writers undermine the popular imagining and imaging of the Jewish 'other' in an attempt to create a new narrative integrating the Jews of Iran into the idea of what it means to be Iranian. This long view of the Jewish cultural influence on Iran's social, economic, political, and cultural development makes this book a unique contribution to the field of Judeo-Iranian studies and to the study of Iranian history more broadly.
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