Creating Wealth and Poverty in Postsocialist China, Deborah S. Davis, Feng Wang
Автор: Deborah S. Davis, Feng Wang Название: Creating Wealth and Poverty in Postsocialist China ISBN: 0804759316 ISBN-13(EAN): 9780804759311 Издательство: Wiley EDC Рейтинг: Цена: 13900.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
The Chinese economy's return to commodification and privatization has greatly diversified China's institutional landscape. With the migration of more than 140 million villagers to cities and rapid urbanization of rural settlements, it is no longer possible to presume that the nation can be divided into strictly urban or rural classifications.
Creating Wealth and Poverty in Postsocialist China draws on a wide variety of recent national surveys and detailed case studies to capture the diversity of postsocialist China and identify the contradictory dynamics forging contemporary social stratification. Focusing on economic inequality, social stratification, power relations, and everyday life chances, the volume provides an overview of postsocialist class order and contributes to current debates over the forces driving global inequalities. This book will be a must read for those interested in social inequality, stratification, class formation, postsocialist transformations, and China and Asian studies.
How China's art students develop their aesthetic styles and enter the nation's creative economy
The last three decades have seen a massive expansion of China's visual culture industries, from architecture and graphic design to fine art and fashion. New ideologies of creativity and creative practices have reshaped the training of a new generation of art school graduates. Creativity Class is the first book to explore how Chinese art students develop, embody, and promote their own personalities and styles as they move from art school entrance test preparation, to art school, to work in the country's burgeoning culture industries. Lily Chumley shows the connections between this creative explosion and the Chinese government's explicit goal of cultivating creative human capital in a new "market socialist" economy where value is produced through innovation. Drawing on years of fieldwork in China's leading art academies and art test prep schools, Chumley combines ethnography and oral history with analyses of contemporary avant-garde and official art, popular media, and propaganda. Examining the rise of a Chinese artistic vanguard and creative knowledge-based economy, Creativity Class sheds light on an important facet of today's China.
This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
Автор: Neda Atanasoski, Kalindi Vora Название: Postsocialist Politics and the Ends of Revolution ISBN: 1032342048 ISBN-13(EAN): 9781032342047 Издательство: Taylor&Francis Рейтинг: Цена: 19906.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Moving past the conflation of state socialism with all socialist projects, this book opens up avenues for addressing socialist projects rooted in decolonial and antiracist politics.
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
Автор: Szemere, Anna. Название: Up from the underground : ISBN: 0271021330 ISBN-13(EAN): 9780271021331 Издательство: NBN International Рейтинг: Цена: 7381.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: What happens to a community of oppositional artists when the purpose and meaning of their opposition are undermined by social transformation. This title looks at the rock-music-based underground in Hungary, showing how it anticipated, precipitated, and responded to a period of fundamental change.
Автор: Pehe, Veronika Название: Velvet retro ISBN: 1805391402 ISBN-13(EAN): 9781805391401 Издательство: Berghahn Рейтинг: Цена: 4110.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:
Scholars of state socialism have frequently invoked “nostalgia” to identify an uncritical longing for the utopian ambitions and lived experience of the former Eastern Bloc. However, this concept seems insufficient to describe memory cultures in the Czech Republic and other contexts in which a “retro” fascination with the past has proven compatible with a steadfast critique of the state socialist era. This innovative study locates a distinctively retro aesthetic in Czech literature, film, and other cultural forms, enriching our understanding of not only the nation’s memory culture, but also the ways in which popular culture can structure collective memory.
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