Автор: Bandera, Maria Cristina Название: Morandi 1890-1964 ISBN: 8861307167 ISBN-13(EAN): 9788861307162 Издательство: Thames & Hudson Рейтинг: Цена: 6592.00 р. Наличие на складе: Заказано в издательстве.
Описание: An exceptional selection of works documenting the entire creative career of the Italian painter, from his powerful beginnings through his Metaphysical painting phase and into the hazy atmospheres of his later works. It includes 116 masterpieces arranged into self-portraits, still-lifes, landscapes and flowers, the four major themes that characterise his work. The collection represents all the various expressive techniques used by Giorgio Morandi over the years: paint, etching, drawing and watercolour. The works have been obtained from major American museums such as the MoMA of New York, the National Gallery of Washington, the Phillips Collection and the Hirshorn Museum and Sculpture Garden in Washington, the Fogg Art Museum in Cambridge (Massachusetts), the Iowa Museum of Art and the Smith College Museum of Art in Northampton, as well as from famous private collections such as those of Roberto Longhi, Cesare Brandi, Lamberto Vitali, James Trall Soby, and John Rewald.
Автор: Mattioli, Laura Название: Giorgio Morandi: Late Paintings ISBN: 1941701566 ISBN-13(EAN): 9781941701560 Издательство: Thames & Hudson Рейтинг: Цена: 5775.00 р. Наличие на складе: Есть (1 шт.) Описание: One of the most beloved painters of the twentieth century, Giorgio Morandi created works that continue to exert their mysterious power on viewers worldwide. This publication focuses on the period from 1948 to 1964, during which Morandi developed and refined his investigations of serial, reductive, and permutational forms and compositions, a body of work that has had a profound influence on twentieth-century art and painting. Included here are five of the ten iconic "yellow cloth" paintings from 1952, a series featured prominently in the historic 1998 exhibition at the Peggy Guggenheim Collection in Venice, and numerous late paintings by the Italian master. Lavishly reproduced, these immersive plates draw attention to the idiosyncratic perspectival and color-driven decisions that give the work its abstract power. The catalogue is published on the occasion of the 2015 exhibition of Morandi's paintings from this period at David Zwirner, New York--which, according to The New York Times, represent "lucid perfection, at once cerebral and impassioned." It marked the first major presentation of the artist's late work in America since the acclaimed 2008 retrospective at The Metropolitan Museum of Art, New York. In addition to an essay by Laura Mattioli and a foreword by David Leiber, who organized the exhibition, this catalogue includes a fantastic array of contributions by contemporary artists: John Baldessari, Lawrence Carroll, Vija Celmins, Mark Greenwold, Liu Ye, Wayne Thiebaud, Alexi Worth, and Zeng Fanzhi. They offer their personal responses to Morandi's work and to the Zwirner exhibition in particular. Working in different media across many disciplines, this diverse list of contributors is a testament to the reach of Morandi's paintings and their influence on contemporary art.
Автор: Morandi Giorgio Название: Giorgio Morandi ISBN: 8836642268 ISBN-13(EAN): 9788836642267 Издательство: ACC-distribution titles Рейтинг: Цена: 6897.00 р. Наличие на складе: Нет в наличии.
Описание: Oils, watercolours, drawings and etchings narrate the silent and profound innovation of painting conducted by Morandi. Text in English and Italian.
Описание: The book offers a radical rethinking of Michelangelo Antonioni`s work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting.
Автор: Battistini, Matilde Название: Astrology, magic, and alchemy in art ISBN: 0892369078 ISBN-13(EAN): 9780892369072 Издательство: Wiley yUP Рейтинг: Цена: 2803.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Presents analysis of occult iconography in many of the masterpieces of Western art - from the astrological symbols that decorated churches and illuminated manuscripts, through the work of a range of Renaissance artists, including Bosch, Brueghel, Durer and Caravaggio, to the visionary works of nineteenth-century artists, such as Fuseli and Blake.
Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its ‘new’ or ‘modern’ incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director’s work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni’s aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works’ crucial, yet overlooked, affinity with the new, ‘impure’, art practices – of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others – that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director’s work with a new understanding of its critical significance across the modern visual arts and culture more broadly.
Описание: Discusses Antonioni's cinema in relation to art and other media
Critically and comprehensively explores the relation between Antonioni's cinema and art in the 1960s and 1970s, at a time of profound transformation in, and dialogue between, both cinema and art
Moves away from traditional readings of Antonioni's cinema in terms of 'purity' by addressing its engagement with mixed and mass media
Approaches Antonioni's work through a comparative - trasnational and transmedial - lens
Addresses the legacy of Antonioni's cinema in contemporary art
Michelangelo Antonioni's 1960s films are widely recognized as both exemplars of cinema and key texts in ushering in cinema's 'modern' incarnation. Reconnecting Antonioni's aesthetically audacious films of the 1960s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity addresses these works' crucial, yet overlooked, affinity with the new 'impure' art practices that emerged in the period. At the same time, the book also offers a novel reading of the films' dialogue with postwar pictorial abstraction. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via his cinema, the book replaces auteuristic accounts of the director's work with a new understanding of its critical significance in late-twentieth century cinema and visual culture.
Описание: Features new villas and houses designed by German firm Alexander Brenner Architects, documented in rich detail through striking photography, standardised plans and visualisations, and concise texts. Text in English and German.
Автор: Matilde Tomat, Tomat Название: Men at My White Table ISBN: 1521032815 ISBN-13(EAN): 9781521032817 Издательство: Неизвестно Рейтинг: Цена: 1455.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book explores the criminalisation of irregular migration in Europe.
Автор: Serao Matilde Название: The Land of Cockayne ISBN: 1979012873 ISBN-13(EAN): 9781979012874 Издательство: Неизвестно Цена: 6078.00 р. Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. The afternoon sun crept into the Piazzetta dei Banchi Nuovi, broadening from Cardone's, the engraver, to Cappa's, the chemist, lengthening on from there up the whole Santa Chiara Road, spreading a light of unusual gaiety over the street, which always wears, even in its most frequented hours, a frigid, claustral aspect. But the great morning traffic, of people coming from the northern districts of the town-Avvocata, Stella, San Carlo all' Arena, San Lorenzo-to go down to the lower quarters of Porto, Pendino and Mercato, or vice versa, had been slowly slackening since mid-day; the coming and going of carts, carriages and pedlars had ceased; everybody seemed to be taking short cuts by the Chiostro di Santa Chiara and the Vico 1o Foglia towards Mezzocannone Alley, the Gesu Nuovo, San Giovanni Maggiore. Presently the sun's brightness lit up a street by then quite deserted. The shopkeepers on the right side of Santa Chiara-as the left side is only the high, dark enclosure wall of the Poor Clares' Convent-dealers in old dusty or wretched mean new furniture, coloured engravings, shiny oleographs, wooden and stucco saints, were at the back of their dark shops, eating over a corner of wine-stained tablecloth, with a caraffe of Marano small wine, closed by a twisted vine-leaf, standing by a big dish of macaroni. The porters, seated on the ground at the shop entrance, were eating lazily at a small loaf of bread, cut in two to hold some tasty viand-fried gourd soaked in vinegar, parsnips in green sauce, pomegranates seasoned with vinegar, garlic and pepper. The sharp, greasy smell of the quantity of tomatoes all this macaroni was cooked in, from one end of the street to the other, mingled with the acute odour of sour vinegar and coarse spices. From some passing fruitseller, carrying a nearly empty basket of figs on his head, or pushing a barrow with purple plums, and tough spotted peaches at the bottom of the baskets, the shopkeepers, clerks and porters, lips still red from tomatoes or shining with grease, bargained for a penny-worth of fruit, to finish their meal; two workmen, in front of the Martello printing-shop, where the small visiting-card press had stopped, deeply coveted a yellow melon; and two seamstresses were waiting on a doorstep chattering, till the seller of pizza passed, which is the shredded rind of tomato, garlic, and wild marjoram, cooked in the oven, and sold at a farthing, a half-penny, a penny, the piece.
Описание: Internationalization is an essential component of the business model for luxury fashion companies. Offering a comprehensive and in-depth view of luxury fashion SMEs, this book is targeted to students, scholars and practitioners interested in luxury firms, internationalization, and business models.
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